Daily Dose Of Jazz…
Brian Smith was born on January 3, 1939 in Wellington, New Zealand and studied piano in his youth but was primarily an autodidact on reeds. He played locally in pop and jazz groups before moving to England in 1964, where he played with Alexis Korner’s Blues Incorporated.
Following this stint he played at Ronnie Scott’s Jazz Club from 1966 to ‘67 and in the big bands of Tubby Hayes and Maynard Ferguson from 1969 to 1974. Smith went on to work with the group Nucleus from 1969 to 1982. During the next two decades he also performed with Mike Westbrook, Neil Ardley, Mike Gibbs, the Spontaneous Music Ensemble, Keith Tippett, Pacific Eardrum and Paz.
1982 saw the return to New Zealand, where Brian began playing with his own quartet. His 1984 album Southern Excursions was named Australian Jazz Record of the Year. Based out of Auckland, working with Frank Gibson, Jr. later in the Eighties, his Moonlight Sax albums were chart successes in New Zealand. Saxophonist and flautist Brian Smith continues to perform and record.
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Daily Dose Of Jazz…
William Fredrick Bean was born on December 26, 1933 into a musical family in Philadelphia, Pennsylvania. His mother played the piano, his father was an amateur singer and guitarist, and his sister sang professionally. He started on guitar at the age of twelve.
His father taught him some of the basics on guitar before he received lessons from Howard Herbert. He went on to study with Dennis Sandole for a year. During the late 1940s and 1950s, he performed at venues in the Philadelphia area, until in the mid-Fifties he moved to New York City and recorded with Charlie Ventura and Red Callender. By 1958 he was moving to the West Coast and settling in Los Angeles, California to record for Decca. In Los Angeles, he worked with Buddy Collette, Paul Horn, John Pisano, Bud Shank, Milt Bernhart, Les Elgart, Herb Geller, Lorraine Geller, Calvin Jackson, and Zoot Sims.
Returning to New York City in 1959 after accepting Tony Bennett’s offer to join his band, Bean remained with Bennett’s band for less than one year. Hal Gaylor, who had been Bennett’s bassist, assembled a trio with Bean and pianist Walter Norris, calling themselves The Trio. They recorded an album for Riverside Records in 1961. Finding it difficult to find work, the trio disbanded shortly after recording.
Bean performed with Stan Getz, Herbie Mann, and John Lewis, recording albums with Mann and Lewis. He co-led six recording albums and another 16 as a sideman. Returning to his hometown of Philadelphia, guitarist Billy Bean retired in 1986, and passed away on February 6, 2012.
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Daily Dose Of Jazz…
John William Frank Critchinson was born on December 24, 1934 in London, England. He worked as a part-time musician with Ronnie Scott, Tubby Hayes, and Jimmy Deuchar, among others. In 1979, at the recommendation of his mentor, Bill Le Sage, he became a member of Ronnie Scott’s Quartet until it folded in 1995. During that time, he worked with many visiting American artists, including Chet Baker, George Coleman, James Moody, Joe Henderson and Johnny Griffin.
In the early 1980s, he had an association with the British jazz fusion duo Morrissey–Mullen, appearing on two of their albums. He recorded with Dick Morrissey and was a member of Martin Drew’s Our Band, with Ron Mathewson, Jim Mullen, and Dick Morrissey.
In 1995, he formed a quartet with saxophonist Art Themen, bassist Dave Green and Dave Barry on drums. When Scott died in 1996, Critchinson formed the Ronnie Scott Legacy with Pat Crumly on saxophone and flute. Later in his life, he played and recorded with saxophonist Simon Spillett.
Pianist John Critchinson, who recorded eleven albums as a leader and was affectionately known as Critch, passed away on December 15, 2017.
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Daily Dose Of Jazz…
Jeanie Lambe was born on December 23, 1940 in Glasgow, Scotland. Her mother was a singer and her father played the accordion in the musical act Douglas, Nicol & Lamb. Her first public performances were with her parents and when she was seventeen, she became a member of the Clyde Valley Stompers.
She was the vocalist with the Alex Sutherland Sextet at Elgin’s Two Red Shoes Ballroom, where she kicked off the Two Red Shoes dances at age 19. Moving to London, England in 1960 Jeanie worked with a variety of jazz bands in the area, including those led by Alex Welsh, Kenny Ball and Charlie Galbraith. In 1964 she married tenor saxophonist Danny Moss and became more well known through her extensive performances at international jazz festivals.
Lambe has performed with modern and mainstream jazz musicians including Cliff Hardie and the UK All Stars Orchestra, Bobby Rosengarden, Monty Alexander, Ben Webster, Budd Johnson, Oscar Peterson, Wild Bill Davison, Kenny Davern, Joe Pass and Buddy Tate.
Suffering ill health, vocalist Jeanie Lambe, who recorded seven albums as a leader, passed away on May 29, 2020 in Perth, Australia at the age of 79.
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From Broadway To 52nd Street
Ridin’ High is a 1936 popular song, composed and written by Cole Porter, for the stage in his musical Red, Hot and Blue, with book by Howard Lindsay and Russel Crouse. It premiered on Broadway in 1936 and the song was introduced by Ethel Merman.
The musical also introduced the popular song It’s De-Lovely as a romance duet sung by Ethel Merman and Bob Hope, in which they trace their romance from first kiss to marriage to a baby.
The StoryNails O’Reilly Duquesne is a newly wealthy young widow. Loud and brassy, Nails is a former manicurist. She organizes a benefit for her favorite cause, the rehabilitation of ex-convicts. Together with her sidekick (an “ex-con” himself), Policy Pinkle, and her “square” boyfriend, lawyer Bob Hale, she embarks on a nationwide search for Bob’s old girlfriend, which is really the reason for the enterprise. The girlfriend, 18 years earlier, had sat upon a hot waffle iron and so had a unique “imprint”. However, the national lottery that Nails starts gets the attention of the Finance Committee, and they wind up in Washington DC in an even more complicated situation. The Supreme Court declares the lottery unconstitutional, because it would benefit the people.
History
During the out-of-town tryouts, the book was too long and did not blend with the music. The producer Vinton Freedley made numerous suggestions for overhauling the show, which were accepted by all except Porter, until he finally relented. Additional conflicts arose when Freedley assembled the cast and creative team behind the musical Anything Goes, hoping to repeat that show’s success. William Gaxton was part of that cast, however, he withdrew because Ethel Merman’s part was so large, so Bob Hope was cast. The next conflict came over billing for Jimmy Durante and Merman, which was resolved by having their names crisscrossed above the title.
The musical was first titled But Millions!, then Wait for Baby!, before settling on Red, Hot And Blue. The Broadway musical has no connection to the 1949 film musical of the same name with songs by Frank Loesser.
Notable RecordingsBenny Goodman, Chris Connor, Ella Fitzgerald, Michel Legrand, Kate Smith, Mark Murphy, Jeri Southern, Peggy Lee, Teresa Brewer, Carol Lawrence, Doris Day, Johnny Mathis, Cleo Laine, Sue Raney, Hod O’Brien, Robert Palmer, Rebecca Martin, Fay Claassen, and Stevie Holland.
