Daily Dose Of Jazz…
Donald Byrd was born Donaldson Toussaint L’Ouverture Byrd II on December 9, 1932 in Detroit, Michigan. He studied music and trumpet at Cass Technical High School, performing with Lionel Hampton prior to graduating. Joining the Air Force he played with the band, followed by matriculation through Wayne State University and the Manhattan School of Music.
He came to prominence while at the Manhattan School when he joined Art Blakey’s Jazz Messengers replacing Clifford Brown. By 1955 he was recording with Jackie McLean and Mal Waldron, left the Messengers a year later and performed with John Coltrane, Sonny Rollins, Herbie Hancock and Thelonious Monk.
Byrd’s first full-time band was a quintet that he co-led from 1958-61 with Pepper Adams, an ensemble with hard driving performances as captured live on “At The Half Note Café”. In June 1964, Byrd jammed with jazz legend Eric Dolphy in Paris and throughout the rest of the decade and into the 70s was a leader and notable sidemen for Blue Note’s stable of jazz greats.
In the 1970s, Donald moved away from his previous hard-bop jazz base and began to record jazz-fusion, jazz-funk, soul-jazz, and rhythm and blues. Teaming up with the Mizell Brothers, he recorded Black Byrd in 1972 that subsequently became Blue Note’s highest selling album ever. Three subsequent big selling albums called “Street Lady”, Places and Spaces, and “Steppin’ Into Tomorrow” followed this. In 1973, he created the Blackbyrds, a fusion group consisting of his best students that scored several major hits including “Happy Music”, “Walking In Rhythm” and “Rock Creek Park”. Byrd is best remembered as one of the only bebop jazz musicians who successfully pioneered the funk and soul genres while simultaneously remaining a pop artist.
Dr. Donald Byrd holds three master degrees, a law degree and a doctorate and has pursued a career as an educator teaching at Rutgers University, Hampton Institute, New York University, Howard University, Queens College, Oberlin College, Cornell University and was named artist-in-residence at Delaware State University. The trumpeter passed away at the age of 80 in Teaneck, New Jersey on February 4, 2013 leaving a legacy of recordings that spanned the jazz idiom.
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Daily Dose Of Jazz…
Jimmy Smith was born James Oscar Smith on December 8, 1925 in Norristown, Pennsylvania. He began as a pianist but switched to organ after hearing Wild Bill Davis, purchasing his first Hammond, renting a warehouse and emerging a year later with a fresh new sound. He was instrumental in revolutionizing the playing of the instrument. It only took one time for Alfred Lion to hear him play before signing him to Blue Note in 1956. It was the second album, “The Champ” that established him as a new star on the jazz scene, followed by “The Sermon”, “Home Cookin’” “Midnight Special” and “Back at the Chicken Shack”.
Forty sessions later Jimmy left Blue Note for Verve Records dropping his first album Bashin’ with a big band led by Oliver Nelson. With this album selling well he went on to collaborate over the next decade with Lalo Schifrin, Wes Montgomery, Kenny Burrell, Lou Donaldson, Lee Morgan, Stanley Turrentine, Grady Tate, Jackie McLean, George Benson and many other jazz greats of the day.
In the 1970s, Smith opened a supper club in Los Angeles where he played regularly; his career resurged in the 80s recording for Blue Note, Verve, Milestone and Elektra with Quincy Jones, Frank Sinatra, Michael Jackson, Dee Dee Bridgewater, B.B. King, Etta James and Joey DeFrancesco.
Smith’s virtuoso improvisation technique popularized the Hammond B3 and his style on fast tempo pieces combined bluesy “licks” with bebop-based single note runs, ballads had walking bass lines and up-tempo tunes he played the bass line on the lower manual with use of the pedals for emphasis of a string bass. He influenced the likes of Jimmy McGriff, Brother Jack McDuff, Richard “Groove” Holmes, Larry Goldings and Joey DeFrancesco as well as many rock keyboardists like Brian Auger or more recently The Beastie Boys.
Jimmy Smith, Hammond B3 pioneer in the hard bop, mainstream, funk and fusion jazz genres, was honored as an NEA Jazz Master shortly before his death on February 8, 2005 in Scottsdale Arizona.
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Daily Dose Of Jazz…
Bob Cooper was born on December 6, 1925 in Pittsburgh, Pennsylvania. He began to study the clarinet in high school and the following year he began working on the tenor saxophone. By 1945 he was joining Stan Kenton’s outfit when he was just 20, and as the new tenor saxophone player played alongside vocalist June Christy on “Tampico” that was to be a Kenton million-selling record. He would marry Christy two years later in Washington, DC.
