Daily Dose Of Jazz…
Graham Peter Hall, generally known as GP Hall, was born on July 15, 1943, and raised in Hampton Hill, London, United Kingdom, where he was schooled in classical, flamenco and jazz. As a teenager he went on to play in the Odd Lot Band and set up the Odd Lot Club as a venue for their music, which in turn attracted more established bands and players for concerts.
As he became better known, Hall went on to play at more celebrated London venues including The Roundhouse, the Middle Earth club and a residency at the 100 Club. He would back Deep Purple, The Hollies, Chris Farlowe and played with John Lee Hooker, Sonny Boy Williamson and with Casey Jones & The Governors.
His musical approach broadened in the early 1970s where he spent time studying with Romani musicians and flamenco guitarist Manitas de Plata, became involved in more avant-garde work, writing, producing and performing, and became the musical director for the multi-media performance art group Welfare State International.
By 1972 GP composed and recorded The Estates on Prototype Records, followed three years later by his sophomore project Manifestations. But around this time, his promising career fell into a fifteen-year depression due to personal trauma. It was until the Eighties that he re-emerged into the music world with his twenty-nine track Colors (Movements) a series of instrumental albums on the Kenwest label. The 90s saw the release of a solo album Imaginary Seasons on his own Imaginary Music label that was nominated for the Mercury Music Prize, followed by Figments Of Imagination in 1996 and an appearance on the Unknown Public compilation alongside guitarists Bill Frisell, Frank Zappa, John Zorn and Robert Fripp.
Into the new millennium the guitarist has continued to record new and old music combining them with live performances, created eclectic instrumental and industrial inclined works, recorded several unreleased albums and collaborated with percussionist Justin Ash, painter Alistair Michie, Lol Coxhill, Paul Rutherford, Jeff Clyne, John Ellis and Lyn Dobson, among others.
Hall invented the musical genre known as Industrial Sound Sculptures, draws on classical, rock, jazz, flamenco, folk and blues styles and performs mainly in the free jazz and avant-garde genres, though much more melodic. He uses a variety of techniques such as slides, fingerpicking and found implements like crocodile clips, palette knives, velcro strips, an antique psaltery bow and wind-up toy to create a variety of different sounds.
Guitarist GP Hall is adept with electric and electronic playing but is also known for his particular virtuosity as an acoustic guitarist, an expert flamenco guitarist, and an accomplished classical-style player. He also plays a customized Shergold six-string bass guitar featuring a half-fretted, half-fretless fretboard and has been known to dabble in playing other instruments such as double bass, piano, soprano saxophone and varied percussion, and vocals as he continues his musical journey.
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Daily Dose Of Jazz…
Tomasz Stańko was born on July 11, 1942 Rzeszów, Poland and his first encounters with jazz were through Voice of America radio programs and U.S. State Department tours. Coming of age in Communist Poland he was impressed by the correlation jazz had with a message of freedom. In 1958 he saw his first jazz concert given by Dave Brubeck.
Coming to prominence in the early 1960s alongside pianist Adam Makowicz in the Jazz Darings, the group is considered one of the first groups to play free jazz in Europe. Stańko later collaborated on pianist Krzysztof Komeda’s pivotal 1966 album Astigmatic, then formed at quintet in 1968 with Zbigniew Seifert on violin and alto saxophone and in 1975 he formed the Tomasz Stańko-Adam Makowicz Unit.
Tomasz has since established himself as a leading figure not only in Polish jazz, but on the world stage working with Jack DeJohnette, Dave Holland, Reggie Workman, Rufus Reid, Lester Bowie, David Murray, Manu Katche, Taj Mahal, Chico Freeman, Howard Johnson, Don Cherry Arild Andersen, Jon Christensen, Bobo Stenson, Tony Oxley, Anders Jormin, was a member of Cecil Taylor’s big band and the Globe Unity Orchestra.
Losing his natural teeth in the 1990s, over time he developed a new embouchure with the help of a skilled dentist and monotonous practice. Trumpeter, composer and improviser Tomasz Stanko, who concentrates in the free jazz and avant-garde genres, continues to record for ECM Records, perform and tour globally.
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Daily Dose Of Jazz…
Anthony Braxton was born June 4, 1945 in Chicago, Illinois. He studied philosophy at Roosevelt University and early in his career he led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith. He was involved with the Association for the Advancement of Creative Musicians (AACM) founded in his birthplace.
