Daily Dose Of Jazz…
Bert Wilson was born on October 15, 1939 in Evansville, Indiana and contracted polio from a public swimming pool at age 4, and for the rest of his life was in a wheelchair. When he was 10, he heard the music of Charlie Parker in a Chicago hospital school, an experience he often said affected his life far more than the disease.
After graduating from high school Wilson moved to Los Angeles, California where he became interested in the avant-garde “free jazz” of Ornette Coleman. In 1966 he moved to New York, where he lived alone on the sixth floor of a building with no elevator. In New York City and Los Angeles he recorded with fiery alto saxophonist Sonny Simmons, drummers James Zitro and Smiley Winters and trumpeter Barbara Donald.
As an educator some of his students over the years have included the Dave Matthews Band’s Jeff Coffin, Los Angeles ace Ernie Watts, Tower of Power member Lenny Pickett and Latin percussionist Michael Olson. It was Olson in 1979, who along with keyboardist Michael Moore, of the band Obrador, learned that Wilson was living alone and miserable in Woodstock, New York and threw a benefit concert to move him to Olympia, Washington.
From that time forward, Bert was an active participant in the Northwest jazz scene, performing at the Earshot Jazz Festival and other major events, as well as, performing weekly with saxophonist Chuck Stentz at the Water Street Cafe.
On June 6, 2013 tenor saxophonist Bert Wilson, who did things on the saxophone that nobody else could do, passed away of a heart attack at age 73 in Olympia, Washington. He left behind many recordings as a sideman and as a leader of his own band, Rebirth.
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Daily Dose Of Jazz…
Billy Higgins was born on October 11, 1936 in Los Angeles, California. A jazz drummer who mainly played free jazz, he played on Ornette Coleman’s first records, beginning in 1958 and then freelanced extensively with hard bop and post-bop players. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s. On a whole, he played on over 700 recordings, including recordings of rock and funk, and appeared as a jazz drummer in the 2001 movie Southlander.
Tipping his hat into the educator ring, in 1989 Higgins cofounded a cultural center, The World Stage, in Los Angeles to encourage and promote younger jazz musicians. The center provides workshops in performance and writing, as well as concerts and recordings. He also taught in the jazz studies program at the University of California, Los Angeles. Drummer Billy Higgins passed away of kidney and liver failure on May 3, 2001 at age 64 in Inglewood, California.
He left a legacy of music, having recorded eight albums as a leader and his sideman duties had him performing and recording with a who’s who list of musicians including but not limited to Gene Ammons, Robert Stewart, Chris Anderson, Gary Bartz, Paul Bley, Sandy Bull, Jaki Byard, Donald Byrd, Joe Castro, Don Cherry, Sonny Clark, George Coleman, John Coltrane, Bill Cosby, Stanley Cowell, Ray Drummond, Teddy Edwards, Booker Ervin, Art Farmer, Curtis Fuller, Stan Getz, Dexter Gordon, Grant Green, Charlie Haden, Slide Hampton, Herbie Hancock, Barry Harris, Eddie Harris, Jimmy Heath, Joe Henderson, Andrew Hill, Richard “Groove” Holmes, Paul Horn, Freddie Hubbard, Bobby Hutcherson, J. J. Johnson, Hank Jones, Dave Holland, Sam Jones, Clifford Jordan, Fred Katz, Steve Lacy, Charles Lloyd, Pat Martino, Jackie McLean, Charles McPherson, Pat Metheny, Blue Mitchell, , Red Mitchell, Hank Mobley, Thelonious Monk, Lee Morgan, Bheki Mseleku, David Murray, Horace Parlan, Niels-Henning Orsted Pedersen, Art Pepper, Dave Pike, Jimmy Raney, Sonny Red, Freddie Redd, Joshua Redman, Sonny Rollins, Charlie Rouse, Pharoah Sanders, John Scofield, Shirley Scott, Archie Shepp, Sonny Simmons, Sonny Stitt, Idrees Sulieman, Sun Ra, Cecil Taylor, Bobby Timmons, Mal Waldron, Cedar Walton, Don Wilkerson, David Williams and Jack Wilson, among others.
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Daily Dose Of Jazz…
Born Martin Flachsenhaar, Jr. in New York City on October 7, 1924, Marty Flax played flute, clarinet and trombone in addition to baritone saxophone. He was a mainstay in the bands of Louis Jordan, Dizzy Gillespie, Perez Prado, and Tito Puente. He was also a member of the bands that performed on the soundtracks composed by Raymond Scott.
