Daily Dose Of Jazz…

Nancy King was born June 15, 1940 in Springfield, Oregon. She started gigging in 1959 with fellow University of Oregon music students. After moving to San Francisco in 1960, her accomplished scat singing landed her many gigs with various bebop artists. Performing the Playboy Club circuit and Las Vegas, Nevada during the 1960s, it was during Monday night hits at the Jazz Workshop where she met her future husband Sonny King. By the Seventies she took a break from touring, settled in Eugene, Oregon and raised her three sons while doing weekend gigs at Portland’s Benson Hotel.

Known for her masterful scatting and elastic range, Nancy has performed in worldwide tours and recordings, as well as collaborations with such artists as Jon Hendricks, Vince Guaraldi, Ralph Towner, Karrin Allyson and Dave Friesen among others.

King has released ten albums beginning with her 1991 debut release of Impending Bloom and including her 2004 recording of her performance Live At Jazz Standard with pianist Fred Hersch. In 2011 she released her Prennia project on the Ornry Diva label.

Vocalist Nancy King would occasionally pop into jazz loving cities to perform but by 2014, suffering from degenerative hips has limited her ability to travel and perform. Though Covid had postponed the operation he is looking forward to replacement surgery, recovery and getting back onto the stage and recording studio.

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Three Wishes

Whenever the the ladies got together Pannonica would always make it a point to ask them what their three wishes would be and this time Terri Thornton told her:  
  1. “There would be only one: To get closer to myself. And that means to get closer to God. And that way all wishes will come true.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Mark Whitecage was born on June 4, 1937 in Litchfield, Connecticut and began  playing in his father’s family ensemble as early as age six. In his youth he listened a lot to Roy Eldridge, Ben Webster, Lester Young and Stan Getz. He moved to New York City in the 1970s and was loosely associated with the loft scene with INTERface, a quartet with clarinetist Perry Robinson, bassist John Shea and pianist John Fischer. Fortune smiled and he met Gunter Hampel and ong tours with Hampel’s Galaxie Dream Band became a way of life, which helped him to build up a network outside the US.

In the 1980s, he played with Gunter Hampel’s Galaxy Dream Band, Jeanne Lee, and Saheb Sarbib. After touring solo in Europe in 1986, he put together two bands as a leader, Liquid Time and the Glass House Ensemble. By the Nineties he was releasing his first album with Liquid Time which was chosen by Cadence Magazine as one of the year’s best albums.

He worked in the Improvisers Collective from 1994, and began releasing albums on CIMP in 1996. Late in the decade he worked with Anthony Braxton, including in performances of Braxton’s opera, Trillium R. He also played with William Parker, Perry Robinson, Joe Fonda, Dominic Duval, Joe McPhee, Steve Swell, Richie “Shakin'” Nagan and Sikiru Adepoju.

His marriage to clarinetist Rozanne Levine led to him performing together with Perry Robinson in a trio called Crystal Clarinets. Alto saxophonist and clarinetist Mark Whitecage, who recorded fifteen albums as a leader and another 60 as a sideman, transitioned on March 7, 2021.

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Daily Dose Of Jazz…

Pierre Favre was born June 2, 1937 in Le Locle, Switzerland. Not much is known about his childhood or his early music career.

He recorded the album Singing Drums in 1984 on the ECM label with Paul Motian and Nana Vasconcelos. He also appears on John Surman’s album, Such Winters of Memory released the year beore.

He has recorded with several well-known musicians, including Tamia, Michel Godard, Mal Waldron, Paul Giger, Jiří Stivín, Michel Portal, Irene Schweizer, Samuel Blaser, the ARTE Quartett, Barre Phillips and the London Jazz Composers Orchestra.

He has recorded six albums as a leader and drummer and percussionist Pierre Favre continues to explore his craft, perform and record.

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Three Wishes

When the subject of three wishes was broached, Willie Ruff told Nica he had only one that he would like to be granted and that was:  

    1. “I wouldn’t have three wishes. I would only have one and that’s to be forty. Because by then I will have everything I need.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

Willie Ruff: September 1, 1931 | French Horn, Double Bass

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