Daily Dose Of Jazz…
George Thomas Simon was born on May 9, 1912 in New York City into a wealthy and talented family, with his brother co-founding the publishing house Simon & Schuster and also his niece, singer Carly Simon. He began as a drummer and was an early drummer in Glenn Miller’s orchestra.
After graduating from Harvard University in 1934 he began working for the Metronome magazine the following year, then became editor-in-chief from 1939 to 1955and shifted it, from writing technical articles, to being a chronicler of the swing era. Simon was probably the most influential jazz commentator during the swing era and with his inside connections in the jazz world, he was able to report information about bands and their personnel with great accuracy.
Leaving Metronome he went to the Jazztone Society, consulted for the Timex Jazz Shows, wrote about jazz for the New York Herald Tribune and the New York Post newspapers. He also did liner notes for a variety of jazz musicians including Thelonious Monk who was stylistically quite different from the swing-era musicians Simon championed.
In 1978, he won a Grammy Award for Best Album Notes, was inducted into the Big Band and Jazz Hall of Fame and on February 13, 2001 after years of suffering from Parkinson’s disease, he died of pneumonia in New York City.
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Daily Dose Of Jazz…
John Aaron Lewis was born in LaGrange, Illinois on May 3, 1920 but was raised in Albuquerque, New Mexico. He learned classical music and piano from his mother starting at the age of seven, then continued his musical training at the University of New Mexico and also studied anthropology. He served in the Army stationed in France during World War II and during his three-year tour of duty he met and performed with Kenny Clarke. Together they formed a band and in the bop style, John composed and arranged.
After the war he went to New York where he found work in the 52nd Street clubs with Allen Eager, Hot Lips Page and others. This led to him joining dizzy Gillespie’s bop-style big band and further developing his skill as a composer and arranger while matriculating through the Manhattan School of Music. He soon returned to Europe on tour, remained a continued to write and study piano. By ’48 he was back in the States playing with Charlie Parker, Illinois Jacquet, Lester Young, Miles Davis and Ella Fitzgerald.
Lewis, vibraphonist Milt Jackson, drummer Kenny Clarke, and bassist Ray Brown had been the small group within the Gillespie big band that played their own short sets when the brass and reeds needed a break. This led to the foursome forming a full-time working group in 1950, known at first as the Milt Jackson Quartet. After replacing Brown with Percy Heath the name was changed to the Modern Jazz Quartet and assuming the role of musical director from 1954 to 1974, John oriented it toward a quiet, chamber style of music that found a balance between his gentle, almost mannered compositions and Jackson’s more elemental writing and playing.
Over a long and illustrious career, John directed the School of Jazz at the Music Inn, was musical director for the Monterey Jazz Festival from 1958 to 1982, taught at City College of New York and Harvard University, rejoined the re-formed MJQ, led his own sextet, founded the American Jazz Orchestra, participated in Re-Birth of the Cool, was involved in various Third Stream Projects all while continuing to teach, compose and perform.
John Lewis, conservative bop pianist, composer, arranger and musical director for the Modern Jazz Quartet passed away in New York City on March 29, 2001.
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Daily Dose Of Jazz…
Alex Hill was born on April 19, 1906 in Little Rock, Arkansas to a minister father and pianist mother who taught her child prodigy to play. Defying his father’s wishes the young pianist delved into secular music and while studying at Shorter College met Alphonse Trent and began arranging for him. After graduating in 1922 he worked with several territory bands including Fats Waller and Terence Holder.
From 1924 to 1926 Alex led his own ensemble, then played with Speed Webb, and in 1927 he spent time with Mutt Carey’s Jeffersonians and Paul Howard’s Quality Serenaders. Later that same year Hill relocated to Chicago and held a job as an arranger for the Melrose Music Publishing Company, while simultaneously arranging for the Carroll Dickerson Orchestra. He began recording as a leader and a sideman in 1928 and continued through 1934.
By 1930, prior to a move to New York City, Alex had played with Jimmy Wade, Jimmie Noone and Sammy Stewart. During his time in New York he arranged for Paul Whiteman, Benny Carter, Claude Hopkins, Andy Kirk, Eddie Condon and Duke Ellington among others. Additionally, he became staff arranger for the Mills Music Company. Reuniting with Fats Waller the two did a show together in New York called “Hello 1931”, and accompanied Adelaide Hall.
Hill again put together his own group in 1935, but after playing the Savoy Ballroom he disbanded the ensemble due to his battle with tuberculosis. Moving back to Little Rock, pianist and arranger Alex Hill passed away in February 1937 at the age of 30.
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Daily Dose Of jazz…
George “Buster” Cooper was born on April 4, 1929 in St. Petersburg, Florida and took up the trombone. He played in a Texas territory band with Nat Towles in the late 1940s, and gigged with Lionel Hampton in 1953.
During the mid-1950s he played in the house band at Harlem’s Apollo Theater in New York City followed by playing with Benny Goodman. By the late 1950s, he and his brother Steve had formed The Cooper Brothers Band but by the early Sixties through the decade Buster was a trombone fixture in Duke Ellington’s Orchestra.
In 1973 he moved to Los Angeles and played in various jazz orchestras there over the next several decades; among them were “The Juggernaut” and “Bill Berry’s L.A. Band”.
Over the course of his career, Buster Cooper, the extroverted trombonist with a witty style that often involved hitting repeated, humorous high notes at the conclusion of a song never recorded as a leader until he paired with trombonist Thurman Green and released E-Bone-ix in 1997. At 85 years, he currently leads the Buster Cooper Trio, playing The Garden Restaurant in his hometown of St. Petersburg.
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James Dugald McPartland was born on March 15, 1907 in Chicago, Illinois and due to family problems caused Jimmy and his siblings to be partly raised in orphanages. After being kicked out of one orphanage for fighting, he got in further trouble with the law. Fortunately, he had started violin at age 5, then took up the cornet at 15 and credits music with turning him around.
A member of the legendary Austin High Gang in the 920s, they would study and attempt duplication of recordings by The New Orleans Rhythm Kings and visit with Louis Armstrong and King Oliver’s Creole Jazz Band at Lincoln Gardens. After playing through high school, their first musical job was under the name The Blue Friars. In 1924, at age 17, McPartland was then called to New York to take Bix Beiderbecke’s place in the Wolverine Orchestra and who gave him a cornet he would play throughout his career.
From 1926 to the end of the decade, Jimmy worked with Art Kassel, the McKenzie-Condon Chicagoans, Ben Pollack and Benny Goodman, moonlighted in Broadway pit bands and played in a number of small combos. By the thirties he was back in Chicago working with his brother at the Three Deuces and working with other bands around the city. He spent time in South America, returned and led his own bands until drafted into WWII.
Upon his return McPartland worked with Willie “The Lion” Smith’s band that won a Grammy for the soundtrack to the 1954 film After Hours. He soon met and married Marian, encouraged her to form her own group and subsequently landed a long residency at the Hickory House. Jimmy went on to try his hand at acting resulting in a featured role in a Sal Mineo and Ralph Meeker episode “The Magic Horn” on The Alcoa Hour in 1956.
Over the course of his career James McPartland has played with Gene Krupa, Jack Teagarden, Eddie Condon, Pee Wee Russell, Bud Freeman, Glenn Miller, Benny Goodman, Lil Armstrong and George “Pops” Foster to name a few while also guest starring with many bands and at festivals around the world. Although he and Marian divorced in 1970, they remained friends, worked together and remarried shortly before his death of lung cancer on March 13, 1991 in Port Washington, New York, two days shy of his 84th birthday.
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