Marty worked with Les Elgart and Claude Thornhill in the late 1950s, then with Quincy Jones, Melba Liston and Gillespie, including on the State Department tours of the Middle East and South America.
Early in the 1960s he again toured South America with the Woody Herman Orchestra. When not on tour he led a house band at the Cafe Society and worked with Sammy Davis, Jr. and Buddy Rich recording on the Reprise, Norgran and Verve labels.
Baritone saxophonist Marty Flax, a consummate sideman and bandleader who never recorded under his own name, passed away on July 3, 1972.
Dose A Day-Blues Away
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Daily Dose Of Jazz…
Ismael Rivera also known as Maelo was born on October 5, 1931 in the Santurce sector of San Juan, Puerto Rico. The oldest of five children he was always singing and banging on cans with sticks. He received his primary education at the Pedro G. Goyco Elementary School and then went on to learn carpentry at a vocational school. He also shined shoes to help his family financially and when he was 16 years old, he worked as a carpenter. During his free time he would hang around the corner with his best friend Rafael Cortijo and sing songs. In 1948, he and Cortijo joined El Conjunto Monterrey, where he played the conga and Cortijo the bongos, but was unable to work full-time as a musician because of his work as a carpenter.
In 1952, Ismael joined the U.S. Army but was quickly discharged, because he didn’t speak English. He returned to Puerto Rico and went to work as the lead singer with Orquesta Panamericana, recording and scoring his first hits with the songs El charlatán, Ya yo sé, La vieja en camisa and La sazón de Abuela. However, an incident between Rivera and another band member, over a girl, led to his departure from the popular band. In 1954, he joined Cortijo’s Combo and recorded songs, such as, El Negro Bembón, El Yayo, María Teresa and Yo Soy del Campo, which soon became hits in the Latin community in America
With Cortijo’s Combo continuing to gain fame, so did Rivera’s reputation as a lead singer. Rivera was named sonero mayor by Cuban producer Ángel Maceda, owner of club Bronx Casino in New York and played the band went to New York City and played in the famed Palladium Ballroom.
By 1959, Rivera, together with Cortijo and his Combo were casted in the Harry Belafonte movie titled Calipso. He toured with the combo that included Rafael Ithier and Roberto Roena, throughout Europe, Central and South America. Arrested for drug possession after a trip to Panama with the Cortijo combo, he took the fall to spare the other band members. After his release he formed his own band called Ismael Rivera and His Cachimbos, becoming quite successful for eight years. He reunited with Cortijo and recorded Juntos otra vez. Eventually going solo, he did well with the recordings of El Sonero Mayor, Volare and scored his greatest hit with Las Caras Lindas (de mi gente negra).
1974 saw Ismael in a recording in concert at Carnegie Hall and four years later was in Paris, France opening for Bob Marley in 1978. The death of his childhood friend, Rafael Cortijo in 1982, affected him emotionally to the point that he couldn’t sing in the tribute, and was actively involved in the creation of a historical museum which depicts the contributions made to the cultural life of Puerto Rico by the black Puerto Ricans.
Composer and vocalist Ismael Rivera passed away on May 13, 1987 in the arms of his mother Margarita, from a heart attack. He recorded eleven albums as a leader and has had some thirty compilations released. Posthumously in 2008 Puerto Rico’s governor Aníbal Acevedo Vilá signed a proclaim stating that every anniversary of Rivera’s birth will be celebrated as Día Conmemorativo del Natalicio de Ismael Rivera, the Puerto Rican Senate declared October 5 as Ismael Rivera Day, has a plaza named for him Plaza de los Salseros that has a statue and plaque dedicated to him.
Take A Dose On The Road
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Daily Dose Of Jazz…
Ann Richards was born Margaret Ann Borden on October 1, 1935 in San Diego,California. She began taking singing lessons at ten and was self-taught on the piano. Appearing on the West Coast music scene in 1954, she had a short stint with Charlie Barnet’s band only to be later brought to the attention of Stan Kenton by songwriter Eddie Beal.
Richards was only with Kenton’s band for a few months in 1955 before the two were married. Kenton helped her secure a contract with Capitol Records and she was paired with conductor Brian Farnon and arranger Warren Baker for her 1958 debut album, I’m Shooting High. A duet album with Kenton, Two Much, was released in 1961.
The two separated in 1961 after she created scandal posed for the June 1961 issue of Playboy. She subsequently signed a contract with the Atco Records division of Atlantic Records. She released seven albums as a leader, two of them with Kenton. The cover of her 1961 album Ann, Man! was taken from the shoot. Vocalist Ann Richards committed suicide from a gunshot on April 1, 1982 in Hollywood, California, passing away at age 46.
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