Daily Dose Of Jazz…

Frank Assunto was born on January 29, 1932 in New Orleans, Louisiana into a musical family where the trumpeter had two sisters who played piano and woodwinds, and a trombonist brother. They all grew up studying with their father, banjoist Jacob “Papa Jac” Assunto.

He and his brother founded the group Dukes of Dixieland in 1949 and eventually became an institution in the city. Producer and bandleader Horace Heidt took them on tour, and when the group returned to New Orleans they practically took over the Famous Door club.

Dixieland revival peaking in popularity in the 1950s took the Assunto brothers group to national popularity. They toured clubs, released a string of albums and performed on television variety shows. Their first stereo jazz album, recorded in 1958, had one brother on the left channel, the other on the right.

His style was heavily influenced by Louis Armstrong, Bunny Berigan and Bobby Hackett. He also performed vocal duties with the group. Trumpeter Frank Assunto died on February 25, 1974.

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Daily Dose Of Jazz…

Hector Rivera was born on January 26, 1933 in New York, New York. He had been playing for over a decade, beginning in the early 1950s when he joined the band of Elmo Garcia as a teenager. Making his recorded debut as a bandleader in 1957 when Garcia didn’t have enough material prepared, Mercury Records asked if he had any music. Wanting to record a solo album Mercury offered to record him as a solo artist, issuing his debut, Let’s Cha Cha Cha.

Over the next few years, Rivera would be known mostly as a sideman to bandleaders Joe Cuba, Pacheco, and vocalist Vincento Valdez. He made his biggest splash as a bandleader with the 1966 album At the Party, with a large band featuring several trumpet players and percussionists, as well as bassist Cachao.

Dividing his approach between instrumentals and vocals, he employed several singers, including David Coleman who is most heard on the At the Party album. The success of the title cut enabled Hector to cut several more albums, along with continuing to write and arrange. He would go on to participate in projects for Ray Barretto, Machito, and Tito Puente among others.

Pianist, arranger, composer, bandleader and producer Hector Rivera who was one of the more renowned performers of the Latin soul genre, died on January 8, 2006 in his hometown.

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Daily Dose Of Jazz…

Alan Lee da Silva was born on January 22, 1939, in Bermuda, British Empire to an Azorean/Portuguese mother, Irene da Silva, and a black Bermudian father known only as Ruby. Emigrating to the United States at the age of five with his mother, he was raised in Harlem, New York City. Here he first began studying the trumpet, and moved on to study the upright bass. He eventually acquired U.S. citizenship by the age of 18 or 19 and in his twentieshe adopted the stage name of Alan Silva.

As one of the most inventive bass players in jazz, Silva has performed with avant-garde jazz musicians Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp. He performed in 1964’s October Revolution in Jazz as a pioneer in the free jazz movement, and for the 1967 live album Albert Ayler in Greenwich Village.

Since the early 1970s, Alan has lived mainly in Paris, France where he formed the Celestrial Communication Orchestra, dedicated to the performance of free jazz with various instrumental combinations. In the 1980s, Silva opened a music school, Institute for Art, Culture and Perception (I.A.C.P.) in Central Paris, together with François Cotinaud and Denis Colin.

In the 1990s he picked up the electronic keyboard, the electric violin and electric sarangi on his recordings. Since around 2000, he has continmued to perform more frequently as a bassist and bandleader, notably at New York City’s annual Vision Festivals.

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Daily Dose Of Jazz..

Bernard Cash was born in Scarborough, North Yorkshire, England on January 18, 1935. Music became his religion and he began his musical career as a trumpet player, gaining a reputation playing with different bands around the United Kingdom. At 25 he took up the double bass under the tutelage of Peter Ind. To earn a living he moved to London, England in 1961 with his wife, where he became involved in the jazz scene, and played with many musicians of note.

Returning to Yorkshire he founded the Light Music Course at Leeds College of Music. Recruiting his friend and mentor Ind, the two went about establishing the first real jazz course in the UK of which jazz guitarist Dave Cliff was an alumni. Leaving the academia of college he moved his family to Bridlington, on the East Yorkshire Coast, and worked as a peripatetic instrumental teacher. He continued to make regular trips to London to play jazz and organized jazz gigs in the North of England with many of the great players he had met.

He studied music at Hull University from 1974 to 1977 and while there Bernie organized numerous jazz gigs that included Lee Konitz and Warne Marsh. He continued to work in music education and maintained his own career. He held the position of Deputy Music Advisor for the Hull area, created the big band Great Jazz Solos Revisited, and scored some of his favourite artists’ solos, including Lester Young, Charlie Parker and Charlie Christian.

The big band enlisted the heavyweights of British jazz, Peter Ind, Peter King, Bob Burns, Art Morgan, Jim Livesey, Kathy Stobart, John Holbrooke, and Dave Cliff. He went on to create in conjunction with English playwright Alan Plater the jazz opera “Prez” based on the life of Lester Young. With the education system losing its luster he returned to London in 1986, playing jazz and being a traveling instrumental teacher.

He joined the BBC Northern Symphony Orchestra, Yorkshire Opera and the Royal Philharmonic Orchestra and toured with them. While on tour with the Royal Philharmonic in Germany, bassist Bernie Cash, who was an accomplished flautist, saxophonist and trumpeter, collapsed and died of a heart attack on October 7th, 1988.

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Jazz Poems

ELEVEN

From Velvet Bebop Kente Cloth

There ain’t/No word

I ain’t/Heard

ain’t/No word

Bird/Ain’t heard

Language is an/Inventor’s

>Privilege

I/Blow psalms.

I/Blow sinners’ deeds.

I/Blow prayer before death.

I/Blow curses.

I/Blow laughter.

I/Blow vocabulary of my axe.

You can’t/Hold

folks/Down who Be-Bop

but you/Kin hold

them/Up.

Every Be-Bopper/Renew

his/Subscriptions

to/Genius when he riff some

thing/New on his axe.

STERLING D. PLUMPP 

from Jazz Poems ~ Selected and Edited by Kevin Young

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