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Dennis Sandole was born Dionigi Sandoli on September 29, 1913 in Philadelphia, Pennsylvania and played guitar as a child. From 1946 until the early 1950s he was John Coltrane’s mentor , introducing him to theory beyond chords and scales and exposing him to the music of other cultures.
Sandole taught advanced harmonic techniques that were applicable to any instrument, using exotic scales and creating his own. His students over half a century included saxophonists James Moody, Michael Brecker, Rob Brown, and Bobby Zankel; pianists Matthew Shipp and Sumi Tonooka; guitarists Jim Hall, Joe Diorio, Pat Martino, Joe Federico, Tony DeCaprio, Jon Herington, Larry Hoffman, and Harry Leahey, Rufus Harley, Bob deVos and Frank Gerrard.
He recorded with his brother Adolph, Modern Music From Philadelphia, released by Fantasy in 1956. Guitarist, composer and music educator Dennis Sandole, who taught privately until the end of his life, passed away on September 30, 2000.
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Raymond Kenneth Warleigh was born on September 28, 1938 in Sydney, New South Wales, Australia. He migrated to England in 1960, where he quickly established himself as an in-demand session player.
He played and recorded with many major figures and bands of the UK jazz and blues scene, including Alexis Korner, Tubby Hayes, Humphrey Lyttelton, Terry Smith, Ronnie Scott, Long John Baldry, John Mayall, Allan Holdsworth, Soft Machine, Georgie Fame, Mike Westbrook, Dick Morrissey and Kenny Wheeler, as well as Mike Oldfield, Nick Drake, and Charlie Watts. He accompanied visiting artists such as Champion Jack Dupree and his successful 30-year career partnered him with Dusty Springfield, Marianne Faithfull, Scott Walker and Stevie Wonder, among others.
Warleigh’s First Album was released in 1968 and in 1971 he played saxophone and clarinet with the loosely connected UK folk group P. C. Kent. In 1973 he joined Latin fusion band Paz, led by vibist and composer Dick Crouch. He featured with the band for 8 years playing a weekly Sunday residency at the Kensington, a pub in Holland Park.
He recorded seven albums as a leader as well as his sideman sessions with for Spotlite, Magnus and Paladin Record labels producing Kandeen Love Song, Paz Are Back , Paz Live at Chichester Festival and Look Inside. Members of the band were Dick Crouch leader and vibes, guitarist Ed Speight, Geoff Castle on keyboards, bass guitarist Ron Mathewson, drummer Dave Sheen and percussionist Chris Fletcher. His critically acclaimed last album Rue Victor Massé was issued in 2009 and is an improvisation with free-jazz drummer Tony Marsh.
In his leisure time he was an accomplished yachtsman before serious illness struck in 2011. Alto saxophonist and flautist Ray Warleigh passed away of cancer on September 21, 2015.
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Daily Dose Of Jazz…
Teddy Brannon was born Humphrey Brannon on September 27, 1916 in Moultrie, Georgia. He began learning piano at age nine and played in dance bands in high school while working locally in Newark, New Jersey nightclubs from 1937 – 1942.
Between 1942 to 1945 he was a member of Benny Carter’s ensemble, after which he freelanced on 52nd Street in New York City. The 1950s and 1960s saw Brannon working in the studios with doo wop groups and though he never recorded as a leader, he recorded as a leader with his orchestra in the late Forties and played extensively in the jazz idiom with but not limited to Don Byas, Roy Eldridge, Buddy Rich, Bennie Green, Johnny Hodges, Jonah Jones, Don Newcomb and Illinois Jacquet.
An accomplished accompanied he performed and recorded with such singers as Dinah Washington, Ruth Brown, Billie Holiday, and Babs Gonzales, who was Brannon’s cousin. Pianist Teddy Brannon passed away on February 24, 1989 in Newark, New Jersey.
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Lynn Hope was born on September 26, 1926 in Birmingham, Alabama and was noted for his apparel and instrumental remakes of established pre-rock pop anthems. He joined King Kolax’s band when he graduated from high school during the 1940s. He later converted to Islam becoming known for wearing a turban, though few ever called him by his Muslim name, Al Hajji Abdullah Rascheed Ahmed.
He signed with Miracle Records in 1950, but the contract proving invalid moved to Premium Records, There he cut Tenderly, a song that was later picked up by the Chess label. Hope recorded often for Aladdin Records between 1951 and 1957, doing interpretations of such jazz standards as September Song and Summertime. While these numbers were often performed with little or no melodic embellishment or improvisation, the flip sides were often fierce up tempo blues or jump tunes.
Tenderly earned him his only hit in 1950, reaching number eight R&B and #19 pop charts. He made his last sessions for King in 1960, then fell from sight. Tenor saxophonist Lynn Hope passed away on February 24, 1993.
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Horacee Arnold was born Horace Emmanuel Arnold on September 25, 1937 in Wayland, Kentucky. The drummer first began playing in 1957 in Los Angeles, California while holding down a position in the Coast Guard. It was in 1959, he began performing as “Horacee” when he joined the David Baker big band, and also played with Roland Kirk and Charles Mingus that year. In 1960 he became the drummer in a trio with Cecil McBee and Kirk Lightsey.
By the 1960s he was working with pianist and composer Hasaan Ibn Ali and Henry Grimes, and in 1964 with The Bud Powell Trio at Birdland. Horace also performed as part of the Alvin Ailey American Dance company on a tour of Asia. The late Sixties saw him performing with Hugh Masekela and Miriam Makeba.
Continuing his education Arnold studied composition under Heiner Stadler, Hy Gubenick, and classical guitar with Ralph Towner. In 1967 he founded his own ensemble, The Here and Now Company, with Sam Rivers, Karl Berger, Joe Farrell, and Robin Kenyatta in tow.
The 1970s was when Arnold became one of the best-known jazz fusion drummers, playing and recording with Return to Forever, Stan Getz, Archie Shepp and Billy Harper. During this period of his career he released two of his own solo albums. He later formed a three-ensemble called Colloquium III with Billy Hart and Freddie Waits.
In the 1980s Arnold became an educator conducting workshops at the New York Drummers’ Collective and a professor at William Paterson College in New Jersey. He worked as a session musician and played with Kenny Burrell. He formed a trio that featured Dave Friedman and Anthony Cox.
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