Daily Dose Of Jazz…

Cyrus Chestnut was born January 17, 1963 in Baltimore, Maryland. He started his musical career at the age of six, playing piano at Mount Calvary Baptist Church. By age nine, he was studying classical music at Peabody Institute and in 1985 earned a degree in jazz composition and arranging from Berklee College of Music where he was awarded the Eubie Blake Fellowship, the Quincy Jones Scholarship and the Oscar Peterson Scholarship.

A year after graduating his prolific career began with a tour with Jon Hendricks, followed by two-year stints with Terence Blanchard, Donald Harrison, Wynton Marsalis and Betty Carter. Under Betty’s tutelage, Cyrus was advised to take chances and play things she had never heard.

Signing with Atlantic Records in 1993 he released the critically acclaimed Revelation followed by The Dark Before The Dawn the next year, debuting at #6 on the Billboard charts. He has performed and/or recorded with Freddy Cole, Bette Midler, Freddie Hubbard, Jimmy Scott, Chick Corea, Isaac Hayes, Kevin Mahogany, Dizzy Gillespie, Manhattan Transfer, Vanessa L. Williams, Brian McKnight, Christian McBride, Lewis Nash, James Carter, Wycliffe Gordon and the list continues.

Never straying far from his church roots he collaborated and toured with soprano opera diva Kathleen Battle, recording the notable “So Many Stars” in 1996. Later that same year came Blessed Quietness: A Collection of Hymns, Spirituals and Carols.

Chestnut’s leadership and prowess as a soloist has also led him to be a first call for the piano chair in many big bands including the Lincoln Center Jazz Orchestra, Dizzy Gillespie Big Band and the Carnegie Jazz Orchestra. He has amassed a further string of critically acclaimed albums while continually touring with his trio, playing jazz festivals around the world as well as clubs and concert halls.

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From Broadway To 52nd Street

How To Succeed In Business Without Really Trying opened the 46th Street Theatre on October 14, 1961 and ran for one thousand four hundred and seventeen performances landing it in the blockbuster musical hall of fame. Bob Fosse choreographed the musical to the Frank Loesser compositions performed by the stars of the show Robert Morse, Rudy Vallee, Bonnie Scott and Charles Nelson Reilly. From the show rose the song I Believe In You to become a jazz standard.

The Story: Based on the Pulitzer prize winning play, chronicles the rise of a window washer as he schemes, connives and plots his way to the top of the Worldwide Wicket Company. Foundation for the Michael J. Fox version of Secret of My Success)

Broadway History: In 1811, the city planners of New York City began a massive building execution of the grid, which is now a major characteristic of Manhattan. Broadway, as we know it, was born. All existing roads were redesigned according to this concept; only Broadway was spared. The theater district sits between the 41st and 53rd Street and between the Sixth and Ninth Avenues.

Some 40 theaters are immersed in a sea of light from the theaters’ neon signs, each advertising the latest performances; keeping the Broadway mythos alive. In the early years, Broadway began as a leader in the retail sector. The commercial draw is what really sparked growth in the area. The retail venues that lined the street attracted affluent patrons and created a centralized cultural environment over time. It is because of the retail area that Broadway really took off in the early 1900’s.

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Daily Dose Of Jazz…

Wessell “Warmdaddy” Anderson was born on November 27, 1966 in Brooklyn, New York and grew up in the tough Bedford-Stuyvesant and Crown Heights neighborhoods. By 14 he was deeply immersed in jazz at the urging of his father, who was a drummer. He played alto saxophone in local clubs from his early teenage years, and studied at the Jazzmobile workshops with Frank Wess, Charles Davis and Frank Foster. He met Branford Marsalis who convinced him to study with clarinetist Alvin Batiste at Southern University in Louisiana.

Anderson began touring with the Wynton Marsalis Septet, collaborating with Marsalis through the middle of the 1990s helping to make some of the most defining music. He continued to sit in the first alto chair with the Lincoln Center Jazz Orchestra. In 1994, he signed and released his debut album, “Warmdaddy In The Garden of Swing” with Atlantic Records followed by his sophomore release “The Ways of Warmdaddy” and then “Live at the Village Vanguard”.

Over the years he develop his sound combining New Orleans jazz with the sweeping blues style of Cannonball Adderley. He has played with contemporaries Eric Reed, Irvin Mayfield, Steve Kirby, Xavier Davis, Jaz Sawyer and Ben Wolfe among others while maintaining an East Lansing, Michigan restaurant called “Gumbo & Jazz”.

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Daily Dose Of Jazz…

Russell Malone was born November 8, 1963 in Albany, Georgia. He began playing at the age of four with a toy guitar his mother had bought him, influenced by musicians such as B. B. King and The Dixie Hummingbirds. However, his most influential musical experience was seeing George Benson perform on television with Benny Goodman. He learned technique from listening to recordings of Benson, Wes Montgomery and Charlie Christian among others.

Malone played with jazz organist Jimmy Smith, followed by a residency with the Harry Connick Jr. Big Band and in 1995, Malone became part of the Diana Krall Trio, that had three albums nominated for a Grammy. Following his tenure with Krall, he went on to tour regularly leading his own quartet, has played with Dianne Reeves, Romero Lubambo, Ron Carter, Bobby Hutcherson, the late Mulgrew Miller, Dr. Lonnie Smith, Hank Jones, Benny Green, Bill Frisell and Sonny Rollins.

The essentially self-taught swing and bebop jazz guitarist has recorded several sessions for Columbia, Impulse, Venus, Verve and Telarc record labels and since 2004 has recorded on the MaxJazz label with his latest 2010 session being “Triple Play”. Russell Malone has amassed to date 18 albums in his catalogue and continues to perform, record and tour.

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Daily Dose Of Jazz…

Hailing from the West Coast, California native, trumpeter Jeremy Pelt was born on November 4, 1976. His primary interest was strictly classical music until he started high school when he began playing in the jazz band. After matriculating Berklee College of Music he set his sights on New York and before long got noticed by many top jazz musicians and got his first professional gig playing with the Mingus Big Band, allowing him to grow and nurture long lasting associations.

Pelt has had the good fortune to play with such jazz luminaries, such as Jimmy Heath, Frank Wess, Charlie Persip, Keter Betts, Frank Foster, John Hicks, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Nancy Wilson, Bobby Short, Cedar Walton and many too numerous to list. Coupled with those collaborations he has been a featured trumpeter in the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, the Frank Foster Loud Minority, and The Cannonball Adderley Legacy Band featuring Louis Hayes.

Jeremy maintains a consistent forward momentum while transmitting a modern-day sense of urgency with his songs. Pelt’s major focus is on writing music for each of his three bands: “Creation”– a sextet, “Noise” – a semi-electric band and “The Jeremy Pelt Quartet”.

He has been voted “Rising Star on the Trumpet” by Downbeat Magazine and the Jazz Journalist Association two years in a row. Jeremy Pelt has toured throughout the United States, Europe, Japan, Virgin Islands and Brazil, and continues to perform and record.

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