Daily Dose Of Jazz…

Rodney Charles Levitt was born on September 16, 1929 in Portland, Oregon and studied composition at the University of Washington, where he took his BA in 1951.

He was in the Radio City Music Hall orchestra from 1957 to 1963, and during those years he performed with Dizzy Gillespie, Ernie Wilkins, Kai Winding, and Sy Oliver. In 1959 Rod worked with Gil Evans when his orchestra accompanied Miles Davis. The following year he played with Gerry Mulligan and Mundell Lowe, with Quincy Jones in ‘61, and with Oliver Nelson in 1962.

He recorded four albums as a leader of an octet between 1963-66 and continued to work with this combination into the 1970s, when he played with bassist Chuck Israels.

Later in his career he worked with Cedar Walton and Blue Mitchell, and wrote music for commercials with a company he ran from 1966-1989. The late Seventies saw him teaching at Fairleigh Dickinson, Hofstra University, CUNY, and Hunter College.

Trombonist, composer, and bandleader Rod Levitt transitioned from Alzheimer’s disease in Wardsboro, Vermont at the age of 77 on May 8, 2007.

CALIFORNIA JAZZ FOUNDATION

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Three Wishes

Dexter Gordon was hanging out with Nica when the subject of three wishes came up and he shared with her his one wish:

  1. “The things I want you can’t put in your book.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Joseph Shulman was born on September 12, 1923 in New York, New York. His first professional experience was with Scat Davis in 1940 followed with a stint alongside Les Brown in 1942.

Joining the military in 1943 he recorded with Django Reinhardt while a member of Glenn Miller’s wartime band. Upon his return to the States he played with Buddy Rich and Claude Thornhill, then he played with Miles Davis on the Birth of the Cool sessions.

He went on to work with Peggy Lee from 1948 to 1950 and with Lester Young in 1950. Shulman did a recording session with Billy Strayhorn and Duke Ellington that same year.

Marrying Barbara Carroll in 1954, the two toured together until his death. Bassist Joe Shulman transitioned from a heart attack on August 2, 1957 in New York City.

CALIFORNIA JAZZ FOUNDATION

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Three Wishes

While the Baroness was in conversation with Teo Macero he was asked by her what three wishes he would make if given. He told her:

  1. “Peace of mind.”
  2. “To change the status of jazz. That is, to get rid of the stigma attached to jazz music. You know. A jazz musician is regarded as some kind of freak! This is something that has bugged me for a long, long time. Like, someone will come up to me and say, “Oh, so you’re a jazz musician?” And when I say< “Yes. A jazz musician and a composer,” they will look at me altogether differently. It would be marvelous if jazz musicians could be given a status equal to that or great figures of contemporary music.”
  3. “To have no problems with people recording. No problems in the studio.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Hal Russell was born Harold Russell Luttenbacher on August 28, 1926 in Detroit, Michigan. Raised in Chicago, Illinois from the eighth grade, he began playing drums at age four, but majored in trumpet at college. He subsequently drummed in several big bands, including those of Woody Herman and Boyd Raeburn.

As with many young players in the mid-1940s, Russell’s life was irreversibly changed by bebop. In the 1950s he worked with Miles Davis, Billie Holiday, Sonny Rollins, John Coltrane, and Duke Ellington. During this period he succumbed to drugs and was a heroin addict for ten years. In 1959, he joined the Joe Daley Trio, whose Newport’ 1963, which was mostly studio material, was reputedly one of the earliest free jazz records.

The early 1970s saw Hal as the regular percussionist for the band at the suburban Chicago Candlelight Dinner Playhouse. He played mostly drums, but occasionally vibes and keyboards. By the end of the decade he formed the NRG Ensemble, which featured saxophonist Mars Williams, multi-instrumentalist Brian Sandstrom, and percussionist Steve Hunt, among others. During this period he started playing tenor and soprano saxophone and trumpet, in addition to drums and vibes.

Issuing his first album in 1981 for the Nessa label, in the late Eighties the group began playing frequently in Europe, and began recording for ECM with The Finnish/Swiss Tour. In addition to the NRG Ensemble, Russell always maintained several bands, the rock-oriented trio NRG 3 and The Flying Luttenbachers.

Tenor and soprano saxophonist, trumpeter, vibraphonist and drummer Hal Russell, shortly after completing the semi-autobiographical album The Hal Russell Story, transitioned from a heart attack on September 5,1992 in La Grange, Illinois.

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