Jazz In Film

The Film: Carmen Jones

The Year: 1954

The Director: Otto Preminger

The Stars: Dorothy Dandridge, Harry Belafonte, Pearl Bailey and Brock Peters.

The Music: Soundtrack work done by Cozy Cole along with great performances by Pearl Bailey, Max Roach, Richie Powell and Curtis Counce.

The Story: This adaptation of the 1944 Broadway success provided a modern Black version of the Merimee story that retained the original Bizet music. At an all-black army camp, civilian parachute maker and “hot bundle” Carmen Jones is desired by many of the men. Naturally, she wants Joe, who’s engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them.

ROBYN B. NASH

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Jazz In Film

The Film: Bells Are Ringing

The Year: 1960

The Director: Vincente Minnelli

The Stars: Judy Holliday, Dean Martin, Eddie Foy Jr. and Jean Stapleton

The Music: Composed by Jule Styne; appearance by baritone saxophonist Gerry Mulligan

The Story: Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls “Mom.”

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Requisites

We Insist! Freedom Now Suite: This classic piece of art stands at the intersection of politics and music. It was recorded at a time when the civil rights movement was starting to heat up and drummer Max Roach composed and performed the seven-part suite dealing with black history, particularly slavery and racism.

Driva’ Man has a powerful statement by veteran tenor Coleman Hawkins and there is valuable solo space elsewhere for trumpeter Booker Little and trombonist Julian Priester, but it is the overall performance of Abbey Lincoln that is most notable. Formerly a nightclub singer, Lincoln really came into her own under Roach’s tutelage and she is a strong force throughout this intense set. On Triptych: Prayer / Protest / Peace, Lincoln is heard in duets with the drummer and her wrenching screams of rage are quite memorable.

Personnel: Max Roach – drums, Coleman Hawkins – tenor saxophone, Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophone, James Schenk – bass, Olantunji / Ray Mantilla – percussion, Abbey Lincoln / Oscar Brown Jr. – vocal

Record Date: Nola Penthouse Sound Studio, New York / August 31, 1960 & September 6, 1960 / Candid Records

Producer: Nat Hentoff

Songs: Driva’man, Freedom Day, Triptych: Prayer/Protest/Peace, All Africa, Tears For Johannesburg

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Jazz At The Blackhawk: The quartet that Cal Tjader kept together during 1956-57 was devoted to straight-ahead jazz. His Latin fans found ample consolation in the enjoyment of one of the most swinging groups the vibra-harpist ever led. This set was captured at The Blackhawk in San Francisco with an audience that actually got the sound and inspired the players.

Personnel: Cal Tjader – vibes, Vince Guaraldi – piano, Gene Wright – bass, Al Torre – drums

Record Date: Live at the Blackhawk, San Francisco / January 20, 1957

Songs: Bill B., Land’s End, I’ll Remember April, Blues In The Night, Thinking Of You, MJQ, I’ve Never Been In Love Before, Two For Blues Suite, When The Sun Comes Out, Lover, Come Back To Me

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Dynamic: This 1958 classic boasts the talents of the legendary Pittsburgh jazz and soul vocalist Dakota Staton. Tasteful and swinging, with an alternation between lush orchestra arrangements and intimate combo settings, the album coheres beautifully and represents Staton in fine form. This is her sophomore project on the heels of her critically acclaimed “The Late, Late Show” with an addition four previously unreleased tracks added to the re-mastered compact disc. Staton has redefined jazz singing as pure fun!

Personnel: Dakota Staton – vocal, George Shearing – piano, Harry “Sweets” Edison – trumpet, plus orchestra

Record Date: February 1958

Songs: Let Me Off Uptown, Night Mist, Anything Goes, When Sunny Gets Blue, They All Laughed, I Wonder, Say It Isn’t So Joe, Too Close For Comfort, Little Girl Blue, It Could Happen To You, Some Other Spring, Cherokee, Invitation, The Party’s Over, I’ll Remember April, The Nearness Of You

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