Daily Dose Of Jazz…
Karel Velebný was born March 17, 1931 in Prague, Czechoslovakia and at seven years old, he played piano and at fifteen was a modern jazz enthusiast who taught himself to play alto saxophone. He graduated from Gymnasium then studied drumming at the Prague Conservatory, making his first public performance as a student, and became a full-time professional as soon as he graduated.
From 1955 to 1958 he played with Czech jazzman Karel Krautgartner’s orchestra, then joined contrabassist Luděk Hulan to co-found Studio 5, which became the key ensemble of modern Czech jazz. He continued to work with Krautgartner until the latter emigrated in 1968.
In 1960, the Studio 5 ensemble was absorbed by the Dance Orchestra of Czechoslovakia Radio, but Velebný and the original Studio 5 members soon quit. In 1961, he and flautist Jan Konopásek co-founded SHQ, initially part of the Spejbl and Hurvínek Theatre thus Spejbl and Huvínek Quintet, but later began taking independent performances.
SHQ became one of the most important bands in Czech jazz history. He was its leader, composer, arranger, played as a multi-instrumentalist and taught the younger band members. SHQ’s instrumental line-up and membership changed frequently. Karel played with various Czech jazz ensembles, including Kamil Hála’s orchestra, the Linha Singers ensemble and with other regular collaborators.
As a composer, Velebný concentrated solely on jazz, in compositional styles and arrangements reminiscent of Gerry Mulligan, Chick Corea, Gary Burton and Benny Golson. He wrote mainly for his own ensembles notably Studio 5 and SHQ but also for the Kamil Hála Orchestra, the Karel Vlach Orchestra and others.
In 1978 he was invited to the Berklee College of Music, where he studied jazz teaching and the different approaches of European and American jazz. He organized and led the Summer Jazz Workshop in Frýdlant, Czech Republic until his death. As a teacher, he emphasized knowledge of techniques which could be broadly applied on jazz standards. He also wrote the specialist jazz textbook The Jazz Practical.
Diagnosed with a serious heart disease he was forced to quit as a saxophonist and vibraphonist and was restricted to piano. On March 7, 1989 vibraphonist, pianist and saxophonist Karel Velebný,who was also a composer, arranger, actor, writer and music pedagogue and one of the founders of modern Czech jazz in the second half of the 20th century, died in Prague.
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Daily Dose Of Jazz…
Harry Haag James was born on March 15, 1916 in Albany, Georgia the son of a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle Stewart, an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at the age of four, then playing the snare drum in the band from about the age of six.
James started taking trumpet lessons from his father at age eight, and by age twelve he was leading the second band in the Christy Brothers Circus, for which his family was then working. James’s father placed him on a strict daily practice schedule. In 1924, his family settled in Beaumont, Texas and in the early 1930s he began playing in local dance bands when he was 15. While still a student at Dick Dowling Junior High School, he was a regular member of Beaumont High School’s Royal Purple Band, and in May 1931 he took first place as trumpet soloist at the Texas Band Teacher’s Association’s Annual Eastern Division contest held in Temple, Texas.
His first job was playing at the Peabody Hotel in Memphis, Tennessee and played regularly with Herman Waldman’s band, where he was noticed by Ben Pollack. In 1935 he joined Pollack’s band, but left two years later and joined Benny Goodman’s orchestra through 1938. He was nicknamed “The Hawk” early in his career for his ability to sight-read. With financial backing from Goodma, Harry debuted his own big band in Philadelphia, Pennsylvania, in 1939, but it didn’t click until adding a string section in 1941. Subsequently, known as Harry James and His Music Makers, he went on to produce hits, appeared in four Hollywood films, and toured with the band into the 1980s.
Trumpeter and big band leader Harry James was a heavy smoker, drinker, and gambler, in 1983 he was diagnosed with lymphatic cancer. He played his last professional job, with the Harry James Orchestra, on June 26, 1983, in Los Angeles, California dying just nine days later in Las Vegas, Nevada on July 5, 1983, at age 67. Frank Sinatra gave the eulogy at his funeral, held in Las Vegas.
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Daily Dose Of Jazz…
Ofer Assaf was born on March 10, 1976 in Israel and went to the Thelma Yellin High School of the Arts dividing his time between his two passions: music and dance, and started training as a professional ballet dancer at the age of eight before switching to a full-time jazz career. He won the Israeli National Competition in Jazz and Contemporary Music for young musicians in 1991. He went on to become a member of the Air Force and IDF Orchestras of the Israeli Army, played with the Jerusalem Symphony Orchestra, and a diverse array of national TV and radio shows. He has performed with leading Israeli musicians and was a member of the Tel Aviv Big Band in the mid-1990’s.
