Daily Dose Of Jazz…

Jerome Darr was born on December 21, 1910 in Baltimore, Maryland. His first major professional affiliation was in a jug band, the Washboard Serenaders. The guitarist was a member of this group from 1933 through 1936, a tenure that included a well-received European tour.

He had an incredibly versatile and prolific career. He showed up on sessions from blues to bebop and even strummed a few arpeggios behind Frankie Lymon & the Teenagers.

Though Jerome was not hiding in a closet during the ’40s, the guitarist simply focused on work as a studio musician during an era when the efforts of such players went largely uncredited. He was a player in the classic jazz context of Buddy Johnson’s band in the early ’50s, or was working with the much more modernistic Charlie Parker during roughly the same period.

He played on some 20 recording sessions between 1935 and 1973, though to his credit or noncredit, his playing included  many other styles besides jazz. In his final years, Darr was mostly swinging in the busy band of trumpeter Jonah Jones, in a sense coming full circle with the type of playing he had started out with.

Guitarist Jerome Darr passed away on October 29, 1986 in Brooklyn, New York.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Reynold David Philipsek was born December 8, 1952 in Richmond, Minnesota and at the age nine began playing guitar and by 14 joined the American Federation of Musicians labor union. At sixteen, he wrote and recorded the single Oval Portrait with the band Cure of Ares. At 18, he was exposed, through a radio broadcast, to gypsy jazz through Django Reinhardt.

In 1975, he took a lesson and two workshops from jazz guitarist Joe Pass, studied jazz guitar and The Complete Johnny Smith Approach to Guitar with Mike Elliott.. Post Cure of Ares, he played in bands in the midwest and in 1989, Philipsek became primarily a solo act recording albums in pop, rock, jazz, and gypsy jazz on his label, Rephi Records.

He began to concentrate on gypsy jazz with All the Things You Are and Tales from the North Woods, that includes elements of gypsy jazz, bebop, Latin folk, modal jazz, and Slavic folk music informed by his burgeoning interest in his Czech and Polish heritage. Along with appearing at gypsy jazz festivals, jazz clubs, and concert venues, he composed the score for the children’s short film. St. Cloud Sleep, wrote a book of poetry Journey to the Middle Ages, and released Three Piece Suite/Munsinger Gardens on DVD.

He went on to produce Live at The Times recorded with the Twin Cities Hot Club and the documentary A Life Well Played in 2016. Guitarist, singer, songwriter, and poet Reynold Philipsek continues to explore his music.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Eugene Sufana Allen was born on December 5, 1928 in East Chicago, Indiana. He began playing clarinet and piano as a child, and was playing with Louis Prima at age 15 in 1944. He stayed in Prima’s band until 1947, then worked with Claude Thornhill for two years in 1949, and from 1951 to 1953 he played with Tex Beneke.

In 1953 he began playing with the Sauter-Finegan Orchestra, playing with them intermittently until 1961, and also worked with Tommy Dorsey, Benny Goodman, and Hal McKusick in the 1950s. Toward the end of the decade, and into the early 1960s, Gene worked with Gerry Mulligan, Manny Albam, Woody Herman, Thelonious Monk, and Bob Brookmeyer.

His later associations include work with Urbie Green, Mundell Lowe, Rod Levitt, and Rusty Dedrick. In the calendar year of 1963, Allen successfully played in and recorded with the big bands of Benny Goodman, Thelonious Monk, and Woody Herman.

Baritone saxophonist and bass clarinetist Gene Allen passed away on February 14, 2008.

CALIFORNIA JAZZ FOUNDATION

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Clifton “Skeeter” Best was born on November 20, 1914 in Kinston, North Carolina. Playing in Philadelphia, Pennsylvania from 1935 to 1940, he recorded with Slim Marshall and Erskine Hawkins. By 1940, he was a member of Earl Hines’s orchestra, playing with him until he joined the U.S. Navy in 1942.

After the war, he played with Bill Johnson, toured East Asia with Oscar Pettiford, and formed his own trio in the 1950s. He did a critically acclaimed session with Ray Charles and Milt Jackson in 1957 called Soul Brothers.

In 1958, he recorded with Mercer Ellington and taught in New York City. He also recorded with Harry Belafonte, Etta Jones, Nellie Lutcher, Milt Hinton, Osie Johnson, Paul Quinichette, Jimmy Rushing, Sonny Stitt, Charles Thompson, and Lucky Thompson.

Guitarist Skeeter Best passed away on May 27, 1985 in New York City.

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Daily Dose Of Jazz…

Bobby Jones, born October 30, 1928 in Louisville, Kentucky and played drums as a child, started on clarinet at age 8, and his father encouraged him to explore jazz. He studied with Simeon Bellison, Joe Allard, Charlie Parker, and George Russell.

He played with Ray McKinley from 1949 into the mid-1950s, and then with Hal McIntyre before rejoining McKinley later in the decade. During a stint in the Army he met Nat and Cannonball Adderley as well as Junior Mance. After his discharge he played country music and rock & roll as a studio musician, and did time with Boots Randolph. He worked with Glenn Miller in 1950 before returning to McKinley from 1959 to 1963.

He spent a brief time with Woody Herman and Jack Teagarden in 1963, and after the latter’s death he retired to Louisville and started a local jazz council there in addition to teaching at Kentucky State College. In 1969 he moved to New York City and played with Charles Mingus from 1970 to 1972, touring Europe and Japan with him. He also recorded sessions under his own name in 1972 and 1974.

Late in his life he moved to Germany, where he ceased performing due to emphysema. Saxophonist Bobby Jones passed away on March 6, 1980 in Munich, Germany.

THE WATCHFUL EYE

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