Daily Dose Of Jazz…
Alicia Cunningham was born Alicia Rodriguez of Mexican heritage on October 5, 1946 in Los Angeles, California. A classically trained vocalist and pianist, she worked in the L.A. studios and as an educator at Loyola University in her early years.
Meeting her husband Don was fortuitous when he moved to Los Angeles in the early 70s. Their combination of his jazz-influenced energetic singing style and Alicia’s fluid, clear and lyrical sound, established a solid reputation. This would lead to a tour with Count Basie in Europe for five months at major events and jazz festivals in England and Switzerland.
She was an intricate and melodic harmonizer and arranger and paired with the Cunningham stage presentation, they offered enormous panache. They not only kept her hometown audiences satisfied but they traveled around the country and the world thrilling listeners in Europe, Canada, Singapore, Brazil, Japan, Indonesia and South Korea.
In 2012, they released their final album together titled Sao Paulo Lights that was recorded in Brazil. In the autumn of 2014, Alicia made her last performance in St. Louis when Don received a St. Louis Jazz Hall of Fame Award.
Vocalist Alicia Cunningham, who sang hard jazz, transitioned in Las Vegas, Nevada on December 23, 2014 at the age of 68 after battling cancer for a year.
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Three Wishes
When Pannonica approached J. R. Monterose with the question of three wishes if granted what would he ask for he told her:
- “Play, play, play.”
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Daily Dose Of Jazz…
Edgar “Puddinghead” Battle was born on October 3, 1907 into a musical family in Atlanta, Georgia. In 1921 while a student at Morris Brown University he started playing trumpet and formed his own band, the Dixie Serenaders. A few years later the group changed their name to Dixie Ramblers.
Battle played with Eddie Heywood Sr., and toured with the 101 Ranch Boys traveling show. During the 1920s he worked with Gene Coy, Andy Kirk, Blanche Calloway, Ira Coffey, and Willie Bryant. A move to New York City in the early Thirties saw him doing short stints with Benny Carter and Sam Wooding before joining George White’s ensemble on Broadway.
Over time, he began doing more work as a studio musician and arranger, writing charts for Cab Calloway, Paul Whiteman, Fats Waller, Earl Hines, Rudy Vallee, and Count Basie. During World War II, Edgar held a position as an electrician in a shipyard, while simultaneously running a big band with Shirley Clay.
In the 1950s, he founded Cosmopolitan Records and continued to play in big bands part-time through the 1960s. Among his numerous jazz compositions are the pieces Topsy, co-composed with Eddie Durham and Doggin’ Around with Herschel Evans.
Trumpeter, trombonist, saxophonist and pianist Edgar “Puddinghead” Battle, who was also a composer and arranger, transitioned in New York City on February 6, 1977, at the age of 69.
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Requisites
Something For Lester ~ Ray Brown | Carl Anthony
This week I am standing in for our regular Requisites host and writer Eddie Carter, who is on an anniversary vacation. He will return next Sunday with another prolific review of an album for your collection.
This week I have selected Something for Lester, an album by bassist Ray Brown that was recorded on June 22, 23 & 24 1977 at Contemporary’s Studio in Los Angeles, California. The session was recorded in the bop and cool jazz genres and was released on the Contemporary label the following year.
The producers on the sessions were John Koenig and Lester Koenig. The photograph was taken by Bret Lopez, the design was provided by George Kershaw, with liner notes by Leonard Feather and the recording and sound was performed by the Koenig brothers and Roy DuNann.
Of the seven compositions presented here by the trio, four are classics, two are by Cedar Walton and one was composed by Brown. The conversation between the players is easy and comfortable as they navigate through each song. If you enjoy small group sessions you’ll find these consummate musicians will deliver what you like.
Tracks | 41:10
- Ojos de Rojo (Cedar Walton) – 5:16
- Slippery – 7:27 (Ray Brown)
- Something in Common (Walton) – 4:50
- Love Walked In (George Gershwin, Ira Gershwin) – 5:25
- Georgia on My Mind (Hoagy Carmichael, Stuart Gorrell) – 7:11
- Little Girl Blue (Richard Rodgers, Lorenz Hart) – 6:17
- Sister Sadie (Horace Silver) – 4:54
- Ray Brown – bass
- Cedar Walton – piano
- Elvin Jones – drums
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Daily Dose Of Jazz…
Barbara Paris was born on October 2, 1954 in Denver, Colorado and from an early age listened to Nat King Cole, Dinah Washington, Mel Torme and Frank Sinatra. Constantly listening to the radio she memorized every song she heard. She sang with her church choir, played violin, took piano lessons and began playing the guitar at 15. She started out singing folk music but gravitated to jazz.
After high school graduation at 16, she moved to Boulder, Colorado and began a successful hairdresser career. However, it was on vacation in St. Thomas that she met Louis Armstrong veteran Eddie Shu and subsequent encouragement led her to the stage.
Barbara made her debut as a jazz singer while in Paris, France. There an acquaintance told her about Denver resident pianist Joe Bonner and upon her return tracked him down and a 23 year musical partnership commenced. She has worked with Freddie Hubbard, Junior Mance, Joe Pass, and recorded with Nancy Wilson’s rhythm section, pianist Llew Matthews, bassist John B. Williams and drummer Roy McCurdy, among numerous others.
Vocalist Barbara Paris continues to pursue performing, composing, recording, and clinics.
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