Daily Dose Of Jazz…
Jay Corre was born on Nov 30, 1924 and grew up in Atlantic City, New Jersey. His interest in music began at five years old, when he started to experiment with various instruments, including the harmonica, violin and clarinet. He picked up the saxophone at age 14 and showed a natural ability for this instrument.
By the time he was sixteen he was playing dates at various clubs that made the shore area a virtual hot bed of fine jazz entertainment. Completing his music studies at the Atlantic City High School he played with the Alex Bartha Orchestra on the Steel Pier. After a stint in the US Navy Band, his discharge favored the opportunity to join the Raymond Scott Orchestra, featuring Dorothy Collins.
He joined the Buddy Rich Big Band before performing with Harry James, Benny Goodman, Dizzy Gillespie, Ella Fitzgerald, The Duke Ellington Band under Mercer Ellington, Ella Fitzgerald, Oscar Peterson, Frank Sinatra, Mel Torme, Tony Bennett, Sammy Davis Jr. and many more.
Tenor saxophonist, composer, arranger and jazz educator Jay Corre, whose influences were Coleman Hawkins, Lester Young and Charlie Parker, transitioned on Oct 26, 2014 in Stuart, Florida.
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Daily Dose Of Jazz…
Bobby Donaldson was born Robert Stanley Donaldson on November 29, 1922 in Boston, Massachusetts. Early in his career he played with the Boston Symphony. After playing locally in the early 1940s, he played with Russell Procope while serving in the Army in New York City.
In 1946–47 Bobby worked with Cat Anderson. Following this stint he played with Edmond Hall, Andy Kirk, Lucky Millinder, Buck Clayton, Red Norvo, and Sy Oliver/Louis Armstrong.
A prolific session musician for much of the 1950s and 1960s, he played with Helen Merrill, Ruby Braff, Mel Powell, Benny Goodman, Count Basie, Bobby Jaspar, Herbie Mann, André Hodeir, Kenny Burrell, Lonnie Johnson, Frank Wess, Willis Jackson, and Johnny Hodges.
Drummer Bobby Donaldson, who played both in the jazz, Dixieland and R&B idioms, transitioned in 1971.
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Daily Dose Of Jazz…
Sal Salvador was born Silvio Smiraglia on November 21, 1925 in Monson, Massachusetts and began his professional career in New York City, New York. He eventually moved to Stamford, Connecticut.
In addition to recordings with Stan Kenton and with his own groups, Salvador can be heard in the film Blackboard Jungle, during a scene in a bar where a recording on which he is featured is played on the jukebox. He is also featured playing with Sonny Stitt in the film, Jazz on a Summer’s Day, at the Newport Jazz Festival.
He taught guitar at the University of Bridgeport in Bridgeport, Connecticut as well as at Western Connecticut State University in Danbury, Connecticut. He wrote several instruction books for beginning to advanced guitarists.
Guitarist and educator Sal Salvador transitioned on September 22, 1999 following a fight with cancer at the age of 73.
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Daily Dose Of Jazz…
André Persiany was born on November 19, 1927 in Paris, France. His father taught him violin and piano as a child, and by 1945, he had formed his own ensemble. He was a member of the Be Bop Minstrels with Hubert and Raymond Fol in 1947, then played with Michel Attenoux, Eddie Bernard, Bill Coleman, Buck Clayton, Raymond Fonsèque, Lionel Hampton, Guy Lafitte, Mezz Mezzrow, and Tony Proteau.
Relocating to New York City in the mid-1950s, saw him playing at Birdland and working extensively with Jonah Jones. In 1969 he returned to Paris and held a residency as the pianist at Le Furstenberg from 1970 to 1988. His associations in the 1970s included Cat Anderson, Milt Buckner, Eddie Chamblee, Arnett Cobb, Al Grey, Budd Johnson, and Charlie Shavers.
Pianist André Persiany, whose son Stéphane became a double-bassist, transitioned on January 2, 2004 in Paris.
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Daily Dose Of Jazz…
David Werner Amram III was born November 17, 1930 in Philadelphia, Pennsylvania. He studied at the Oberlin Conservatory of Music in 1948–1949, and earned a bachelor’s degree in European history from George Washington University in 1952. In 1955 he enrolled at the Manhattan School of Music, where he studied under Dimitri Mitropoulos, Vittorio Giannini, and Gunther Schuller. Under Schuller he studied French horn.
As a sideman or leader, David has worked with Aaron Copland, Thelonious Monk, Dizzy Gillespie, Charles Mingus, Jack Kerouac, Sonny Rollins, Lionel Hampton, Stan Getz, George Barrow, Jerry Dodgion, Paquito D’Rivera, Pepper Adams, Arturo Sandoval, Oscar Pettiford, Allen Ginsberg, Mary Lou Williams, Kenny Dorham, Ray Barretto, Wynton Marsalis, and others that included a wide range of folk, pop, and country figures.
In 1956, producer Joseph Papp hired Amram to compose scores for the New York Shakespeare Festival, the next year staged one of the first poetry readings with jazz, and in 1966 Leonard Bernstein chose Amram as the New York Philharmonic’s first composer-in-residence.
He went on four international musical tours to Brazil, Kenya, Cuba and the Middle East. He conducted a 15 piece orchestra for Betty Carter’s What Happened To Love? album, became an advocate for music education. He composed scores for the Elia Kazan films Splendor in the Grass, and The Arrangement and for the John Frankenheimer films The Young Savages and The Manchurian Candidate.
French hornist and pianist David Amram, who also plays Spanish guitar, penny whistle, sings and composes, has recorded nineteen albums as a leader and twenty-eight as a sideman.
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