Daily Dose Of Jazz…

Curtis Sylvester Lowe, Sr. was born on November 15, 1919 in Chicago, Illinois and raised in Oakland, California. He first learned to play soprano saxophone as a youth and studied briefly in Alabama before deciding to take up music full-time. Best known professionally as a tenor and baritone saxophonist, he played in traveling bands before the outbreak of World War II. Enlisting in the United States Navy in 1942, his unit band was full of noteworthy jazz musicians, including Vernon Alley, Wilbert Baranco, Buddy Collette, Jerome Richardson, Ernie Royal, and Marshall Royal.

In the 1950s Curtis worked extensively with Lionel Hampton and also played with Dave Brubeck, Little Esther, Johnny Otis, and Gerald Wilson. He led his own five-piece ensemble in 1952-1953. In 1958 he began a decade-long association with Earl Hines.

He was active locally in San Francisco, California and the Bay Area into the 1980s. Saxophonist Curtis Lowe Sr., who never recorded as a leader, transitioned at the age of 73 on October 29, 1993.

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Daily Dose Of Jazz…

James Edward Pugh, born November 12, 1950 in Butler, Pennsylvania began playing the trombone around the age of ten. He attended the Eastman School of Music from 1968 to 1972, where he played in an ensemble under Chuck Mangione.

Pugh toured and recorded with the Woody Herman Band for four years from 1972 and briefly performed with Chick Corea in 1977. He then concentrated on studio session work for jazz and popular musicians. In 1984, he was co-leader for the album The Pugh–Taylor Project. He also composed for and played on the album X Over Trombone.

Trombonist and composer James Pugh continues to perform and record sessions for jazz, pop and Broadway soundtracks.

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Daily Dose Of Jazz…

Irvin Stokes was born November 11, 1926 in Greensboro, North Carolina. He moved to New York City in 1947 and recorded with a Charlie Singleton sextet in 1949. Throughout the 1950s he worked in the big bands of Tiny Bradshaw, Duke Ellington, Mercer Ellington, Erskine Hawkins, Buddy Johnson, Andy Kirk, and Jimmie Lunceford. 

By the end of the decade Stokes was playing in Austin Powell’s ensemble, then went on to record with Bobby Donaldson and Lou Donaldson in the early 1960s. Principally with Broadway musical bands in the 1970s such as Hair, in 1978 he played on the Thad Jones-Mel Lewis Orchestra’s tour of Europe, and with Panama Francis at the end of the decade. 

His credits in the 1980s included George Kelly, Illinois Jacquet, Oliver Jackson, and the Count Basie Orchestra. He was a regular performer alongside Spanky Davis at Doc Cheatham’s Sunday brunch gig at the Sweet Basil Jazz Club, continuing in this role after Cheatham’s death in 1997, when Chuck Folds took over. He also played with the Statesmen of Jazz late in the 1990s. 

Trumpeter Irvin Stokes, who recorded two albums as a leader, Just Friends and Broadway w/Oliver Jackson, retired from music.

Bestow upon an inquiring mind a dose of a Greensboro trumpeter to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…

Irvin Stokes: 1926 | Trumpet

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David Theak was born on November 10, 1970 in Sydney, New South Wales, Australia and was raised in a house of impromptu parties. His childhood found him listening to his downstairs neighbor teaching piano every afternoon which led to lessons and a piano for Christmas. His bandmistress at Mona Vale PS introduced him to the saxophone but paid his dues on the baritone horn for a couple of years. After a brief stint at the Conservatorium High School, he returned to the local high school with some enthusiastic music teachers. They encouraged us to improvise and created opportunities for us to play in jazz and rock bands.

he following years saw David practicing, composing, gigging, releasing his own albums and organizing tours of Australia & Europe for his quartet, theak-tet, but with limited opportunities in the 90’s, he became involved with a musician led organization, the Jazzgroove Association, which received NSW and Federal government funding that allowed presentation of new music every week as well as create a record label and form an original creative jazz orchestra, The Jazzgroove Mothership Orchestra.

He went on to become involved with SIMA, WAYJO and the formation of the Australian National Jazz Orchestra and ANJO Youth Big Band. David has been running a boutique international jazz festival for the past five years, is currently a Senior Lecturer in Jazz at the Sydney Conservatorium of Music, Artistic Director of the Australian National Jazz Orchestra, an advisory panel member of the Western Australian Youth Jazz Orchestra, President of the Sydney Improvised Music Association and Artistic Director of the Sydney Con Jazz Festival.

Jazz saxophonist, composer, bandleader, educator, festival director and jazz protagonist, David Theak, who continues to compose, perform and tour, is the artistic director of the Jazzgroove Mothership Orchestra and collaborates with a who’s who of international jazz musicians.

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Joe Rushton was born in Evanston, Illinois on November 7, 1907. He started out playing clarinet and all of the other standard saxophone varieties, and was occasionally recorded with these other instruments. Settling on the bass saxophone, through the early to mid Forties he worked with Ted Weems, Jimmy McPartland, Bud Freeman, Floyd O’Brien, Benny Goodman, and Horace Heidt.

Joining Red Nichols’s Five Pennies in 1947 became a musical relationship and collaboration that went well into the early 1960s. He recorded six sides for Jump Records in 1945/47, but otherwise appears on record only as a sideman.

Bass saxophonist Joe Rushton, who is one of the best-known jazz performers to concentrate on bass saxophone, aside from Adrian Rollini, which he played from 1928. transitioned on March 2, 1964, in San Francisco, California at the age of 56.

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