Moving to New York City in 1997 he entered The New School University’s jazz program and also studied with tenor saxophonist Billy Harper, bassist Reggie Workman, pianist Richie Beirach, trumpeter Jimmy Owens and percussionists Bobby Sanabria. Upon graduation in 2002, Ofer performed with Wayne Shorter and Herbie Hancock at Carnegie Hall as part of the JVC Jazz Festival.
A recipient of scholarships and awards from the Eubie Blake National Jazz Institute and the America-Israel Cultural Foundation, he was pre-nominated for the Grammy Awards in the “Best Jazz Instrumental Album” category in 2009 for his debut album Tangible Reality for Summit Records. With the Bernie Worrell Orchestra he was awarded “Best Funk/Fusion/Jam Song of the Year” at the 12th annual Independent Music Awards in 2013.
Tenor saxophonist, composer and educator Ofer Assaf continues to perform and conduct workshops around the world.
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Daily Dose Of Jazz…
Eddie Wasserman was born on March 5, 1923 in Smackover, Arkansas. Growing up he had played the saxophone with many black kids in the neighborhood. After his father died, he moved with his mother to Tyler, Texas and it’s where he fell in love with jazz. His first paid job was in a dance band at age 14.
At the onset of World War II in 1941, Wasserman attended New York’s Juilliard School for a couple of years but he was soon drafted and wasn’t discharged until 1946. He returned to Juilliard to complete his studies and graduated in 1948, and that’s when he started playing with Benny Goodman. In addition to playing with Goodman, he was in big-band live and studio recordings led by Artie Shaw, Manny Albam, Stan Kenton, Louie Bellson and Chico O’Farrell, with whom he co-led a big band in 1953.
By 1955, big band work was beginning to dry up on the East Coast was starting to dry up. On the request of an agent O’Farrell and Wasserman formed a small group to play Latin music in Miami Beach, Florida. Not a good experience but Eddie’s late-1950s quartet recordings with Gene Krupa were great recordings.
Given that the youth-culture explosion in 1966 was changing the face of music, jazz was no longer an ideal way for him to earn a living. So giving up the road and having a degree in education, he became an assistant director of the concert band at Clifton High School in New Jersey. He continued to play club dates and find work in Broadway pit bands.
Saxophonist, clarinetist and flutist Eddie Wasserman died after suffering a heart attack on May 27, 1992. He was 69.
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Daily Dose Of Jazz…
John Joseph Kelson Jr. , known professionally as Jackie Kelso, was born in Los Angeles, California on February 27, 1922. He began taking clarinet lessons at age eight, studying with Caughey Roberts. When he was fifteen his Jefferson High School classmate Chico Hamilton urged him to take up the alto saxophone, making his professional debut with Jerome Myart that same year. By the time he graduated from Jefferson, he was playing with Hamilton, Buddy Collette, and Charles Mingus at Central Avenue clubs.
The 1940s saw Jackie playing with Barney Bigard, Marshal Royal, Lucky Thompson, Kid Ory, Benny Carter, Benny Goodman, Lionel Hampton, and Roy Milton. He enlisted in the Navy in 1942 with Marshal and Ernie Royal, and, after training at Camp Robert Smalls, he was stationed with the Royals with St. Mary’s College Pre-Flight School band.
After the war he continued playing and by the 1950s he was performing with Johnny Otis, Billy Vaughan, Nelson Riddle, Bill Berry, Ray Anthony, the Capp-Pierce Juggernaut, Bob Crosby, C.L. Burke, and Duke Ellington. Joining Gene Vincent and His Blue Caps in 1958 he was featured on several recordings from that period such as Ac-centu-ate the Positive.
Working as a studio musician between 1964 and 1984, in addition Kelso recorded with Mercer Ellington and Mink DeVille, toured worldwide with Hampton, Ellington, and Vaughan, and appeared in The Concert for Bangladesh. Semi-retiring from music in 1984, he returned to perform in 1995 with the Count Basie Orchestra, where he became a regular in 1998.
Saxophonist, flautist, and clarinetist Jackie Kelso, who reverted to his birth name Kelson. died on April 28, 2012 in Beverly Hills, California, aged 90.
Get a dose of the musicians and vocalists who were members of a global society integral in the making and preservation of jazz for over a hundred and twenty-five years…
Jackie Kelso: 1922~2012 | Saxophone, Flute, Clarinet
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