Coop, as he was affectionately known, stayed with Kenton until he broke up the band in 1951. A naturally swinging jazz musician, Cooper and some other ex- Kenton men were hired to play at the Lighthouse Cafe in Los Angeles by the bassist Howard Rumsey. The Lighthouse became one of the most famous jazz clubs in the world, and the band, Howard Rumsey’s Lighthouse All Stars made history.
With a steady job he could work from home and he expanded his study of the oboe and English horn. While at the Lighthouse he made many momentous recordings, unique amongst them oboe and flute with Bud Shank, and composing a 12-tone octet for woodwind. Bob would go on to lead record sessions as part of a series of long-playing albums under “Kenton Presents” for Capitol Records.
His writing and playing on the album and its successor, “Shifting Winds” in 1955, were seminal in the creation of what was to become known as West Coast jazz. Imaginative writing and a well lubricated polish characterized the session and Cooper’s singing and stomping tenor style on his arrangement of “Strike Up The Band” boosted the record sales considerably.
Cooper would go on to tour Europe, South Africa and Japan with Christy, work as a studio musician in Hollywood, further develop his writing and compose film scores, join Kenton’s huge Neophonic Orchestra and have his composition ‘Solo For Orchestra’ premiered at one of its concerts. Much in demand for his beloved big-band work, he played regularly in other Los Angeles orchestras led by Shorty Rogers, Terry Gibbs, Bill Holman, Bill Berry, Bob Florence and Frankie Capp / Nat Pierce.
Bob Cooper, the West Coast jazz musician known primarily for playing tenor saxophone was also one of the first to play solos on oboe, passed away on August 5, 1993 in Los Angeles, California. Though maturing into one of the finest but least praised tenor saxophonists, he easily ranked with Stan Getz, Zoot Sims and Al Cohn in his talents. His last studio recording, released the year of his death, was on Karrin Allyson’s album Sweet Home Cookin on which he played tenor saxophone.
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Daily Dose Of Jazz…
Wynton Kelly was born December 2, 1931 in Jamaica but grew up in Brooklyn, New York from age four when his parents emigrated to the United States. He started playing piano professionally as a teenager in R&B groups led by Eddie “Cleanhead” Vinson and Eddie “Lockjaw” Davis, then went on to work with Lee Abrams, Cecil Payne, Dinah Washington and Dizzy Gillespie.
Kelly recorded fourteen titles for Blue Note with a trio in 1951, worked with Dinah Washington, Dizzy Gillespie, and Lester Young during 1951-1952 followed by serving in the military. After his discharge he again worked with Washington, Charles Mingus and the Dizzy Gillespie big band but he would be most famous for his stint in the late 50s with the Miles Davis Quintet from 1959 – 63 and was part of the seminal “Kind Of Blue” replacing Bill Evans on “Freddie Freeloader”, along with notable albums “At The Blackhawk” and “Someday My Prince Will Come”. He would later replace Tommy Flanagan on the “Naima” on Coltrane’s “Giant Steps”.
Wynton left Davis in 1963 and took the rest of the rhythm section bassist Paul Chambers and drummer Jimmy Cobb with him to form his trio. He recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve and Milestone.
Pianist Wynton Kelly passed away on April 12, 1971 in Toronto, Ontario, Canada of an epileptic seizure. At 39, he was one of the most prolific sideman pianists of his era, performing on scores of jazz albums and a superb accompanist and distinctive soloist who would decades later influence a new generation of jazz pianists.
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Daily Dose Of Jazz…
Hadley Caliman was born December 1, 1932 in Los Angeles, California. While at Jefferson High School he studied with his fellow classmates trumpeter Art Farmer and saxophonist Dexter Gordon, and was known in the Central Avenue corridor as “Little Dex”. It was here during the 50s and by the 60s where he primarily gigged and the tenor was soon seen playing with Mongo Santamaria, the Gerald Wilson Big Band, Willie Bobo and Don Ellis and was briefly a member of a jazz-rock fusion group led by Ray Draper.
By the Seventies Hadley had moved to San Francisco and was performing and/or recording with Joe Henderson, Nancy Wilson, Carlos Santana, Joe Pass, Hampton Hawes, Bobby Hutcherson, Flora Purim, Elvin Jones, Freddie Hubbard, Jon Hendricks, Earl Andreza, Phoebe Snow and Patrice Rushen among others. He later moved to Seattle, Washington where he had been on the faculty of the Cornish College of the Arts and a featured soloist with the Seattle Repertory Jazz Orchestra.
Though one can hear Coltrane’s influence in his playing, it never overshadowed the earlier West coast bop or the myriad of musical genres he played that created his modern jazz sound. Tenor saxophonist and flautist Hadley Caliman passed away on September 8, 2010 at age 78 in Seattle, Washington where he had been an active player leading both a quartet and quintet.
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