Daily Dose Of Jazz…
Lonnie Liston Smith, Jr. was born into a musical family on December 28, 1940 in Richmond, Virginia. With his father a member of Richmond Gospel music group The Harmonizing Four, as a child he was privy to groups such as the Swan Silvertones and the Soul Stirrers with a young Sam Cooke at his house. He learned piano, tuba and trumpet in high school and college, graduating from Morgan State University in Baltimore, Maryland with a degree in music education.
Influenced by Charlie Parker, John Coltrane and Miles Davis, while still a teenager at college, Smith became well known locally as a backing vocalist and pianist. He played the Baltimore area with Gary Bartz, Grachan Moncur, Mickey Bass, backed Betty Carter and Ethel Ennis and played in the house band at the Royal Theatre.
1963 saw him moving to New York, once again with Carter for a year followed by Rahsaan Roland Kirk and recording Here Comes The Whistleman. After this stint with Kirk he joined Art Blakey’s Jazz Messengers sharing the piano seat with Mike Nock and Keith Jarrett and then with Max Roach. He would go on to play with Pharoah Sanders improvising and pushing the creative boundaries of free jazz. It is at this point that Smith began experimenting with electric keyboards:
In 1969 Lonnie also backed Sanders vocalist Leon Thomas on his first album Spirits Known and Unknown, played with Gato Barbieri on The Third World, and with Miles Davis for On The Corner. He formed the Cosmic Echoes in 1973 with Cecil McBee, George Barron, Joe Beck, David Lee, James Mtume, Sonny Morgan, Badal Roy and Geeta Vashi. The group blended fusion, soul and funk on several recordings for Flying Dutchman Records over the next twelve years.
After the crossover success of the 1970s, he moved into the smooth jazz format, however, public interest slowly waned. By the mid-Eighties he returned to his acoustic roots with McBee and Al Foster recording a session of standards for Bob Thiele’s Startrak label. But dealing with the labels bottom line he returned to smooth jazz working with Phyllis Hyman and Stanley Turrentine. He also delved into hip-hop working with rapper Guru on his groundbreaking Jazzmatazz, Vol. 1. Pianist and keyboardist Lonnie Liston Smith established his own label Loveland, gathered greater recognition with Sony International distributing his Cosmic Echoes years, and has since continued to compose, record and tour to festivals worldwide.
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Mike Barone was born on December 27, 1936 in Detroit, Michigan. He started playing the trombone at age 12 and was taught by his trumpeter father Joe Barone, who played with the Bob Crosby Orchestra and other big bands. He graduated from Brush High School in Cleveland, Ohio in 1954 and studied trombone, guitar and arranging until 1956 until his acceptance into the West Point Army band studying with Louis Van Haney of the New York Philharmonic Orchestra. After graduation he was stationed in Germany with the Special Services and formed his first jazz big band touring service clubs.
By 1959 Mike was back in California attending Valley College but left to tour with Sy Zentner and Louis Bellson Orchestra. He worked many years arranging, performing and recording with Louis and Pearl Bailey, recording with Lalo Schifrin’s New Continent and Dizzy Gillespie’s Quintet. He has performed with Dick Grove, Pete Jolly, Gabor Szabo, Oliver Nelson, Terry Gibbs, Gerald Wilson and many more. Twenty-seven of his arrangements have been recorded by Wilson and others, and the now classic Johnny Hartman album Unforgettable has 7 tunes were his arrangements.
He put together a quintet with Frank Rosolino, formed the Mike Barone Big Band, recorded with Bob Edmondson, John Williams and Shelly Manne, took session work for film including Harper, The Dirty Dozen, Kelly’s Heroes, Sweet Charity, Up the Down Staircase and The Thomas Crown Affair. On television he performed the theme Mission Impossible, Dynasty, Falcon Crest, The Grammys, The Midnight Special, Redd Foxx Show and the Johnny Carson Tonight Show among others.
Since 1997 Mike returned to Los Angeles, California after stints in Colorado and Vancouver, he formed a new band and performed at area clubs. Arranger, composer, trombonist Mike Barone, known for one of the best known West Coast big bands in the Sixties, continues to arrange, perform and tour.
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Samuel Most was born on December 16, 1930 in Atlantic City, New Jersey and learned to play the flute, saxophone and piano. He began his career in music at the age of 18 with the bands of Tommy Dorsey, Shep Fields, Boyd Raeburn and Don Redman. He also performed many times with his older brother Abe, a clarinetist.
