Daily Dose Of Jazz…

Eberhard Weber was born on January 22, 1940, in Stuttgart, Germany and began recording with several groups as a sideman in the early Sixties and released his first record under his own name The Colours of Chloë, in 1973.

From the early 1960s to the early 1970s, Weber’s closest musical association was with pianist Wolfgang Dauner. Their many mutual projects were diverse, from mainstream jazz to jazz-rock fusion to avant-garde sound experiments. During this period, Weber also played and recorded with pianists Hampton Hawes and Mal Waldron, guitarists Baden Powell de Aquino and Joe Pass, The Mike Gibbs Orchestra, violinist Stephane Grappelli, and many others.

Eberhard has released fourteen records under his own name, all under the ECM label. He has led collaborations with Gary Burton, Ralph Towner, Pat Metheny and Jan Garbarek. The mid-1970s saw Weber forming his own group, Colours, with Charlie Mariano, Rainer Brüninghaus and Jon Christensen. With John Marshall replacing Christensen they toured extensively and recorded two further records before disbanding.

Since the early 1980s, Weber has regularly collaborated with the British singer-songwriter Kate Bush, toured with Barbara Thompson’s jazz ensemble Paraphernalia, and by the Nineties touring slowed as did recording but he continued to perform until suffering a stroke in 2007, leaving him unable to play. Bassist Eberhard Weber was awarded the prestigious Albert Mangelsdorff-Preis in November 2009.

BRONZE LENS

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Requisites

Journey In Satchidananda is the fourth solo album by Alice Coltrane recorded on November 8, 1970. Avant-garde in its jazz direction and released in 1971, its title and title track reflects Coltrane’s inspiration by Swami Satchidananda whom John Coltrane had become close to while being his disciple.

Shiva-Loka or realm of Shiva references the realm of the third member of the Hindu trinity, the dissolver of creation. Stopover Bombay refers to a five-week stay in India and Sri Lanka on which Coltrane was due to go in December 1970. Something About John Coltrane is based on themes by her late husband, John Coltrane. Isis and Osiris, on which Charlie Haden replaces Cecil McBee on bass, and Vishnu Wood plays oud, indicates Coltrane’s interest in Middle Eastern and North African music and culture. The presence of the tamboura, played by Tulsi, reflects Coltrane’s interest in Indian classical music and religion.

Side A
  1. Journey in Satchidananda ~ 6:39
  2. Shiva-Loka ~ 6:37
  3. Stopover Bombay ~ 2:54
Side B
  1. Something About John Coltrane ~ 9:44
  2. Isis and Osiris ~ 11:49
All compositions by Alice Coltrane.

Tracks A1–B1 were recorded at the Coltrane home studio in Dix Hills, New York on November 8, 1970. Track B2 was a live recording at The Village Gate in New York City on July 4, 1970. Tracks A1 to B1

  • Alice Coltrane – piano, harp
  • Pharoah Sanders – soprano saxophone, percussion
  • Cecil McBee – double bass
  • Rashied Ali – drums
  • Tulsi – tanpura
  • Majid Shabazz – bells, tambourine
B2
  • Alice Coltrane – harp
  • Pharoah Sanders – soprano saxophone, percussion
  • Rashied Ali – drums
  • Charlie Haden – bass
  • Vishnu Wood – oud

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Daily Dose Of Jazz…

Esa Pietilä  was born on December 9, 1964 in Finland and started learning the saxophone as a youth, taking his inspiration from Eric Dolphy, Albert Ayler, Ornette Coleman and John Coltrane. He studied saxophone and composition in the Sibelius- Academy jazz department in Helsinki and privately in United States with David Liebman.

Pietilä started his career as a jazz musician and later on expanded his expression to many different musical genres. Performing with his jazz groups Liberty Ship and Esa Pietilä 3, he also has duo collaborations with contemporary classical & new music chamber musicians, and has soloed with chamber orchestras and other larger ensembles. He performs totally free improvisations at his solo concerts.

