Daily Dose Of Jazz…
George E. Lewis was born July 14, 1952 in Chicago, Illinois. He began his musical journey playing the trombone but graduated from Yale University with a degree in philosophy. In 1971 he became a member of AACM, the Association for the Advancement of Creative Musicians.
The trombonist, composer and pioneer of computer music has recorded over two dozen albums as a leader and co-leader and some 40 as a sideman working with the likes of Muhal Richard Abrams, Gil Evans, Conny Bauer, Roscoe Mitchell, Count Basie and Anthony Braxton to name a few. He was also frequently a member of the ICP Orchestra (Instant Composer’s Pool).
As an educator in the 1970s, he succeeded Rhys Chatham as the music director of The Kitchen, a performance space in Greenwich Village, has served as a professor at Columbia University, the University of California – San Diego, and has received a MacArthur Fellowship.
Trombonist George Lewis has performed at festivals and venues throughout America and Europe, has authored a book-length history of the AACM, titled A Power Stronger Than Itself: The AACM and American Experimental Music, and continues to be active of the jazz and experimental music scene.
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Daily Dose Of Jazz…
Henry Lowther was born Thomas Henry Lowther on July 11, 1941 Leicester, Leicestershire, England. Learning trumpet, his first experience was on cornet in a Salvation Army band. He studied violin briefly at the Royal Academy of Music but returned to trumpet by 1960 though he sometimes played violin professionally.
In the 1960s, he worked with pianist and composer Mike Westbrook, a relationship that lasted into the 80s, Manfred Mann, John Dankworth from 1967-77, Graham Collier, John Mayall, John Warren, and would appear with the Keef Hartley Band.
The Seventies brought work with Mike Gibbs, Kenny Wheeler, Tony Coe, Gordon Beck and Barbara in addition to his own ensemble, Quaternity. In the 80s Henry worked with the Buzzcocks, Talk Talk, Peter King, Gil Evans, Humphrey Lyttleton on a Buddy Bolden documentary.
He played with Charlie Watts’ band in the late 80s, and then led his own band, Still Waters. From the late 1980s he did much work in big bands, such as the Berlin Contemporary Jazz Orchestra and the London Jazz Composers Orchestra; in the Nineties he worked with Kenny Wheeler’s group, The Dedication Orchestra, the London Jazz Orchestra, George Russell’s Living Time Orchestra, and the Creative Jazz Orchestra. Trumpeter Henry Lowther most recently plays in the band Jazzmoss.
Daily Dose Of Jazz…
Alvino Rey was born Alvin McBurney on July 1, 1908 in Oakland, California but grew up in Cleveland, Ohio. Showing very early signs of his mechanical and musical aptitude, he built his first radio at the age of 8, becoming one of the youngest licensed ham operators in the country. Received a banjo at 10, he began studying guitar at age 12 and by 15 he invented an electrical amplifier for the guitar.
In 1927, Rey played banjo with Cleveland bandleader Ev Jones while still in high school. After graduation Rey went to New York and signed with Phil Spitalny Orchestra, playing electric guitar. He changed his name to Alvino Rey to coincide with the Latin music craze in the late Twenties.
Two years later he was in California playing with Horace Heidt in San Francisco. From 1932 to 1939, Alvino played steel and Spanish guitar and in Horace Heidt and His Musical Knights, pioneering the instrument, as well as becoming known for his unique sound and one of the best-known and best-paid sidemen in the country,
Rey formed his own group with the King Sisters and Frank DeVol, that became the Mutual Broadcasting house band that had Johnny Mandel, Neal Hefti, Mel Lewis, Al Cohn, Zoot Sims playing and Nelson Riddle, Billy May and Ray Conniff arranging among others.
Alvino performed well into his eighties after moving to Salt Lake City, Utah and retired from music in 1994 but retained his interests in music and electronics into his mid-nineties. Alvino Rey, swing era musician, pioneer and father of the pedal steel guitar, passed away on February 2, 2004.
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Daily Dose Of Jazz…
Wallace Foster Davenport was born on June 30, 1925 in New Orleans, Louisiana. He started on trumpet at age 13 with The Young Tuxedo Brass Band. In 1941 he played with Papa Celestin before leaving New Orleans to serve in the Navy. Returning home after WWII, Wallace easily transitioned to bop and swing with various bands, recording with Roy Brown and touring Europe and the U.S. with Lionel Hampton and recording with Mezz Mezzrow in 1950s Paris.
Davenport played and recorded with Count Basie in the mid 60s, toured with Ray Charles and Lloyd Price but by the end of the decade returned to traditional jazz, releasing albums on his own label My Jazz from 1971-76. He recorded again in Europe with George Wein in ’74, with Panama Francis and Arnett Cobb in 1976, reunited with Hampton and recorded with Earl Hines this same year.
In the eighties, Davenport worked with both traditional units as The Alliance Hall Dixieland Band and gospel groups like The Zion Harmonizers and Aline White; and backed vocalists Sammy Davis Jr. and Frank Sinatra. He routinely went on impromptu tours in Asia and Europe, once played expressly for the Norway King Olav V, played regularly at the New Orleans Jazz & Heritage Festival and received numerous awards and accolades for his musical contributions. Trumpeter Wallace Davenport died in New Orleans, Louisiana, at 78 years of age on March 18, 2004. He was one of the few 1930s traditional trumpeters able to branch out into bop and swing.
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Daily Dose Of Jazz…
Ove Lind was born Nils Ove Lind on June 29, 1926 in Stockholm, Sweden who learned to play the clarinet in his youth. He worked as a professional musician from 1946 playing with the Simon Brehm Orchestra in 1949 and followed with Thore Swanerud, Charlie Norman and the sextet Swinging Swedes from 1952-54.
In 1954 he created the Hallberg Almstedt-Lind Quartet with others Gunnar Almstedt and Bengt Hallberg that played swing in Benny Goodman’s spirit. During the 1950s, Lind is also an arranger and studio musician on the record label Metronome.
1963 he formed his own orchestra and became, along with vibraphone player Lars Erstrand a key figure in the revival of swing music that came to be called happy jazz. As of 1968 it has been the music featured at the jazz pub Stampen in Stockholm’s Old Town. Lind would go on to record and perform in trio and quartet combo configurations.
Ove Lind, clarinetist, bandleader, composer and arranger, passed way on April 16, 1991 in Haninge, Sweden.
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