Daily Dose Of Jazz…
Malcom Bruce Turner was born July 5, 1922 in Saltburn-by-the-Sea, North Yorkshire, England. He received his education at Dulwich College, learning to play the clarinet as a schoolboy. He began playing alto saxophone while serving in the Royal Air Force in 1943 during World War II.
From 1948-53 he played with Freddy Randall and worked on the Queen Mary in a dance band and in a quartet with Dill Jones and Peter Ind. He briefly studied under Lee Konitz in New York City in 1950. His first period with Humphrey Lyttelton ran from 1953 to 1957 but leaving Lytteltonin he led his Jump Band from until 1965, which was featured in the 1961 film, Living Jazz.
Turner arranged and recorded the music for this film and the album Jumpin’ at the NFT (National Film Theatre) was issued to coincide with the film’s release. He then took part in the biggest trad jazz event to be staged in Britain at Alexandra Palace. Returning to Randall’s group from 1964 to 1966, he played with Don Byas and Acker Bilk. He continued to work with Lyttelton and Ind into the 1980s, played with the Jump Band intermittently, and led small ensembles in the 1990s.
Turner’s autobiography Hot Air, Cool Music, was published by Quartet Books, appeared in 1984. He wrote a column on jazz for the Daily Worker. Saxophonist, clarinetist and bandleader Bruce Turner transitioned on November 28, 1993.
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Daily Dose Of Jazz…
Duncan Lamont was born on July 4, 1931 in Greenock, Scotland. His first instrument was trumpet and he clearly showed promise right from the start. His father played accordion and soon he was joining him on the many gigs all over town. Falling in love with music he practiced all the time and began making a name for himself. In his teens he formed a jazz band with some of his fellow teenage enthusiasts and after taking part in a ‘Melody Maker’ magazine contest, received an offer to join Kenny Graham’s band and turn professional. Initially turning down the offer for work in the shipyards, friends persuaded him to go to London, England and joined the band. It was here that he met and eventually married vocalist Bridget Harrison.
Struggling with his lip he decided to quit the band and return home at just 21 years old. Once again a friend interceded and suggested he try the tenor saxophone, and found an affinity with it. Mastering the instrument he hit the road withthe big bands which led him back to London. A call to become a part of the Swinging Scots recording with Johnny Keating proved fortuitous and he became Keating’s go to saxophonist.
For the next thirty years, session work for TV, films and radio was to be a big part of his life. In this capacity, it’s fair to say he worked with most of the 20th century icons of popular entertainment, from Bing Crosby to Paul McCartney. During the 1960’s, to fuel his jazz needs he became a member of the Johnny Scott Quintet. Encouraged to write for the band’s book, Duncan gravitated to leading his own big band on the BBC.
His most enduring musical partnership was with trumpeter Kenny Wheeler, which lasted decades. As the industry changed Lamont turned his attention to songwriting, composing and lyrics. Having written hundreds of songs, many were recorded by the likes of Blossom Dearie, Natalie Cole, George Shearing, Cleo Laine and a long list of great vocalists. Returning home to Greenock a month towards the end of his career, he performed a homecoming gig with singers Esther Bennett and Daniela Clynes. Tenor saxophonist Duncan Lamont transitioned on July 2, 2019 at 87.
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Daily Dose Of Jazz…
John William Heard was born on July 3, 1938 in Pittsburgh, Pennsylvania and in his early years he played saxophone. He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art.
Joining the United States Air Force in 1958 John was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some art teaching, teaching the wives of officers. He left the Air Force in 1961 and enrolled at the Art Institute of Pittsburgh. He returned to music and went to Buffalo, New York with a later move to California.
The Sixties saw him playing double bass with Turrentine, Al Jarreau, Jean-Luc Ponty, Sonny Rollins and Wes Montgomery. The 1970s he was with Toshiko Akiyoshi, Count Baie, Louie Bellson, Joe Henderson, Ahmad Jamal, John Cillins, Blue Mitchell and Oscar Peterson. By the Eghties he had moved on to perform with Eddie “Lockjaw” Davis, Buddy Montgomery and Pharoah Sanders and Larry Vuckovich. During the decade he teamed with Tom Ranier and Sherman Ferguson to create the group Heard, Ranier, Ferguson in which they released an album in 1983.
Desiring to retire from music in order to spend more time painting, Heard managed to record with Tete Montoliu, Eddie “Lockjaw” Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams. He would return to music, record with Benny Carter, release his album The Jazz Composer’s Songbook and form his group, The John Heard Trio that played at Charlie O’s club in Van Nuys, California. With over 52 recording dates as a sideman with a who’s who list of jazz musicians from the 60’s to 2010, double bassist, bandleader and painter John Heard transitioned on December 10, 2021 at the age of 83.
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Daily Dose Of Jazz…
Michael Abene ( was born July 2, 1942 in Brooklyn, New York. Growing up in a musical family he was influenced and inspired by his father, grandfather, and aunt who were musicians. He studied composition at the Manhattan School of Music
His reputation for accompanying singers and for arranging music led Michael to accompany Susannah McCorkle, Julius La Rosa, and others. His debut album was a solo piano project recorded in 1984 and released in 1986 titled You Must Have Been a Beautiful Baby.
He recorded with Maynard Ferguson, Dizzy Gillespie, Cal Tjader during the Sixties and Urbie Green in the Seventies. Abene co-produced the album Avant Gershwin, which won the Grammy Award for Best Jazz Vocal Album in 2007.
Pianist Michael Abene continues to perform, produce and conduct.
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Daily Dose Of Jazz…
Eddie Blair was born into a musical family in Johnstone, Renfrewshire, Scotland on June 25, 1927. His father played cornet and violin and as the ten year old took after his father picking up the cornet. Playing with the Johnstone Silver Band gave him the musical grounding that facilitated dance band work before he joined the Royal Signals in 1945.
After demobilization in 1948 Blair attended Glasgow College of Technology, playing with jazz and dance bands in the evenings. He got his first brief taste of London, England with the Ken Mackintosh Band before returning to college. By 1951 his work with Mackintosh and Glasgow pianist George Scott Henderson, whose quintet won the runner-up 1949 Melody Maker ‘All Britain’ contest, had come to the notice of Johnny Dankworth, who invited Blair to replace the Germany-bound Deuchar.
After four years with Dankworth’s Seven and Orchestra, Eddie joined Ted Heath for 11 years, recording regularly and touring the US in 1956 but also recording with Johnny Keating, the Swinging Scots big band, Vic Lewis, Tubby Hayes, Stan Tracey and Ronnie Scott.
Along with Jimmy Deuchar and Aberdonian Bobby Pratt they formed the all-Scottish trumpet section on Hayes’ Jazz for Moderns and his absolute dependability made him a natural for session work. TV programs including The Avengers, Jimmy Rushing, Sacha Distel, blues band Savoy Brown and Mike Oldfield’s sister, Sally all figured in his performing and subsequent session recordings.
At sixty-five in 1992, he retired to concentrate on skiing and golf. Trumpeter Eddie Blair, who in the late 1940s and 1950s became absorbed into the London jazz scene and whose style influenced Deuchar and Kenny Wheeler, transitioned on Boxer Day, December 26, 2020 at age 93 in Rustington, West Sussex, England.
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