Daily Dose Of Jazz…

Pete Fountain was born Pierre Dewey LaFontaine, Jr. in a Creole cottage style frame house on July 3, 1930 in New Orleans, Louisiana. His father later changed his name to Peter and added Junior. He started playing clarinet as a child due to suffering from weakened lungs from a respiratory infection. Choosing the clarinet, his lungs became strengthened after receiving a doctor’s advice to play an instrument that he would have to blow into.

He took private lessons but also learned to play jazz by playing along with phonograph records of first Benny Goodman and then Irving Fazola. Early on he played with the bands of Monk Hazel and Al Hirt. Fountain founded The Basin Street Six in 1950 with his longtime friend, trumpeter George Girard . Four years later the band broke up and he was hired to join the Lawrence Welk orchestra and became well known for his many solos on the television show, The Lawrence Welk Show.

Post Welk, Pete was hired by Decca Records A&R head Charles “Bud” Dant and went on to produce 42 hit albums with Dant. He returned to New Orleans, played with The Dukes of Dixieland, then began leading bands under his own name. On the Sixties and Seventies he owned his own club in the French Quarter and later acquired Pete Fountain’s Jazz Club at the Riverside Hilton. He would lead a quintet comprised of bassist Don Bagley, vibist Godfrey Hirsch, pianist Merle Koch, and double bass drummer Jack Sperling. He played the Hollywood Bowl and appeared on The Tonight Show Starring Johnny Carson 56 times.

Over the course of his career his club would host Cliff Arquette, Jonathan Winters, Frank Sinatra, Phil Harris, Carol Lawrence, Robert Goulet, Keely Smith, Robert Mitchum, Brenda Lee, among many others. He would play and/or record with  Oliver “Sticks” Felix, John Probst, Paul Guma, Godfrey Hirsch, Jack Sperling, Don Bagley, Morty Corb, Godfrey Hirch, Merle Kock, Stan Wrightsman and Al Hirt, who had a club down the street. He performed his last show at the Hollywood Casino in 2010.

He is a founder and the most prominent member of the Half-Fast Walking Club, one of the best known marching Krewes that parade in New Orleans on Mardi Gras Day. He has been honored with induction into the Louisiana Music Hall of Fame, given a star on the Delta Music Museum Walk of Fame, and received an honorary degree from Loyola University New Orleans. Clarinetist Pete Fountain, who played jazz, Dixieland, pop jazz, honky-tonk jazz, pop, and Creole music, passed away in his hometown on August 6, 2016 from heart failure at the age of 86.

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Daily Dose Of Jazz…

George Braith was born George Braithwaite on June 26, 1939 in New York City. Picking up the baritone saxophone in the seventh grade, by his teen years he had his union card. playing with the thirteen-piece Dickens LaRoca band. He would later become a leader in his own right, sharing the bill with musicians like Bud Powell, Roy Ayers and Freddie Hubbard.

His epiphany about the double-horn came in the early 1960s when one night in Harlem, while playing at the Purple Manor, Roland Kirk hit the stage blowing multiple instruments at once and blew George off the stage. They quickly became friends, though the relationship became a little more competitive when George was signed by Blue Note Records.

Known for playing multiple horns at once, a technique pioneered by Rahsaan Roland Kirk, in 1976 Braith invented the Braithophone, two different horns, straight alto and soprano mended together by extensions, valves and connections. He took his invention to Central Park and later to Broadway and 50th Street, where he perfected the sound and attracted crowds. It has become a mainstay for the soul-jazz saxophonist who continues to feature the instrument in performances at various jazz clubs in town, as well as on recordings he produces on his own label, Excellence Records.

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Daily Dose Of Jazz…

Manny Albam was born on June 24, 1922 in Samana, Dominican Republic. Growing up in New York City he became interested in jazz after hearing Bix Beiderbecke and at sixteen dropped out of school to play for Dixieland trumpeter-leader Muggsy Spanier, but it was his membership in a group led by Georgie Auld that turned his career around.

While playing with Auld group, saxophonist Budd Johnson mentored Albam as an arranger. By 1950, Albam put down his baritone sax and began to concentrate strictly on arranging, writing, and leading. Within a few years, he became known for a bebop-oriented style that emphasised taut and witty writing with a flair for distinctive shadings. Flute-led reed sections became his trademark.

