Daily Dose Of Jazz…
Stanley William Tracey was born on December 30, 1926 in Denmark Hill, South London, England. The Second World War disrupted his formal education, and he became a professional musician at the age of sixteen as a member of an Entertainments National Service Association touring group playing the accordion, his first instrument. He joined Ralph Reader’s Gang Shows at the age of nineteen, while in the RAF and formed a brief acquaintance with the comedian Tony Hancock.
Later, in the early 1950s, he worked in groups on the transatlantic liners Queen Mary and Caronia and toured the UK with Cab Calloway. By the mid-1950s, he had also taken up the vibraphone, but later ceased playing it. During the decade he worked widely with leading British modernists, including drummer Tony Crombie, clarinettist Vic Ash, the saxophonist-arranger Kenny Graham and trumpeter Dizzy Reece.
1957 saw Tracey touring the United States with Ronnie Scott’s group, and then became the pianist with Ted Heath’s Orchestra for two years at the end of the Fifties, including a US tour with singer Carmen McRae. Although he disliked Heath’s music, he gained a regular income and was well featured as a soloist on both piano and vibes. He contributed compositions and arrangements that stayed in the Heath book for many years.
He first recorded in 1952 with the trumpeter Kenny Baker, then recorded his first album as leader in 1958, Showcase, for English Decca label and Little Klunk in 1959. From 1960 until about 1967 Stan was the house pianist at Ronnie Scott’s Jazz Club in Soho, London, which gave him the opportunity to accompany many of the leading musicians from the US who visited the club. It is Tracey on piano that film viewers hear behind Rollins on the soundtrack of the Michael Caine version of Alfie. At the same time, he became active in Michael Horovitz’s New Departures project, mixing poetry performances with jazz, where the musicians interacted spontaneously with the words.
The early 1970s were a bleak time for Tracey. He began to work with musicians of a later generation, who worked in a free or avant-garde style. He continued to work in this idiom with Evan Parker at the UK’s Appleby Jazz Festival for several years, but this was always more of a sideline for Tracey, lasting 18 years that the festival existed. Stan formed his own label In the mid-1970s titled Steam, and a number of commissioned suites. These included The Salisbury Suite, The Crompton Suite and The Poets Suite.
He led his own octet from 1976 to 1985 and formed a sextet in 1979 and toured widely in the Middle East and India. He had a longstanding performance partnership from 1978 with saxophonist Art Themen, and his own son, drummer Clark Tracey. He shared the billing with arranger Gil Evans, Sal Nistico and Charlie Rouse. He went on to record over four dozen albums as a leader or co~leader, thirty as a sideman and on two soundtracks over the course of his career.
Pianist and composer Stan Tracey, who received the honor of the Officer of the Order of the British Empire (OBE) and appointed Commander of the Order of the British Empire (CBE), transitioned from cancer on December 6,
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Daily Dose Of Jazz…
Leonard “Red” Balaban was born in Chicago, Illinois on December 22, 1929 to Barney Balaban, former president of Paramount Pictures. By the Fifties he was residing in the Florida panhandle, working as a farmer and playing in regional ensembles. He moved to New York City in the mid-1960s and held a regular gig at the Dixieland jazz club Your Father’s Mustache.
He worked extensively as a sideman, for musicians such as Wild Bill Davison, Eddie Condon, Gene Krupa, Dick Wellstood, and Kenny Davern. He opened the third incarnation of Eddie Condon’s Jazz club on W. 54th Street after arranging permission for using Eddie’s name from Condon’s widow. He co-led the house band with Ed Polcer from 1975, with whom he later shared ownership of the club. Other musicians in this outfit included Vic Dickenson, Warren Vache, and Connie Kay. The club closed in the mid-1980s.
Tubist, sousaphonist, gui Red Balaban, who also played banjo, stand-up bass, slide trombone, ukulele and rhythm guitar, transitioned on December 29, 2013 at his lakefront home in West Haven, Connecticut.
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Daily Dose Of Jazz…
George Andrew Tucker was born on December 10, 1927 in Palatka, Florida. He studied bass at the New York Conservatory of Modern Music in the late 1940s. Early in his career, he played with Earl Bostic, John Coltrane, and Jackie McLean. He worked in the house bands of several lauded New York jazz venues and played and recorded with Eric Dolphy, Clifford Jordan, Horace Parlan, Booker Ervin, Jerome Richardson, and Junior Mance during this time.
In 1958, he recorded with Melba Liston on her jazz classic Melba Liston and Her ‘Bones. 1960–61 saw him recording with Stanley Turrentine, Horace Parlan, Ervin, Dexter Gordon, and Shirley Scott. Over the next two years he toured and recorded with the trio of Dave Lambert, John Hendricks and Yolande Bavan. Near the end of his life Tucker recorded with Coleman Hawkins and Jaki Byard.
He recorded at total of fifty-eight albums as a sideman with Ted Curson, Walt Dickerson, Lou Donaldson, Booker Ervin, Curtis Fuller, Bennie Green, Slide Hampton, John Handy, Willis Jackson, Etta Jones, Gildo Mahones, Charles McPherson, Jackie McLean, Oliver Nelson, Dave Pike, Pony Poindexter, Sonny Red, Freddie Redd, Zoot Sims, Johnny “Hammond” Smith, Buddy Tate, Lucky Thompson, Jimmy Witherspoon and Jimmy Woods.
Double-bassist George Tucker transitioned from a cerebral hemorrhage while performing with guitarist Kenny Burrell on October 10, 1965 in New York City.
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Daily Dose Of Jazz…
Jay Corre was born on Nov 30, 1924 and grew up in Atlantic City, New Jersey. His interest in music began at five years old, when he started to experiment with various instruments, including the harmonica, violin and clarinet. He picked up the saxophone at age 14 and showed a natural ability for this instrument.
By the time he was sixteen he was playing dates at various clubs that made the shore area a virtual hot bed of fine jazz entertainment. Completing his music studies at the Atlantic City High School he played with the Alex Bartha Orchestra on the Steel Pier. After a stint in the US Navy Band, his discharge favored the opportunity to join the Raymond Scott Orchestra, featuring Dorothy Collins.
He joined the Buddy Rich Big Band before performing with Harry James, Benny Goodman, Dizzy Gillespie, Ella Fitzgerald, The Duke Ellington Band under Mercer Ellington, Ella Fitzgerald, Oscar Peterson, Frank Sinatra, Mel Torme, Tony Bennett, Sammy Davis Jr. and many more.
Tenor saxophonist, composer, arranger and jazz educator Jay Corre, whose influences were Coleman Hawkins, Lester Young and Charlie Parker, transitioned on Oct 26, 2014 in Stuart, Florida.
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Daily Dose Of Jazz…
Bobby Donaldson was born Robert Stanley Donaldson on November 29, 1922 in Boston, Massachusetts. Early in his career he played with the Boston Symphony. After playing locally in the early 1940s, he played with Russell Procope while serving in the Army in New York City.
In 1946–47 Bobby worked with Cat Anderson. Following this stint he played with Edmond Hall, Andy Kirk, Lucky Millinder, Buck Clayton, Red Norvo, and Sy Oliver/Louis Armstrong.
A prolific session musician for much of the 1950s and 1960s, he played with Helen Merrill, Ruby Braff, Mel Powell, Benny Goodman, Count Basie, Bobby Jaspar, Herbie Mann, André Hodeir, Kenny Burrell, Lonnie Johnson, Frank Wess, Willis Jackson, and Johnny Hodges.
Drummer Bobby Donaldson, who played both in the jazz, Dixieland and R&B idioms, transitioned in 1971.
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