Daily Dose Of Jazz…
Bob Carter was born Robert Kahakalau on February 11, 1922 in New Haven, Connecticut and learned to lay the bass and guitar from his father, a vaudeville performer of Hawaiian heritage. He played in local orchestras from 1937 to 1940, toured from 1940 to 1942 and worked with his own trio in Boston, Massachusetts in 1944.
By 1944 he was working in various groups on New York City’s 52nd Street with Tony Scott, Dizzy Gillespie, Charlie Parker, Stuff Smith and Charlie Shavers among others. Following time spent playing bebop with Allen Eager and Max Roach in 1946, he worked with Charlie Ventura from 1947 to 1949 and again in 1953-54. Between the Ventura stints he played with Benny Goodman in 1949-50.
In 1953, he also worked with jazz guitarist Johnny Smith and appeared on the albums Jazz at NBC and The Johnny Smith Quintet Featuring Stan Getz.
After his second stint with Ventura he studied composition with Wesley LaViolette and later that decade his arrangements were used by Red Norvo, Bob Harrington, and Shelly Manne. He spent two years in Hawaii beginning in 1957, then returned to New York in 1959, where he played with Bobby Hackett. In the early 1960s, he worked in Germany in the Kurt Edelhagen Orchestra. He did little playing after the end of the Sixties decade.
Bassist and arranger Bob Carter passed away in Honolulu, Hawaii on August 1, 1993 at the age of 71.
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Daily Dose Of Jazz…
Walter Purl “Foots” Thomas was born on February 10, 1907 in Muskogee, Oklahoma, elder brother tos alto saxophonist and songwriter Joe Thomas. Moving to St. Louis, Missouri he played in Ed Allen’s Whispering Band of Gold in the early 1920s and in 1924 recorded with Fate Marable’s Society Orchestra.
1927 saw Foots, as he was affectionately known, in New York City, where he played with the New Orleans pianist and composer Jelly Roll Morton and Joe Steele. He then joined The Missourians in 1929, just before Cab Calloway took the band over. Among his arrangements was the 1931 hit song, Minnie the Moocher.
Leaving Calloway’s orchestra in 1943 he went to work with saxophonist and composer Don Redman. He went on to lead a 1944 recording session with sidemen including Coleman Hawkins, Hilton Jefferson, Eddie Barefield and Jonah Jones, as well as another session that year featuring Ben Webster, Budd Johnson, and Emmett Berry.
During the mid-1940s he taught at a studio on West 48th Street in New York City and among his students was the hard bop alto saxophonist Jackie McLean. In the 1950s he became a manager and booking agent; he worked for the Shaw Artists Corporation and for a time one of his clients was the trumpeter Dizzy Gillespie.
Tenor saxophonist, flautist and arranger Foots Thomas, who played in one of the most famous orchestras of the Swing era, passed away from cancer on August 26, 1981. He was posthumously inducted into the Oklahoma Jazz Hall of Fame in 1996.
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Daily Dose Of Jazz…
Joseph George Dodge was born on February 9, 1922 in Monroe, Wisconsin and was raised and grew up in San Francisco, California. He initially studied to be a symphonic percussionist, and like many young drummers of his generation, he was primarily influenced by Gene Krupa, Jo Jones, Jimmy Crawford and Shelly Manne, gathering different sources of inspiration that helped him to create his own creative style.
During World War II, Dodge fulfilled his military duties from 1942 until 1945 playing drums in the Coast Artillery band, where he met tenor saxophonist Dave van Kriedt, who introduced him to Dave Brubeck and Paul Desmond. After his discharge in 1946 he worked in several dixieland groups and dance bands around the Bay area.
In 1950, becoming tired of road touring and economic instability took a job working in a bank but still kept in touch with Desmond, who arranged for him to play a Brubeck engagement as a temporary replacement for drummer Cal Tjader. The Brubeck octet was steady playing at the San Francisco Opera House, and opened for Nat King Cole and Woody Herman.
A few years later, Desmond again recommended Joe to Brubeck and he joined the quartet as Brubeck’s regular drummer. During his tenure he helped to record five successful albums between 1953 and 1956. During the same period, he was featured in two albums with different formats directed by Desmond.
By late 1956, Dodge was worn down again by the travel and intense schedule with the quartet and wanted to spend more time with his family. He then told Brubeck it was time to look for another drummer and took a day job in San Francisco. In 1957 he was offered a transitory position with Stan Kenton but again declined and from 1958 until he retired in 1981, he would combine working in the liquor business with evening musical engagements. Never losing touch with Desmond or Brubeck, he would play at the latter’s 50th wedding anniversary in 1992. Drummer Joe Dodge passed away on August 18, 2004 in Lake Elsinore, California at the age of 82.
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James Richard Skidmore was born on February 8, 1916 in Manor Park, London, England. After teaching himself to play tenor saxophone when he was 20, he played with Harry Parry and George Shearing, becoming especially active in the years immediately following World War II. He attracted attention as a member of the Vic Lewis Jazzmen and in the Fifties played and recorded with Kenny Baker and Humphrey Lyttelton, forming part of the latter’s non-traditionalist saxophone line-up alongside Tony Coe and Joe Temperley.
During the 60s and 70s he continued to perform in clubs but the frequency of his playing diminished. A combination of changing musical times and his own casual approach to his music adversely affected the success his talent deserved. In the mid-80s he still played in the London area and apparently took the jazz world a little more seriously than he had in the past. He celebrated his 80th birthday by appearing alongside his tenor saxophonist son Alan, who had gained the lion’s share of public attention from the mid-60s on..
Tenor saxophonist Jimmy Skidmore passed away on August 22, 1998 in Welwyn Garden City, Hertfordshire, England.
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Ray Crawford was born on February 7, 1924 in Pittsburgh, Pennsylvania. During the war years from 1941-1943 he played tenor saxophone and clarinet with Fletcher Henderson but tuberculosis forced him to give them up.
Switching to guitar he became an important part of Ahmad Jamal’s early groups from 1949 to 1955. Ray’s ability to make his guitar sound like bongos by hitting it was soon adopted by Herb Ellis. He went on to record with Gil Evans from 1959 to 1960, then played off and on with Jimmy Smith from 1958 into the Eighties.
In the Sixties he settled in Los Angeles, California. He led fairly obscure records for Candid in 1961 that were not released until the 1980s, and also recorded for Dobre and United National record labels in the Seventies. Guitarist Ray Crawford, who played mainly in the hard bop and soul jazz genres, passed away on December 30, 1997 in his hometown of Pittsburgh.
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