He has worked with conductors Esa-Pekka Salonen, Santtu-Matias Rouvali, with Avanti! Chamber Orchestra. Esa has premiered the saxophone concerto of Kalevi Aho, Eero Hämeenniemi and Pietilä´s concerto Graffiti Play for chamber orchestra & contemporary jazz trio.

His jazz collaborators have been Paal Nilssen-Love, Harvey Sorgen, Michael Jefry Stevens, Mathias Eick, Jeff Siegel, Karl Berger, Mark Helias, Brian Melvin, Heiri Kaenzig, Christoph Baumann, Baenz Öster, Franziska Baumann, Mike Nock, Ron McClure, Claudio Fasoli, Anders Begcrantz, Odean Pope, Hilmar Jensson, Raoul Björkenheim. Markku Ounaskari, Ulf Krokfors, Iro Haarla.

Saxophonist and composer Esa Pietilä, who in his home country, received the Yrjö Jazz award in 2016 for his original, genre-defying work in the field of avant-garde jazz, continues to work diversely in the field of contemporary music.

BRONZE LENS

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Daily Dose Of Jazz…

Ernie Farrow was born on November 13, 1928 in Huntington, West Virginia and is the half-brother to Alice Coltrane. It is said that he was responsible for introducing her to jazz. He had his own bands throughout high school and emerged in the professional jazz scene in the first half of the ’50s, working with a series of demanding bandleaders including Terry Gibbs and Stan Getz.

Farrow’s relationship with Yusef Lateef began around 1956, performing alongside Hugh Lawson and drummer Louis Hayes and recording a dozen albums with him from 1957 to 1964. Over the course of his short career he also worked with Barry Harris and John Williams among others.

A few years later he began leading his own group, based out of Detroit and was a strong influence on his younger piano-playing sister. In the ’60s he was featured on bass in a terrific classic jazz piano trio fronted by Red Garland.

Best known as a bassist, he however, started on piano before adding bass and drums. Multi-instrumentalist Ernie Farrow, who played piano, double bass, and drums, passed away on July 14, 1969.

GRIOTS GALLERY

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Daily Dose Of Jazz…

Bill Elgart or Billy Elgart  was born on November 9, 1942 in Chelsea, Massachusetts. A student of Alan Dawson, he studied at the Berklee College of Music. By the 1960s he was playing with Carla Bley, Paul Bley, Marion Brown, Sam Rivers, Lowell Davidson, Mark Levinson, Roswell Rudd, John Tchicai, Jack Walrath and Glenn Ferris. In 1968 he made his recording debut on Mr. Joy, with Paul Bley and Gary Peacock.

Moving to Europe in 1976, Bill settled first in Salzburg, Austria and later in Ulm, Germany. He played with Karl Berger, Dave Holland, Ed Schuller and Wayne Darling over the course of the 1980s and 1990s. He was a member of the group Zollsound 4 with Carlo Mombelli, Lee Konitz, and Thomas Zoller. He played in the Sundial Trio with Peter O’Mara from 1982 to 1990, and in 1991 he worked with Caoma alongside Ed Schuller, Sigi Finkel and Tomasz Stanko. He and Stanko also played with Vlatko Kucan in the 1990s.

Elgart worked on the Annemarie Roelofs Projekt, alongside Berger, Frank Möbus, Vitold Rek, and Ingrid Sertso. He has performed as a sideman on recordings by Leszek Zadlo, Manfred Bründl, Kenny Wheeler, Carlo Mombelli, Charlie Mariano, Arrigo Cappelletti, Franco D’Andrea, Wolfgang Lackerschmid, Claudio Fasoli, Sigi Finkel and Paolino Dalla Porta. He has also worked with Tim Berne, Barre Phillips, Eddie Gómez, Conny Bauer, Sheila Jordan, David Friedman and Matthias Schubert. Drummer Bill Elgart continues to perform and record.

ROBYN B. NASH

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