Daily Dose Of Jazz…

Jeannie Cheatham was born Jean E. Evans on August 14, 1927 and grew up in Akron, Ohio. At the age of five, she started having lessons on her aunt’s newly-acquired piano, which was soon moved to her home when it transpired that she had a talent for music her aunt lacked. Not long after, she began playing for services at the church her family attended. Throughout her school years, her piano teacher also took her to play at weddings and social events, as well as giving recitals

She first played jazz music at age 14 when she was requested to join a local 15-piece rehearsal orchestra. Still in high school Jeannie began playing in smaller groups and found herself in demand professionally as most younger male musicians were drafted into the US Army during World War II. In 1944, she was accepted as a student at the University of Akron but was unable to complete more than one year for financial reasons.

She met and married Jimmy Cheatham, with whom she formed the Sweet Baby Blues Band in 1984. Her autobiography, Meet Me With Your Black Drawers On: My Life In Music, was published in 2006, the same year they received a lifetime achievement award at the San Diego Music Awards, and in 2022, were inducted into the San Diego Music Hall of Fame.

It was noted by Los Angeles Times contributor Dirk Sutro that Jeannie Cheatham remains one of the under-appreciated greats of jazz and blues, both for her spare, tasteful piano playing, which ranges from boogie-woogie to Monk‑ish surprises, and for her earthy but sensuous voice.

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Daily Dose Of Jazz…

Stanley Mackay Greig was born on August 12, 1930 in Joppa, Edinburgh, Scotland to a father who was a drummer and piano tuner. While still in high school he played with Sandy Brown in 1945, then played piano and drums with him from 1948 to 1954. Moving to London, England in the mid-Fifties he played with Ken Colyer, Humphrey Lyttelton, and Bruce Turner, then with the Fairweather-Brown All-Stars in 1958-59.

He played with Turner again briefly before becoming a member of Acker Bilk’s Paramount Jazz Band from 1960 to 1968. After 1969 Greig made piano his primary instrument, leading his own small groups and playing boogie woogie and blues piano. He played with Dave Shepherd and Johnny Hawksworth as a sideman in the early 1970s, then formed the London Jazz Big Band in 1975.

From 1977-80 he played with George Melly, then toured as a bandleader in Europe in the early Eighties. He worked again with Lyttelton for a decade beginning in 1985, then worked with Wally Fawkes later in the 1990s. The Stan Greig Trio played many gigs in and around London, with the Rolling Stones’s Charlie Watts sometimes turning out on drums.

Pianist, drummer, and bandleader Stan Greig transitioned on November 18, 2012 after suffering from Parkinson’s disease.

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Daily Dose Of Jazz…

Thomas Mansergh Pickering was born on August 8. 1921 in Burra, South Australia, Australia. When the family moved to Australia’s island state of Tasmania from Burra in the mid-l930s and settled in the house next door to where Ian Pearce lived, the stage was set for the beginning of what was to become a significant part of Tasmania’s jazz history.

In his mid teens, he and Ian discovered British dance bands and over timethey embraced Benny Goodman, Louis Armstrong and the Swing Era musicians. Pee Wee Russell and Bud Freeman came later. At sixteen Tom received his first clarinet, doubling on saxophone and with his brother Cedri on drums, friend Ian playing cornet, pianist Rex Withers-Green, they gave birth to The Barrelhouse Four. He started playing in local bands and the four hit at local jam sessions. With the oncoming of WWII in 1939 they went their separate ways, reuniting in 1946 to record their first commercial pressing.

Pickering played traditional jazz in various parts of Australia during the late 30s and 40s. He continued working throughout succeeding decades, continuing his preference for older styles but also playing effective tenor saxophone in mainstream settings. His playing and recording career continued apace into the 80s, and his contribution to the musical life of his country has been rewarded with a number of honours.

Pickering went on to form his Good Time Jazz Band, which found success until the rising popularity of rock music led to the band’s eventual break up. A trio followed untilhe and Ian put together the Pearce- Pickering Ragtime Five. They had two very long and successful runs at the Tattersall’s Bar and Bistro, and then at Wrest Point Casino.

Ill-health led to Tom’s eventual retirement from music and the end of his playing career. Having qualified as a librarian in 1948, he would go on to work in the State Library of Tasmania, then became Parliamentary Librarian in 1974. He was made a member of the Order of Australia (AM), won the Australian Jazz Convention Composition Competition twice, and received the Satchmo Award.

Clarinetist Tom Pickering transitioned in Hobart, Tasmania on October 26, 2001.

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Daily Dose Of Jazz…

Thomas Robert Talbert was born on August 4, 1924 in Crystal Bay, Minnesota and grew up listening to big band music on the radio. He learned to play piano before he became a composer. He got started as a band leader when he was drafted in the Army in 1943, becoming composer for a military band at Fort Ord, California, performing for War Bond drives throughout California.

In the late 1940s he led his own big band on the West Coast, much of his work foreshadowing what became known as West Coast jazz. During the decade in Los Angeles he worked with Johnny Richards, Lucky Thompson, Dodo Marmarosa, Hal McKusick, Al Killian, Art Pepper, Steve White and Claude Williamson…….

Moving to New York in the early 1950s after being denied a recording contract in Los Angeles, California he worked with Marian McPartland, Kai Winding, Don Elliott, Johnny Smith, Oscar Pettiford, Herb Geller, Joe Wilder, Eddie Bert, Barry Galbraith, Aaron Sachs and Claude Thornhill. In 1956, Talbert recorded two records that would become his best known works, Wednesday’s Child and Bix Duke Fats, which gained him fleeting fame.

When rock and roll eclipsed jazz in popularity, in 1960 he moved to his parents’ home in Minnesota. He tried his hand at cattle ranching in Wisconsin but eventually moved back to Los Angeles and a musical career in 1975. As a sideman he recorded with the Boyd Raeburn Orchestra,  Johnny Richards, and Patty McGovern.

In addition to composing for TV and movie studios, he became involved in music education, and set up a foundation to help talented young musicians, with one of the first recipients in 1996 was Maria Schneider.

Pianist, composer and band leader Thomas Talbert, who recorded eighteen albums as a leader, transitioned on July 2, 2005 in Los Angeles.

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Three Wishes

Dwike MItchell was hanging out at the house of the Baroness when she questioned his three wishes and told her:

1. “To be able to play for people every night, that is my very special wish. To be able to play consistently well for everyone, to be able to give the best of myself every day. Love me like I love you, darling! For every day is different. Today is dark and black. And if one could give one’s best to everyone, that would be the greatest wish of every musician.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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