Daily Dose Of Jazz…

Grant Green was born on June 6, 1931 in St. Louis, Missouri. He first performed as a guitarist in a professional setting at the age of 12, first playing boogie-woogie before moving to jazz. His influences were Charlie Christian, Charlie Parker, Ike Quebec, Lester Young, Jimmy Raney, Jimmy Smith and Miles Davis.

Grant first recorded in St. Louis with tenor saxophonist Jimmy Forrest on the Delmark label alongside Elvin Jones. But it was Lou Donaldson who discovered the young talent and after touring together, by 1959 Green had moved to New York. An impressive introduction to Alfred Lion led to his bypassing the sideman audition and recording as a bandleader, a relationship that lasted throughout the Sixties.

Grant’s first issued album as a leader was in 1961 with Grant’s First Stand, followed by Green Street, Grantstand and being named Down Beat critics’ poll best new star in 1962. He would often play the sideman for Hank Mobley, Ike Quebec, Stanley Turrentine, Harold Vick and Larry Young among others at the label.

Though he had an impressive catalogue of recordings many were not released during his lifetime though Grant always carried off his more commercial dates with artistic success during this period. Towards the late 60s he left Blue Note for Verve Records and other labels into the Seventies but was relatively inactive due to personal problems and heroin addiction.

The guitarist spent much of 1978 in the hospital, but against doctors’ advice, went back on the road to earn some money and collapsed in his car of a heart attack in New York City on January 31, 1979 at age 47.

More Posts: guitar

Daily Dose Of Jazz…

Darrell Grant was born on May 30, 1962 in Philadelphia, Pennsylvania but his family moved to Denver, Colorado while still a young child. He started piano lessons before his teens and was considered enough of a prodigy to join and tour for two years with the Boulder-based Pearl Street Jazz Band, from the age of fifteen.

At 17 Grant won a scholarship to the Eastman School of Music in Rochester, New York and while at Eastman focused on performance studies over theory, which he covered in his graduate studies in jazz theory and composition at the University of Miami.

Relocating to New York in the mid-’80s, Grant concentrated on a series of low-profile sideman gigs with the likes of Betty Carter, Chico Freeman and Greg Osby before finally stepping out as a bandleader for the first time. His 1994 Black Art was well received and reviewed and sold respectably, and his sophomore project The New Bop was an even bigger critical success.

He has recorded for 32 Jazz, Criss Cross, Monarch, Lair Hill and Origin record labels, has relocated to the Pacific Northwest and has added teaching credits to his resume of performance, composition  and bandleader and sideman in Tony Williams’ quintet as he continues in the tradition of bop and post-bop jazz.

More Posts: piano

Daily Dose Of Jazz…

Niels-Henning Ørsted Pedersen was born May 27, 1946 in Osted, near Roskilde on the Danish island of Zealand. As a child he played piano and started learning the double bass during his teenage years. By age 14 while still studying he began his professional jazz career in Denmark with his first band, Jazzkvintet 60. At 17, he had already turned down an offer to join the Count Basie Orchestra, being too young to legally live and work in the U.S.

The 1960s saw Pedersen playing with several visiting or residing musicians in Denmark such as Bud Powell, Roy Eldridge, Dizzy Gillespie, Dexter Gordon, Roland Kirk, Sonny Rollins, Jackie McLean, Bill Evans, and Ben Webster to name a few. He became the bassist of choice whenever a big-name musician was touring Copenhagen.

Pedersen worked in duo and trio arrangements with pianist Kenny Drew, recording over 50 albums together, worked with Oscar Peterson, Stephane Grappelli and Joe Pass and recorded extensively as a leader. His best-known songs are “My Little Anna”, “Jaywalkin” and “The Puzzle”. He was awarded the Nordic Council Music Prize, the “Best Bass Player Of The Year” by the Downbeat Critics’ Poll, co-led a duo with Mulgrew Miller that toured Europe, Japan, Australia, and Korea and later enlarged into a trio with drummer, Alvin Queen. Bassist Niels Henning Orsted Pedersen, known as The Great Dane With The Never Ending Name, died of heart failure on April 19, 2005 at the age of 58 in Copenhagen, Denmark.

More Posts: bass

Daily Dose Of Jazz…

Lou Bennett was born May 18, 1926 in Philadelphia, Pennsylvania and first learned to play the piano before switching to the organ. It wasn’t until hearing Jimmy Smith play, that Bennett chose to stop playing bebop piano and make this instrument his professional calling.

Lou toured the U.S. with an organ trio between 1957 and 1959, and then moved to Paris in 1960. There he recorded and performed at the Blue Note with Jimmy Gourley, Kenny Clarke, Philip Catherine, Franco Manzecchi and Rene Thomas. He returned to America only once, for the 1964 Newport Jazz Festival.

By the 1980s he played in his own quintet and during this period toured extensively throughout Spain. As a leader he recorded twelve albums for RCA, Impulse, BelAir, Fonatana, Vogue and other labels into the Nineties. Jazz organist Lou Bennett passed away on February 10, 1997 in Paris, France.

More Posts: organ

Daily Dose Of Jazz…

Joe Roland was born May 17, 1920 in New York City and began as a clarinetist, attending the Institute of Musical Art (The Juilliard School) from 1937 to 1939. He started playing the xylophone in 1940 and then the vibraphone in the middle of the decade, playing in the New York jazz clubs. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade.

By the 1950s he was playing with Oscar Pettiford, George Shearing, Howard McGhee, Mat Mathews, Aaron Sachs, and with Artie Shaw and his Gramercy Five alongside Hank Jones, Tal Farlow, and Tommy Potter.  Mat Mathews and Aaron Sachs. Roland recorded occasionally as a leader releasing albums for Rainbow, Savoy, Seeco and Bethlehem records.

In the early sixties Joe moved to Miami Florida and became an influential part of a thriving South Florida jazz scene.  While working the Coconut Grove he was credited for having trained many young musicians from the University of Miami. Vibraphonist Joe Roland would work steadfastly throughout his life until his death of natural causes at the age of 89 in Jupiter, Florida on October 12, 2009.

More Posts: vibraphone