In 1969, Braxton recorded the double album For Alto, the first full-length album for unaccompanied saxophone. The album’s tracks were dedicated to Cecil Taylor and John Cage among others. The album influenced other artists like soprano saxophonist Steve Lacy and trombonist George Lewis, who would go on to record their own solo albums.
Joining pianist Chick Corea’s trio with bassist Dave Holland and Barry Altschul they form the short-lived avant garde quartet Circle around 1970. When Corea broke up the group to form Return To Forever, Holland and Altschul remained with Braxton for much of the 1970s as part of a quartet, rotating Kenny Wheeler, George Lewis and Ray Anderson. With Sam Rivers they recorded Holland’s This group recorded for Arista Records and the core trio with saxophonist Sam Rivers recorded Holland’s Conference of the Birds on ECM. In the 1970s he recorded duets with Lewis and with synthesizer player Richard Teitelbaum. In 1975, he released Muhal with the Creative Construction Company featuring Richard Davis, Steve McCall, Muhal Richard Abrams, Wadada Leo Smith and Leroy Jenkins. He would oo on to record through the 70s, 80s and early 90s wth Marilyn Crispell, Mark Dresser and Gerry Hemingway.
He performed at the Woodstock Jazz Festival, was awarded a MacArthur Fellowship, composed his Ghost Trance Music released on his now defunct Braxton House label, and the final Ghost House live recordings at the New York City Iridium club were released by Firehouse 12 label in 2007. He recorded a prodigious series of multi-disc sets of standards during the 1990 and early 2000s
Besides playing saxophone, Braxton also plays clarinet, flute and piano, performs and records in the avant-garde, improvisation, bebop and mainstream genres, composes operas, orchestral and classical compositions, and is an avid chess player. He is the author of multiple volumes explaining his theories and pieces, such as the philosophical three-volume Triaxium Writings and the five-volume Composition Notes.
Composer and instrumentalist Anthony Braxton has released well over 100 albums since the 1960s, has taught at Mills College in the Eighties, was Professor of Music at Wesleyan University from the 1990s until his retirement at the end of 2013, and in 2013, was named a 2014 National Endowment for the Arts Jazz Master.
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Daily Dose Of Jazz…
Theodore Curson was born on June 3, 1935 in Philadelphia, Pennsylvania. He became interested in playing trumpet after watching a newspaper salesman play a silver trumpet, however, his father preferred he become an alto saxophonist like Louis Jordan. By the time he turned 10 years old he received his first trumpet.
Curson attended Granoff School of Music in Philadelphia and at the suggestion of Miles Davis, moved to New York City in 1956. He performed and recorded with Cecil Taylor in the late 1950s and early 1960s and his 1964 Eric Dolphy tribute composition Tears for Dolphy has been used in numerous films.
Ted is a familiar face in Finland performing annually at the Port Jazz Festival each year since its inception in 1966. In 2007 he played the Finland’s Independence Day Ball at the invitation of President Tarja Halonen.
Trumpeter Ted Curson recorded some twenty albums as a leader for Old Town, Prestige, Fontana, Atlantic, Freedom, EMI Columbia Interplay and Inner City record labels among many others. He has been a sideman on fifteen other albums with Andrew Hill, Nick Brignola, Charles Mingus, The NY Contemporary Five, Sal Nistico, Archie Shepp, Pepper Adams and a host of others until his death on November 4, 2012 in Montclair, New Jersey.
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Daily Dose Of Jazz…
Irène Schweizer was born on June 2, 1941 in Schaffhausen, Switzerland. She studied piano and immersed herself in the free improvisation genre but is adept at playing various jazz styles.
She has performed and recorded numerous solo piano performances as well as performing as part of the Feminist Improvising Group with Lindsay Cooper, maggie Nichols, Georgie Born, and Sally Potter. Schweizer has played a series of duets with drummers Pierre Favre, Louis Moholo, Andrew Cyrille, Gunter Sommer, Han Bennink and Hamid Drake.
Irène has performed in trio and quartet sessions with John Tchicai, Evan Parker, Peter Kowald and with Yusef Lateef, Uli Trepte and Mani Neumeier at the Montreux Jazz Festival.. One of her most enduring collaborations is with the improvising musician Rudiger Carl.
Pianist Irène Schweizer continues to perform and record in the the free jazz, avant-garde and free improvisation genres.
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