His first recording was at age 23, a single called Undercurrent Blues and the following year he was awarded Down Beat magazine’s “Critic’s New Star Award”. Between 1953 and 1958 Sam led and recorded sessions for the Prestige, Debut, Vanguard and Bethlehem record labels. He also worked as a session player for Chris Connor, Paul Quinichette and Teddy Wilson and was a member of the Buddy Rich band from 1959 to 1961. He would go on to work as a sideman with Clare Fischer, Lalo Schifrin and Louie Bellson.
Most resurfaced in the late 1970s and recorded six albums on the Xanadu label, was given a gift of an expensively carved flute by Frank Sinatra who had used it for breath control, and in the late Eighties recorded four albums, including Solo Flute with producer Fernando Gelbard of Liquidjazz.com. He was the guest of and played for the King of Thailand three times and was the subject of Edmond Goff’s 2001 documentary film Sam Most, Jazz Flutist.
Flautist and tenor saxophonist Sam Most, who according to jazz historian Leonard Feather, was probably the first great jazz flutist, passed away on June 13, 2013 from cancer, at the age of 82.
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Daily Dose Of Jazz…
Phineas Newborn, Jr. was born into a musical family on December 14, 1931 in Whiteville, Tennessee. His father Phineas Sr. was a blues musician and his younger brother Calvin, a jazz guitarist. He studied piano as well as trumpet, tenor and baritone saxophone. His principal influences were Art Tatum, Oscar Peterson and Bud Powell.
Newborn first played in an R&B band led by his father on drums, his brother Calvin on guitar, bassist Tuff Green, Ben Branch and Wilie Mitchell before moving on to work with Lionel Hampton, Charles Mingus and others. From 1947 to ’51 they recorded B.B. King’s first recording, toured with Jackie Brenston, recorded Sam Phillips Roclet 88 which became the first #1 record for Chess Records.
His earliest Fifties recordings for Sun Records with blues harmonica player Big Walter Horton, We Three with drummer Roy Haynes and bassist Paul Chambers, and his debut as a solo artist with Phineas’ Rainbow for RCA Victor. By 1956, Phineas was in New York City performing in trio and quartet form with Oscar Pettiford, Kenny Clarke, George Joyner and Philly Joe Jones. He created enough interest internationally to work as a solo pianist in Stockholm and Rome towards the ned of the decade.
In 1960, the 29-year-old Newborn replaced Thelonious Monk and performed It’s Alright with Me on the ABC-TV series, Music for a Spring Night. A move to Los Angeles, California saw him recording a sequence of piano trio albums for the Contemporary label, however, some critics found his playing style rather facile. He developed emotional problems as a result an during certain periods pent time at Camarillo State Mental Hospital. He also suffered a hand injury which hindered his playing.
Newborn’s later career was intermittent due to ongoing health problems. During the mid-1960s to mid-1970s Newborn faded from view, underappreciated and under-recorded. He made a partial comeback in the late 1970s and early ‘80s, although this return apparently failed to benefit his financial situation.
Pianist Phineas Newborn, Jr. recorded twenty-three albums as a leader and another seven as a sideman before he passed away on May 26, 1989 after the discovery of a growth on his lungs. He is buried in Memphis National Cemetery. It is said that his financial and medical plight spurred the founding of the Jazz Foundation of America in 1989.
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Reginald Volney Johnson was born December 13, 1940 in Owensboro, Kentucky. After playing trombone with school orchestras and army bands, he switched to double bass and started working with musicians such as Bill Barron and recording with Archie Shepp in the mid–1960s, before joining Art Blakey’s band for a month-long residency at the Five Spot Café in 1965.
In 1966 Johnson traveled with the Blakey band to The Lighthouse in Hermosa Beach, California and recorded Buttercorn Lady alongside Frank Mitchell, Chuck Mangione and Keith Jarrett.
Reggie’s playing and/or recording in America reads like a who’s who list not limited to Bill Dixon, Sun Ra, Burton Greene, Lonnie Liston Smith, Stanley Cowell, Bobby Hutcherson,, Harold Land, Blue Mitchell, Walter Bishop Jr., Sonny Rollins, Sonny Stitt, Sarah Vaughan, Carmen McRae, Art Pepper, Clark Terry, The Crusaders, Charles Mingus, Eddie “Lockjaw” Davis, Johnny Coles, and Frank Wess.
Equally so is his mid–1980s he move to Europe working with Johnny Griffin, Horace Parlan, Monty Alexander, Kenny Barron, Tom Harrell, Phil Woods, Cedar Walton, Alvin Queen, Jesse Davis, Freddie Redd and Alvin Queen.
As a leader double-bassist Reggie Johnson released one album titled First Edition in 1985 on the JR Record label and he continues to be the consummate sideman performing all over the world.
Discography[edit]
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