He became known for his work for bandleaders Charlie Barnet and Charlie Spivak, before moving forward to collaborate with Count Basie, Stan Getz, Bob Brookmeyer, Coleman Hawkins, Dizzy Gillespie, Freddie Hubbard, Hank Jones, Mel Lewis, Art Farmer, Urbie Green, and Milt Hinton, among others.

Manny found an entree into the classical music world when he arranged Leonard Bernstein’s score for West Side Story in 1957. Bernstein was said to have been so impressed that he invited him to write for the New York Philharmonic, and, in due course, write such works as Concerto for Trombone and Strings, became musical director for United Artists-Solid State Records, composed the score for a few films and television programs, and recording the albums The Blues is Everybody’s Business, The Drum Suite, The Jazz Workshop, Jazz New York, Something New, Something Blue and his jazz suite The Soul of the City.

As an educator Manny started teaching summer workshops at the Eastman School of Music in Rochester, New York in 1964. He later joined the faculties of Glassboro State College in New Jersey and the Manhattan School of Music in New York. By 1988 he helped establish the BMI Jazz Composer’s Workshop to foster young composers and arrangers. In 1991 he eventually took over as director from Bob Brookmeyer and has as long list of former students throughout the music industry and in higher education, a pursuit he continued until his death.

Baritone saxophonist,composer,arranger, producer and educator Manny Albam passed away of cancer on October 2, 2001 in Croton-on-Hudson, New York.

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Daily Dose Of Jazz…

Donald Dean was born on June 21, 1937. ) He attended the University of Kansas, studying drums and Music Therapy, and playing snare drums in the marching band. He also played tympani, marimba, bells and snare drum in the university’s Symphony Orchestra. While matriculating, he played in a quartet with Nathan Davis on reeds, Elaine Brown Davis on piano, and trumpeter Carmel Jones.   

His most famous recording was with Les McCann, Leroy Vinegar and Eddie Harris on the soul jazz album Swiss Movement, recorded live on June 21, 1969 at The Montreux Jazz Festival. He would go on to record a total of eight albums with McCann including Second Movement and Layers. Dean appeared as a jazz musician in the Tom Cruise/Jamie Foxx movie Collateral, has worked with Kenny Dorham, Jimmy Smith, George Gilliam, Carmel Jones and harold Land to name a few.

The Los Angeles Jazz Institute houses The Donald Dean Collection that includes reel to reel tapes of Sunday sessions at The Lighthouse that he recorded between 1952 and 1955. The collection also features over 700,000 photographic prints and negatives documenting both the southern and northern California scene from the mid 1960s through the late 1990s.

He has recorded on the Atlantic, Verve, Fresh Sound and Posi-Tone record labels, releasing two albums as a leader or co-leader. Drummer Donald Dean continues to perform at the age of 79 leading his own quartets and quintets.

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Daily Dose Of Jazz…

Chuck Berghofer was born Charles Curtis Berghofer on June 14, 1937 in Denver, Colorado. His interest in music began early coming from his grandfather who played with John Philip Sousa and his uncle who played tuba with the St. Louis Symphony. At eight he played trum and tuba in grade school until settling on the bass at the age of eighteen.

As a young adult he began venturing out to jazz clubs, gained an admiration to Ralph Peña and convinced him to take him on as a student. Berghofer played in high school trumpet and tuba and moved at eighteen to the double bass. Heavily influenced by Leroy Vinnegar, Paul Chambers and Ray Brown, he also admired the work of Scott LaFaro.

He went on to play with the Skinnay Ennis Orchestra, then joined Bobby Troup, Pete Jolly, Nick Martinis, Shelly Manne, Jack Sheldon, Conte Candoli, Frank Rosolino, Rahsaan Roland Kirk, Philly Joe Jones and was a member of the Abnuceals Emuukha Electric Symphony Orchestra.

He had a lengthy career in film, Berghofer, was also quite accomplished as a house jazz musician forming a semi-regular house band at Donte’s in Los Angeles with pianist Frank Strazzeri and drummer Nick Ceroli. They played with Roger Kellaway, Larry Bunker, Zoot Sims, Ray Charles, Bob Cooper, Ella Fitzgerald, Stan Getz, Peggy Lee, Shelly Manne, Gerry Mulligan, Art Pepper, Frank Rosolino, Carmen McRae, Seth MacFarlane, Barbra Streisand, Glen Campbell, Mel Torme and Frank Sinatra. Double bassist Chuck Berghofer continues to perform and record.

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