Daily Dose Of Jazz…
Rick Laird was born Richard Quentin Laird on February 5, 1941 in Dublin, Ireland. He played music from a young age and enrolled for guitar and piano lessons. He started playing jazz after moving to New Zealand at the age of 16 with his father. He played guitar in jam bands in New Zealand before buying an upright bass. After extensive touring in New Zealand he moved to Sydney, Australia, where he played with many top jazz musicians.
He moved to England in 1962 and became house bassist at Ronnie Scott’s Jazz Club in London, where he had the opportunity to play with Wes Montgomery and Sonny Stitt among others. In 1963 Laird attended London’s Guildhall School of Music and Drama. In 1965 He performed with Victor Feldman and recorded on the Sonny Rollins album ”Alfie” and then went on to play in The Brian Auger Trinity and The Brian Auger Group.
Heading to the States, Rick enrolled in Berklee College of Music in Boston where he studied arranging, composition and string bass. He then teamed up with ex-pat John McLaughlin and The Mahavishnu Orchestra as a founding member to play electric bass until 1973, when the band broke up. Moving to New York he joined Stan Getz’s tour in 1977 followed by Chick Corea the next year.
He put out one album as a leader, Soft Focus. Today, he is a successful photographer as well as a private bass tutor and an author of a number of intermediate to advanced level bass books. Richard Laird, as he is known in the art world, in March 2009 came across a collection of photographs in a file cabinet that he had taken in years past. The legendary jazz artists like Miles Davis, Chick Corea, Wayne Shorter, the Mahavishnu Orchestra, Elvin Jones, and Keith Jarrett are now a part of an online archive.
Take A Dose On The Road
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Daily Dose Of Jazz…
Craig Bailey was born on February 3, 1960 in Cincinnati, Ohio. His interest in music began at age 8, learning to play the recorder with a small group of classmates. Following that, he became a part of the All City Boys Choir. He enrolled in the beginning band program in junior high and took up the clarinet, saxophone and flute, perfecting his skills in playing all three instruments in high school and college.
Bailey earned his undergraduate degree from the University of Miami and headed to New York in 1985. He worked with drummer Charlie Persip’s Superband. He went on to join the world-renowned group of Panama Francis and his Savoy Sultans, learning traditional swing music and traveling to Europe for the first time.
Two years later Craig landed an audition with Ray Charles and became his lead alto saxophonist from 1988-2004. During this period he collaborated the Tana Reid Quintet, Bobby Watson’s Tailor Made Big Band, Nancy Banks Orchestra and the Tom Harrell Big Band among others. He developed his small group writing and playing style, leading him to his own arranging and composing.
Bailey dropped his debut album, A New Journey in 1995 to critical acclaim and is referenced in The Encyclopedia of Jazz. His sophomore release, Brooklyn, received favorable review. He is one of the most consistently inventive and potentially significant reed players of his generation. In between his performing duties Craig Bailey currently holds the position of Assistant Professor of Music in Jazz Saxophone at the University of Cincinnati.
Inspire A Young Mind
Daily Dose Of Jazz…
Kent Kessler was born January 28, 1957 in Crawfordsville, Indiana and grew up on Cape Cod, Massachusetts. He began playing trombone at age ten and when his family moved to Chicago when he was 13, he became intensely interested in jazz. While attending St. Mary Center For Learning High School, he began taking electric bass lessons and jazz theory in the middle of the 1970s.
In 1977 Kent formed the ensemble Neutrino Orchestra, spent a year in Brazil in 1980, took time studying off and on at Roosevelt University in Chicago; and formed a group called Musica Menta, which played regularly at local Chicago venue Link’s Hall.
Kessler began playing double bass in the 1980s and it became his primary instrument when he was asked in 1985 to join the NRG Ensemble, toured Europe, recruited Ken Vandemark, recorded for ECM Records and the two would go on to collaborate extensively on free jazz and improvisational projects such as the Vandemark 5, DKV Trio and the Steelwool Trio.
From the 1990s on Kent would work with the leading Chicago musicians such as Hamid Drake, Fred Anderson and Joe McPhee as well as several European musicians. In 2003, Kessler released a solo album, Bull Fiddle, on OkkaDisk. Kessler performs alone on nine of the twelve tracks and with Michael Zerang on three. The double-bassist who remains active is best known for his work in the Chicago jazz and avant-garde scene.
Dose A Day – Blues Away
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Daily Dose Of Jazz…
Steve Wiest was born John Stephen Wiest on January 26, 1957 in Cleveland, Ohio. Taking up the trombone in his youth he attended Blair High School and played in the band. He went on to matriculate through University of Southern Mississippi and then through University of North Texas.
From 1981 to 1985, Steve was a featured trombonist and arranger with the Maynard Ferguson Band, he has been a professor for twenty-six of the thirty-four years that he has been a professional trombonist, composer, and arranger. From 2006 to 2014, he was Associate Professor of Music in Jazz Studies at the University of North Texas College of Music and during that time he was also the director of the One O’Clock Lab Band.
A three-time Grammy nominee individually, for composing and collaboratively for ensemble, Steve Wiest has in excess of two dozen albums to his name and 58 arrangements and compositions to his credit, which include 10 original compositions from his current project, The Dover Stone: Concerto for Folded Space.
His resume of performances or recordings reads like a who’s who list with Weather Report, Sarah ‘Vaughan, Bill Cosby, Buddy Rich, Freddie Hubbard, McCoy tner, Al Foster, Eddie Gomez, Slide Hampton, Dizzy Gillespie, Chick Corea and the Gil Evans Orchestra on it, just to name a few.
Trombonist and educator Steve Wiest is currently in his first year as Associate Professor of Jazz Studies and Commercial Music at the University of Denver Lamont School of Music, and is the Coordinator of the 21st Century Music Initiative at the school. He continues to perform, compose and arrange jazz and big band.
Give A Gift Of Jazz – Share
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Hollywood On 52nd Street
Pal Joey makes its second appearance as a 1957 drama musical film starring Rita Hayworth, Frank Sinatra and Kim Novak. The Lady Is A Tramp and My Funny Valentine (Babes In Arms/1937), There’s A Small Hotel (On Your Toes/1936), I Didn’t Know What Time It Was (Too Many Girls/1939) were introduced in their respective Broadway plays and all make their debut in the film, while I Could Write A Book and Bewitched Bothered and Bewildered make sophomore appearances. All of the above compositions composed by Richard Rodgers and Lorenz Hart became jazz standards.
The Story: The setting is San Francisco; Joey Evans (Sinatra) is a second-rate singer, a heel known for his womanizing ways, calling women “mice”, but still charming and funny. When Joey meets Linda English (Novak), a naive chorus girl, he has stirrings of real feelings. However, that does not stop him from romancing a former flame and ex-stripper, now society matron Vera Prentice-Simpson (Hayworth), a wealthy, willful, and lonely widow, in order to convince her to finance his dream, “Chez Joey”, a night club of his own.
Soon Joey is involved with Vera, each using the other for his/her own somewhat selfish purposes. But Joey’s feelings for Linda are growing. Ultimately, Vera jealously demands that Joey fire Linda. When Joey refuses, Vera closes down “Chez Joey”. Linda visits Vera and agrees to quit in an attempt to keep the club open. Vera then agrees to open the club, and even offers to marry Joey, but Joey rejects Vera. As Joey is leaving for Sacramento, Linda runs after him, offering to go wherever he is headed. After half-hearted refusals, Joey gives in and they walk away together, united.
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