Daily Dose Of Jazz…
Django Bates was born Leon Bates on October 2, 1960 in Beckenham, Kent, England where he attended Sedgehill School. While at this school, for six years he also attended the Centre for Young Musicians in London, England, where he learned trumpet, piano, and violin. In 1977 he studied at Morley College. The following year he enrolled at the Royal College of Music to study composition but left after two weeks.
He founded Human Chain in 1979 and, in the 1980s, he rose to prominence in a jazz orchestra called Loose Tubes. In 1991, Django started the 19-piece jazz orchestra Delightful Precipice. He also assembled the Powder Room Collapse Orchestra and created Circus Umbilicus, a musical circus show. As a sideman he was a member of Dudu Pukwana’s Zila, Tim Whitehead’s Borderline, Ken Stubbs’s First House, Bill Bruford’s Earthworks, Sidsel Endresen, and in the bands of George Russell and George Gruntz.
As an educator, he has tutored at the Banff Centre jazz program, and was appointed Professor of Rhythmic Music at the Rhythmic Music Conservatory in Copenhagen. Bates was appointed visiting professor of jazz in 2010 at the Royal Academy of Music in London, and the next year was appointed Professor of Jazz at HKB Bern Switzerland.
He has performed with Michael Brecker, Tim Berne, Christian Jarvi, Vince Mendoza, David Sanborn, Kate Rusby, and Don Alias. Pianist, keyboardist, tenor hornist Django Bates continues to perform and record.
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Daily Dose Of Jazz…
William E. Clark was born July 31, 1925 in Jonesboro, Arkansas. He worked professionally starting shortly after World War II, playing drums with Jimmy Jones, Dave Martin, Mundell Lowe, and George Duvivier.
He was principally active in the 1950s, working with Lester Young, Mary Lou Williams, Lena Horne, Hazel Scott, Duke Ellington, Don Byas, Arnold Ross, Bernard Peiffer, George Shearing, Toots Thielemans, Ronnell Bright, Jackie Paris, and Rolf Kuhn. Later in his career Bill worked with Eddie Harris and Les McCann.
Drummer Bill Clark, known for his versatility playing Dixieland, swing, bebop, avant-garde and fusion, passed away on July 30, 1986 in Atlanta, Georgia.Share a dose of a Jonesboro drummer to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…
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Daily Dose Of Jazz…
Roy Lee Porter was born on July 30, 1923 in Walsenburg, Colorado and when he was eight his family moved to Colorado Springs. He began playing drums in rhythm and blues bands while a teenager, then attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student.
Replacing Joe Marshall he joined Milt Larkin’s band in 1943. After military service, Roy settled in Los Angeles, California and soon was in demand by some of the pioneers of bebop. He worked with Teddy Bunn and Howard McGhee, making his first recordings with the latter. In 1946, he backed Charlie Parker on such Dial classics, A Night In Tunisia, Yardbird Suite, Ornithology and Lover Man.
Porter played on Los Angeles’ Central Avenue with such bebop players as Dexter Gordon, Wardell Gray and Teddy Edwards, and in San Francisco, California with Hampton Hawes and Sonny Criss. He organized a big band and went on the road in 1949 that included Art Farmer, Jimmy Knepper and Eric Dolphy.
During the 1950s he was inactive as a jazz musician due to drug problems and returned to music only infrequently afterwards. Drummer Roy Porter passed away on January 24 or 25, 1998 in Los Angeles.
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Daily Dose Of Jazz…
Alan Warren Haig was born on July 19, 1922 in Newark, New Jersey and raised in nearby Nutley. At eighteen he majored in piano at Oberlin College and started playing with Dizzy Gillespie and Charlie Parker in 1945. He performed and recorded from 1945 to 1951 with Gillespie, Parker, Eddie Davis and His Beboppers with Fats Navarro, the Eddie Davis Quintet, and Stan Getz. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for Guild Records in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style. He was part of the nonet on the first session of Miles Davis’ Birth of the Cool.
For much of the 1950s and 1960s, Haig got by with semi-cocktail piano in New York bars. In 1969 he had a brush with the law having been accused and acquitted of the strangling murder charge of his thrid wife.
In 1974, Haig was invited to tour Europe by Tony Williams, owner of Spotlite Records in the United Kingdom. At the end of a very successful tour he recorded the Invitation album for Spotlite with Bibi Rovère on bass and Kenny Clarke on drums. This kick-started his re-emergence and, over the next eight years, he built a strong following in Europe and toured several times, recording in the UK and France, and appearing elsewhere. He also recorded for several Japanese labels.
Pianist Al Haig, best known as one of the pioneers of bebop, and who recorded twenty~three albums as a leader, passed away from a heart attack on November 16, 1982 in New York City.
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Daily Dose Of Jazz…
Rodrigo Amado was born in Lisbon, Portugal on July 15, 1964 and began studying the sax at the age of 17, briefly at the Hot Club Music School of Lisbon and with mentors Carlos Martins, Pedro Madaleno, and Jorge Reis.
With diverse musical interests, he explored improvisation in other genres, including his work with his various ensembles like the Lisbon Improvisation Players and the Motion Trio with Miguel Mira and Gabriel Ferrandini. He is an in~demand studio player on numerous recorded projects.
He started his own label Clean Feed in 2001, with brothers Pedro and Carlos Costa, before leaving the imprint in 2005 to start a second label, European Echoes. Also an accomplished professional photographer, Amado continues to be a bright light on the Portuguese and international improvisational jazz scene.
Saxophonist Rodrigo Amado continues to specialize in free-form, composition-in-the-moment jazz, and his various projects and trios have given him an international following.
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