Daily Dose Of Jazz…

Eric Delaney was born on May 22, 1924 in Acton, London, England. Learning to play early in life by age sixteen, he won the Best Swing Drummer award and later joined the Bert Ambrose Octet which featured George Shearing on piano.

Between 1947 to 1954 he appeared with the Geraldo Orchestra and filled his time with regular session work in recording studios and on film, TV and radio. In 1954 he formed his own band and later signed with the new Pye Records label. Two years later he made three appearances on the Royal Variety Show, the first in 1956.

Specializing in up-tempo dance hall music, often carrying a rock and roll label due to the rise of The Beatles. However, Delaney was able to remain active touring in the UK in holiday resorts. He was held in high regard by his musical peers, drummer Louie Bellson with whom he recorded on the 1967 album Repercussion. Originally released in high quality stereo on the Studio2Stereo label, it was re-released on the Vocalion label in 2011.

Although best known as a swing drummer, Eric was a multi-percussionist. Classically trained as a timpanist, his unique approach turned the ‘timps’ into a lead & solo instrument. He also played xylophone, glockenspiel, military snare drum, tubular bells, Chinese and orchestral gongs, which is exhibited in his showmanship routines, such as Persian Market.

Apart from his showmanship, Delaney could be occasionally found behind a minimal kit, sitting in with a jazz quartet, and letting others take the spotlight. 1990s onward, he would also make guest appearances with bands across the UK. Another facet of his work was his playing on the soundtrack of The Longest Day, where his snare opens the movie.

Drummer and bandleader Eric Delaney, who was popular in the Fifties and early 1960s, died of a brain haemorrhage on July 14, 2011 at 87.

More Posts: drums,history,instrumental,jazz,music

Daily Dose Of Jazz…

Tale Ognenovski was born April 27, 1922 in Brusnik, Bitola, Kingdom of Yugoslavia. He inherited his talent from his reed pipe great-grandfather Ognen and grandfather Risto and his father Jovan who played bagpipes. When he was seven he began playing on the reed pipe. With his father passing away in 1937 and when he was fifteen his grandmother gave him some money to buy his first clarinet.

During WWII he served as a Macedonian Partisan, Tale began playing clarinet at celebrations and concerts in villages and the town of Bitola with numerous musicians. For three years beginning in 1951 he worked as a member of the Police Wind Orchestra and from 1954 till 1956 he worked with the Public Town Skopje Orchestra.

1956 saw him performing to a capacity audienceat Carnegie Hall in New York City as a clarinet and reed pipe/recorder soloist of the Macedonian State Ensemble of Folk Dances and Songs. A seven year residency starting in 1960 had Ognenovski working with Radio Television Skopje. He went on to play in orchestras and ensembles that toured North America, and Europe.

HIs recordings were not singularly jazz, but included the works of Benny Goodman and Artie Shaw. Tale also recorded classical and folk dances, often interlinking the three genres. Alongside his son Stevan, they arranged for two clarinets the music of Mozart. He was the recipient of twenty-one prestigious awards, had several articles and was recognized as one of the top 100 clarinetists of all time.

Clarinetist Tale Ognenovski, who authored a book on Macedonia dance and was biographed by his son Stevan, died in Skopje, Macedonia on June 19, 2012.

More Posts: arranger,bandleader,clarinet,history,instrumental,jazz,music,recorder

Daily Dose Of Jazz…

Mike John Brett Daniels was born April 23, 1928 in Norbiton, Kingston-upon-Thames, Surrey, London, England. He had an early interest in jazz at a very young age while studying at Aldenham School from the age of 13 in 1941 as a pupil until 1945. Taking up the trumpet at 16, his family moved to Stanmore, Middlesex, where he organized a new group called the Stanmore Stompers in 1947.

He is probably best known for his work with his own seven piece group, The Delta Jazzmen. He led this group from 1948 to 1974 and again in the 1990s. He moved to Spain briefly in the mid-1960s. He had very little recorded output during his lifetime but he recorded two albums worth of material, one of which was titled Mike on Mike from 1960.

There exists some well recorded performances by the Delta Jazzmen which featured Daniels from 1958 to 1963, along with additional input from trombone player Gordon Blundy and John Barnes on reed instruments. The rhythm section is accompanied on these works by banjo-tuba-drums.

Mike was regarded as an ensemble-orientated player who provided a solid lead combined with laid-back solos. Some of his other bands have featured talents such as Keith Nichols and John Chilton. The British Lake Label produced ‘Limited Edition’ recordings of Daniels’ work.

Trumpeter Mike Daniels, who aspired to reproduce the original styles of King Oliver, Jelly Roll Morton, Louis Armstrong, died on October 18, 2016 at the age of 88

More Posts: bandleader,history,instrumental,jazz,music,trumpet

Jazz Poems

TRANE Propped against the crowded bar he pours into the curved and silver horn his old unhappy longing for a home the dancers twist and turn he leans and wishes he could burn his memories to ashes like some old notorious emperor of rome, but no stars blazed across the sky when he was born no wise men found his hovel, this crowded bar when dancers twist and turn, holds all the fame and recognition he will ever earn on earth or heaven. He learn against the bar and pours his old unhappy longing in the saxophone

KAMAU BRATHWAITE

from Jazz Poems ~ Selected and Edited by Kevin Young

More Posts: book,classic,collectible,history,jazz,library,poet

Daily Dose Of Jazz…

Roy Hamilton was born on April 16, 1929 in Leesburg, Georgia to Evelyn and Albert Hamilton, where he began singing in church choirs at the age of six. The summer of 1943 he was fourteen and the family migrated north to Jersey City, New Jersey in search of a better life. There he sang with the Central Baptist Church Choir, and attended Lincoln High School where he studied commercial art. Being gifted, his paintings were placed with a number of New York City galleries.

In 1947 the seventeen-year-old Hamilton took his first big step into secular music, winning a talent contest at the Apollo Theater. But nothing came of it, so to support himself he worked as an electronics technician during the day, and an amateur heavyweight boxer at night, with a record of six wins and one defeat. The following year he joined the Searchlight Gospel Singers, studied light opera, and continued to perform gospel until 1953 when the group broke up. Then he headed back into pop music with something different to offer.

1953 saw Roy discovered by Bill Cook, the first Black radio disc jockey and television personality on the East Coast. As his manager, Cook made a demo tape, brought it to the attention of Columbia Records and got him signed to Okeh Records. His first session produced Rodgers and Hammerstein’s You’ll Never Walk Alone from the musical Carousel.  However Columbia released it on their pop label Epic and it topped the Billboard charts for eight weeks. He would go on to have hits with If I Love You, Ebb Tide and Unchained Melody and in 1955 was named Vocalist of the Year by Down Beat magazine. He would go on to record Great American Songbook singles Without a Song, Cuban Love Song, Everybody’s Got a Home But Me, and Somebody Somewhere.

Hamilton’s last hit record, You Can Have Her, came in 1961, and the Epic label treated him as a major star and issued sixteen albums by him. By the middle of the decade his career declined while recording with MGM and then RCA. In 1969 in Memphis, Tennessee, he made the final recordings of his career.

In early July 1969, he suffered a massive cerebral hemorrhage at his home in New Rochelle, New York. He was taken to New Rochelle General Hospital where he lay in a coma for more than a week. On July 20, 1969 vocalist Roy Hamilton, who was inducted into the Georgia Music Hall of Fame, was Epic Records first star, inspired Sam Cooke, and influenced Elvis Presley and the Righteous Brothers, died after being removed from life support. He was 40 years old.

More Posts: bandleader,history,instrumental,jazz,music,vocal