Daily Dose Of Jazz…

Denys Justin Wright, known professionally as Denny Wright, was born on May 6, 1924 in Deptford, London, England. He grew up in Brockley with frequent forays to the Old Kent Road and the Elephant and Castle. His first instrument was the piano. His older brother was a semi-professional guitarist and soon he was trying to play his brother’s guitar. He began playing professionally before the Second World War, while at school.

A session musician for many years, he frequently acted as arranger and fixer for recording sessions. As a prolific jazz and orchestra composer Wright led many bands, from small ensembles and night club bands to orchestras. He worked with Latin American and Jamaican bands, Afro-Cubists and the Decca Records house band.

In the Forties Wright played in jazz clubs in the West End of London, doing session work, performed in bands on radio shows, and medically unfit to serve due to a childhood injury, he entertained the troops. In 1945 he started the first bebop club in London.

He went on to form several bands, tour the Soviet Union, and continued his work as a session musician, producing Tribute To The Hot Club as The Cooper-Wright Quintet. Denny gave private lessons and at London comprehensive schools, and he lectured at the Royal College of Music on the life of a session musician.

During his career he worked with Stéphane Grappelli, Lonnie Donegan, Johnny Duncan, Digby Fairweather, Ella Fitzgerald, Ken Snakehips Johnson, Billy Eckstine, Fapy Lafertin, Russ Conway, Biréli Lagrène, Humphrey Lyttelton, Marie Bryant, Nigel Kennedy, and George Shearing.

Guitarist and pianist Denny Wright, who was voted the 1980 BBC Jazz Society Musician of the Year, died on February 8, 1992.

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Daily Dose Of Jazz…

Maurice “Moe” Purtill was born May 4, 1916 in Huntington, New York and] dropped out of high school to start his career as a freelance drummer in New York Studios. At the age of 20 at the outset of  1936 he became a member of the Red Norvo band.

Later he joined Mildred Bailey, played briefly with Glenn Miller in 1937, then worked with Tommy Dorsey in 1938 for a year before picking up with Miller again from 1939 to 1942, when Miller had the bulk of his hits. After Miller’s band broke up in 1942, Moe played with Kay Kyser until 1944, then joined the U.S. Navy. After his discharge, he played briefly in 1946 with the reformed Glenn Miller Orchestra directed by Tex Beneke.

Purtill went on to record in the studio on various projects and participated in a few Miller reunions. He was good friends with Buddy Rich, Trigger Alpert and saxophonist Jack Palmer. He lived in New York City until the early 1970s, retired in 1978 and moved to Sarasota, Florida.

Drummer Moe Purtill died at Valley Hospital in Ridgewood, New Jersey on March 9, 1994.

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Jared Ribble was born in Neenah, Wisconsin on May 2, 1979. Growing up in small town America proved the right landscape to cultivate a desire to play drums. His parents bought him his first drum set when he was nine and gave him weekly private lessons through high school graduation.

He went on to attend Belmont University-Nashville, Tennessee and graduated in 2001 where he studied Commercial Music-Percussion Performance, along with private instruction. Ribble went on to perform with trumpeter Phil Driscoll, Broadway artist Jonathan Pierce, singer/songwriter Byron Keith, Denver Bierman, lead singer and founder of Denver and the Mile High Orchestra.

Jared tours and records with the contemporary big band, Denver and the Mile High Orchestra. Holding down an extensive recording schedule in his On Digital Ground recording studio with the On Digital Ground Studio House Band. He composes for the music group Storyteller, and frequently plays on the worship team of Grace Pointe-Nashville.

He is also Vice-President of Reel Loud Records asked Jared to come on their executive staff as Vice-President. In this role he helps find, and promote the recording careers of innovative and talented artists.

Drummer Jared Ribble continues to move forward his career in touring, recording and business.

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Andrea Ventriglia was born in Capua, Italy on April 29, 1953 and studied the saxophone with the masters Franco Florio in Salerno and Eraclio Sallustio at the GB Martini Conservatory in Bologna, Italy. He later studied the flute with Aldo Ferrantini.

His professional career began while he was still a music student around the end of the 1960s, following the rhythm & blues and soul of James Brown, Wilson Pickett, Aretha Franklin, Ray Charles and Joe Cocker in fashion at that time and still today. At a very young age he was part of the best and

As a soldier Andrea was part of the National Band of the Italian Army. He moved to Verona, Italy in the mid 1970s and began playing in small bands in night clubs. He was invited to join the Big Band Citta’ di Verona directed by Maestro Mario Pezzotta, in the first tenor saxophone. At the same time he performed in Fernando Brusco’s small orchestra as an arranger and saxophonist.

Moving to the United States he initially played in small bands that performed on cruise ships where he met among others Count Basie, Mercer Ellington, Sarah Vaughan, Harry James and Bob Crosby. Settling first in San Francisco, then in Los Angeles, California he played on the road with small bands collaborating with Harry James and Bob Crosby in the latter city.

Back in Italy he gained membership into Franco Rosselli’s orchestra and did the night club circuit in Florence, San Remo and Riviera Romagnola. Leaving Roselli he toured with Bobby Solo throughout Italy. His passion for jazz and big band led him to the Luciano Fineschi Orchestra, again sitting in the first tenor saxophone and flute chair.

After the orchestra disbanded Ventriglia went on to play in other big bands, duos, artistic partnerships, and guest appearances. For a decade he was a professor of saxophone at the Giuseppe Martucci Music High School in his hometown. He trained musicians currently working with famous artists or with their own groups and some of whom practice the profession of musician in the USA.

By the Eighties the public became more sensitive towards jazz, so Andrea led quartets performing in various Italian jazz clubs. that sprung up a bit everywhere in Italy. During his career and for professional reasons, saxophonist and flutist Andrea Ventriglia has performed on nearly every continent and continues to perform, tour and record.

ROBYN B. NASH

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George Ewing Lee was born April 28, 1896 in Boonville, Missouri, and was the older brother of pianist and singer Julia Lee. They performed with their father’s string trio at neighborhood house parties and church socials. He played in a band while serving in the Army in 1917, and following this period, he sang in a vocal quartet.

In 1920 he formed and led George E. Lee Novelty Singing Orchestra and with his sister as one of the group’s members, he was a regular performer at Lyric Hall in Kansas City, Missouri through much of the 1920s.

Though he played many instruments, singing was his forte and he had a powerful voice and a penchant for ballads and novelty songs. Through the 1920s no group in Kansas City could compete vocally with the Lee Orchestra.

In 1927 they recorded as an octet with Jesse Stone on piano, for Meritt Records. Among the tunes was Down Home Syncopated Blues, and was the earliest recording of Julia Lee’s voice. They recorded six tunes for Brunswick in 1929.

In 1933, his group was absorbed into the Bennie Moten Orchestra. By 1935 he continued to perform with smaller ensembles through the decade. In 1937, at a resort in the Ozarks, Lee fronted a small group that included 17 year-old saxophonist Charlie Parker. Two years later he struck out on his own again, moved to Jackson, Michigan in 1940 and retired from music in 1941. He began

By the 1940s, he moved to San Diego, California. Vocalist and bandleader George E. Lee, who was sometimes billed as the Cab Calloway of the Middle West, died on October 2, 1958.

ROBYN B. NASH

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