Daily Dose Of Jazz…

Johnny Hartman was born John Maurice Hartman on July 13, 1923 in Chicago, Illinois. Possessing a beautiful voice, good looks and an engaging stage presence, his lush bass, similar to Billy Eckstine’s, was less mannered. He always cited Frank Sinatra and Nat “King” Cole as his primary influences, audible in his naturalistic phrasing and attention to the narrative detail of a lyric.

Briefly a member of Dizzy Gillespie’s group, over the next four decades Hartman recorded infrequently over a four-decade career but left as his legacy exquisite albums such as Songs From the Heart and I Just Dropped By to Say Hello. Johnny’s well-known collaboration with the saxophonist John Coltrane in 1963 called “John Coltrane and Johnny Hartman” was chosen by Esquire Magazine as the greatest album ever made.

While the crossover fame he richly deserved eluded him during his lifetime, he recorded through much of his career as a solo artist. By the late-1960s Hartman was working primarily in Japan and Australia, performing starring in his own TV specials. By the late-’70s Hartman was working back in the States, where he earned a Grammy nomination in 1980. Then, just as his career was taking off again, he developed cancer, passing away on September 15, 1983.

Johnny Hartman’s resurgence in popularity In the mid-’90s came when Clint Eastwood included a handful of his songs in his adaptation of The Bridges of Madison County, introducing him to a whole new generation of listeners. The resulting soundtrack CD, as well as two re-issued Hartman albums, quickly sold more than any of his work had during his lifetime.


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Secondo “Conte” Candoli was born on July 12, 1927 in Mishawaka, Indiana. Following in the footsteps of his older brother Pete, he learned to play the trumpet at a young age. By the summer of 1943 just before entering his junior year he sat in for the first time with the Woody Herman First Herd.

After graduation in 1945, he joined the band full-time where he sat side by side with brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Woody as well as with the legendary bands of Stan Kenton, Benny Goodman and Dizzy Gillespie.

In 1954, after leaving Stan Kenton, Candoli formed his own group with sidemen Chubby Jackson, Frank Rosolino and Lou Levy. Moving to Los Angeles and for four years was a member of the Lighthouse All-Stars with Shorty Rogers, Bud Shank and Bob Cooper.

His Dizzy-inspired playing brought him many performing and recording opportunities with major jazz names and the top names in show business, such as Gerry Mulligan, Shelly Manne, Terry Gibbs, Teddy Edwards, Frank Sinatra, Bing Crosby, Sammy Davis Jr. and Sarah Vaughan.

Conte’s long relationship with The Tonight Show began in 1967 and he became a permanent fixture in the orchestra’s trumpet section when Johnny Carson moved the show to Burbank, California in 1972.

Trumpeter Conte Candoli was inducted into The International Jazz Hall of Fame in 1997. He died at the age of 74 on December 14, 2001 at Monterey Palms Convalescent home in Palm Desert, California following a long battle with prostate cancer.


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Frank Wright was born on July 9, 1935 in Grenada, Mississippi but grew up in Cleveland, Ohio. In his youth he started his musical career playing electric bass with Bobby “Blue” Bland, B. B. King and R&B bands in Memphis and Cleveland. But it was his meeting of Albert Ayler that he switched to the tenor saxophone, embraced the free jazz movement and moved to New York City in the mid-60s.

During this decade he played with some of the biggest names in avant-garde jazz including briefly with John Coltrane. He also made his first recordings as a leader for the ESP label but not finding an appreciative audience, Frank moved to Europe and spent the remainder of his life there.

Wright recorded for a few small labels, performed free jazz with expatriate American musicians and the European leaders of the avant-garde, and returned to the U.S. occasionally to perform with Cecil Taylor and the Art Ensemble of Chicago.

Tenor and soprano saxophonist and bass clarinetist Frank Wright, known for his frantic style, passed away on May 17, 1990.


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Henry (Hank) Mobley was born on July 7, 1930 in Eastman, Georgia but was raised in Elizabeth, New Jersey. Early in his career, he worked with Dizzy Gillespie and Max Roach, and then took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and Kenny Dorham, resulting in the release of Horace Silver and the Jazz Messengers and the Jazz Messengers. When they split in ’56, Hank and Silver continued their collaboration in the 50s.

During the 1960s, he worked chiefly as a leader, recording over 20 albums for Blue Note Records between 1955 and 1970 and playing many of the most important hard bop players such as Grant Green, Freddie Hubbard, Sonny Clark, Wynton Kelly and Philly Joe Jones, along with a particularly productive partnership with Lee Morgan. He spent a brief time with Miles Davis in 1961 replacing John Coltrane.

Hank was a major voice on tenor saxophone, known for his melodic playing, is widely recognized as one of the great composers of originals in the hard-bop era, with interesting chord changes and room for soloists to stretch out.

He was forced to retire in the mid-1970s due to lung problems and although he worked two engagements at the Angry Squire in New York City in ‘85 and ‘86 in a quartet with Duke Jordan. He recorded as a leader for Blue Note, Prestige and Savoy record labels leaving history thirty-two albums and another fifty-six sitting in the sideman seat.

A few months later tenor saxophonist and composer Hank Mobley, who soared in the hard bop and soul jazz genres with his laid-back, subtle and melodic delivery, passed away from pneumonia on May 30, 1986.


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Louie Bellson was born Luigi Paulino Alfredo Francesco Antonio Balassoni on July 6, 1924 in Rock Falls, Illinois. He started playing drums at three years of age and at 15 pioneered the double-bass drum set-up. By 17 he triumphed over 40,000 drummers to win the Slingerland National Gene Krupa contest and graduated from high school in 1939.

1943 saw Bellson performing with Benny Goodman and Peggy Lee in the film “The Powers Girl” followed two more by the decade’s end. Between 1943 and 1952, he performed with Benny Goodman, Tommy Dorsey, Harry James and Duke Ellington, for whom he composed “Skin Deep” and “The Hawk Talks”. In 1952 he married Pearl Bailey, leaving Ellington to be her musical director, a union that lasted 38 years until her death in 1990.

Through the 1950s and 1960s, Louie performed with Jazz At The Philharmonic or J.A.T.P., Tommy and Jimmy Dorsey, Count Basie, again with Duke Ellington and Harry James, as well as appearing on several Ella Fitzgerald studio albums.

Equally adept as a big band or small group drummer, Bellson recorded extensively and led his own big and small bands, occasionally maintaining separate bands on each coast. His sidemen have included Blue Mitchell, Don Menza, Larry Novak, John Heard, Clark Terry, Pete and Conte Candoli and Snooky Young.

Louie Bellson, composer, arranger, bandleader and jazz educator passed away from Parkinson’ s disease on February 14, 2009.


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