Daily Dose Of Jazz…

Tisziji Muñoz was born July 15, 1946 in Brooklyn, New York. He learned to play guitar as a child using a single-line playing style, due to a childhood wrist injury. Spirit-taught, the avant-garde jazz virtuoso and extreme guitarist is best known for his uniquely original guitar sound and playing style, likened to that of a spiritual tornado.

Tisziji became interested in jazz in 1968 when he was introduced to the music of John Coltrane while enlisted in the US Army 440th General’s Band. Upon discharge he pursued his musical interests in Canada and took a lead role in the development of Toronto’s underground music scene, where he began a long lasting working relationship with pianist Paul Shaffer and performed as guitarist in the musicals Hair and Godspell.

In the mid-70’s, Muñoz returned to New York City and began collaborating and performing with saxophonist Pharoah Sanders followed by projects and releases with Ravi Coltrane, Dave Liebman, Marilyn Crispell, Paul Shaffer, Steve Kuhn, Lam Sobo John Medeski, Bernie Senensky, Chris Caswell, Henry Kaiser, Ra Kalam Bob Moses, Don Pate, John Lockwood, David Finck and the late greats Rashied Ali, Lew Soloff, John Hicks, Nick Brignola and Hilton Ruiz.

Tisziji has performed at the Montreal Jazz Festival, appeared on The late Show with David Letterman, played Carnegie Hall, The Village Vanguard and Gate, Iridium, Dizzy Club coca Cola and Jazz at Lincoln Center among other venues.

An accomplished author, Tisziji has independently published numerous written works encompassing his own Heart-Fire Sound realization and embracing the subjects of spirituality, genius, creativity and time mastery. His books and music have radically transformed the manner in which musicians think and play music, validating the spirit of the genuine creative artist – from the inside out. Avant-garde jazz guitarist continues to compose, record and perform.


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Daily Dose Of Jazz…

Massimo de Majo was born in Rome, Italy on July 8, 1957 and began studying music at a very young age. By 1980 while matriculating through Rome University studying Music and Literature he earned a Masters Degree in Percussion Instruments. He went on to study, apprentice and refine his skills under David Liebman, Elvin Jones, Marvin Bugalu Smith, Horace Parlan, Billy Hart, Max Roach, Richie Beirach, Wayne Shorter, Buster Williams, Harold Land, Carlos Santana and Larry Coryell.

He has developed an intense energy flow, wide dynamics and an acute sense for interplay, being comfortable playing free form music, as well as within more structured frameworks. Over the course of his career de Majo has spent most of his life outside Italy performing across Europe, the United States, Scandinavia and Japan. Though not widely known to the general public, the percussionist is regarded as a musicians’ musician and sought after on the jazz circuit.

During the last thirty years, focusing mostly on performing and teaching, he has recorded with Horace Parlan, Per Goldschmidt, Al Swainger, Andy Williamson, Biancamaria Stanzani Ghedini and Philip Clouts, among others. As a composer he has also created pieces for the theatre, contemporary dance, video, sound design and installation art. Drummer Massimo de Majo is also an educator and sits on the faculty of the University of Malta teaching several different courses in the Music Department. He continues to perform and record.


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Reedman Dexter Payne was born on July 5, 1951 in Denver, Colorado. The clarinet was his first instrument and went on to master the alto and baritone saxophones adding them to his arsenal. His early influences were Artie Shaw, Buddy DeFranco, Benny Goodman, Stan Getz, Zoot Sims, Gerry Mulligan,Benny Carter, Johnny Hodges and Lester Young.

A very lyrical and melodic player, Dexter plays swing, bop, cool jazz, and Brazilian jazz as well as other forms of music including Latin. In 2000 he played with Brazilian musician Thiago de Mello, recorded the album Inspiration in 2003, with Brazilian guitarist Antonio Mello,

He followed with his sophomore release in 2005 release Another Feeling with producer Arnaldo De Souteiro on his Jazz Station label. He recorded again in 3006 and 2007 which de Mello produced and released Our Time to Remember. Clarinetist and saxophonist Dexter Payne continues to perform, record and tour.


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Hollywood on 52nd Street

How Little We Know was originally written as a waltz. It was composed by Hoagy Carmichael for Lauren Bacall in her film debut to sing in the 1942 film To Have and Have Not, also starring Humphrey Bogart and Walter Brennan. Although it was nominally based on the novel of the same name written by Ernest Hemingway. The story was extensively altered for the film.

The Story: Harry Morgan and his alcoholic sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. However, since the second world war is happening around them business is not what it could be and after a customer who owes them a large sum fails to pay they are forced against their better judgment to violate their preferred neutrality and to take a job for the resistance transporting a fugitive on the run from the Nazis to Martinique. Through all this runs the stormy relationship between Morgan and Marie “Slim” Browning, a resistance sympathizer and the sassy singer in the club where Morgan spends most of his days.

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Daily Dose Of Jazz…

Tony Miceli was born July 1, 1960 in Cincinnati, Ohio and grew up in Willingboro, New Jersey. He starting playing classical guitar at an early age and then took up the drums, piano and trumpet. He played drums in a high school band called Minas Tirith. Graduating from high school he took drum lessons and secured admission into the University of the Arts. It was there that he was drawn to the vibraphone. Upon completion of his matriculation 1982, through the decade and into the Nineties he toured through Germany with a percussion group called Mallet Madness.

In the late 1990s Miceli created the Philadelphia based group Monkadelphia, a group “dedicated to performing the music of Thelonious Monk. Regularly performing in the Netherlands with the band Thelonious 4, he also plays in an Irish tribute band to the Modern Jazz Quartet.

In addition to performing Tony is an educator and by 2000 he was teaching at Temple University, the University of the Arts, teaching master classes in jazz improvisation and conducting numerous workshops throughout North America and Europe.

Over the course of a career that includes composing, recording and teaching vibraphonist Tony Miceli has performed with Chris Farr, Tom Lawton, Micah Jones, Gina rocjJim Miller, David Friedman, Joe Magnarelli, Dave Liebman, Elio Villafranco, Steve Slagele, Jimmy Bruno, Dave Stryker, Peter Bernstein, Gerald Veasley and Joanna Pascale. He continues to perform a wide variety of musical genres on both the club and festival circuits.


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