Daily Dose Of Jazz…
George Golla was born May 10, 1935 in Chorzów, Poland. He emigrated to Australia in the 1950s and began working in Sydney from 1957. Two years later he commenced a long-term musical partnership with the clarinetist, flautist and saxophonist Don Burrows that continued for nearly forty years.
Recording frequently in duo, quartets and other combinations, they nurtured and featured many young talents, including brassman and multi-instrumentalist James Morrison, guitarist Guy Strazzullo, drummer David Jones and others.
As educators they taught at the New South Wales Conservatorium and Golla was a teacher at the Academy of Guitar in Bondi alongside Don Andrews. He specialized in jazz and classical guitar and has written several books on theory, scales and the modes.
George toured frequently throughout Australia, playing on-call with international artists such as vibraphonist Gary Burton in the early 1970s. He has had a long association with Luis Bonfa and other Brazilian musicians. He has made hundreds of recordings, including The Don Burrows Quartet at the Sydney Opera House, Cherry Pie 1017 & 1032, and Steph’n’Us, with Stephane Grappelli during a tour with Grappelli and Burrows.
Guitarist George Golla, at 85, continues to perform in and around Sydney with flugelhorn player and singer songwriter Elizabeth Geyer, and tours interstate and internationally, records and conducts workshops.
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Daily Dose Of Jazz…
William Frank Reichenbach Sr. was born on December 18, 1923 in Washington, D.C. and started his musical career even before he graduated from the McKinley Tech High School. During World War II, he played in a band of the Navy before he toured with the big bands of Tommy Dorsey, Jimmy Dorsey, and Art Mooney. Later he worked in the jazz clubs of his hometown, where he accompanied Frank Sinatra, Patti Page, Teddy Wilson, and Zoot Sims.
Charlie Byrd hired Reichenbach as an additional drummer for the Stan Getz album Jazz Samba, recorded in 1962. This recording provoked a wave of enthusiasm for bossa nova in the United States. That same year he replaced Buddy Deppenschmidt in the Byrd trio, and stayed as a member for twelve years. Departing from Byrd, he returned to work in Washington D.C., as the house drummer at the Blues Alley.
Drummer and percussionist Bill Reichenbach, who co-developed the jazz-samba drumming style, transitioned following a series of strokes in Los Angeles, California, at the age of 84 on May 16, 2008.
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The Quarantined Jazz Voyager
This week while maintaining social distancing and continued mask wearing I’ve selected the 1974 album Skylark saxophonist Paul Desmond featuring Gábor Szabó. It was recorded on November 27~28 and December 4, 1973 at Van Gelder Sturio in Englewood Cliffs, New Jersey. The recording engineer was Rudy Van Gelder, the producer was Creed Taylor, and Don Sebesky wrote all the arrangements. It was released in 1974 on Taylor’s CTI label.
Desmond adapted to the changing times music was facing as did Taylor with his innovative photography used as his covers injected a sense of adventure, a bit of fantasy and a freedom that the 1970s exuded. It’s a change of pace for the saxophonist and a welcomed addition to the label’s stable.
Tracks |53:28- Take Ten (Paul Desmond) ~ 6:08
- Romance De Amor (Traditional) ~ 9:40
- Was A Sunny Day (Paul Simon) ~ 4:52
- Music For A While (Henry Purcell) ~ 6:45
- Skylark (Hoagy Carmichael, Johnny Mercer) ~ 5:21
- Indian Summer (Al Dubin, Victor Herbert) ~ 4:00
- Music For A While [alternate take] (Purcell) ~ 5:56
- Skylark” [alternate take] (Carmichael, Mercer) ~ 5:39
- Indian Summer” [alternate take] (Dubin, Herbert) ~ 5:27
- Paul Desmond ~ alto saxophone
- Bob James ~ piano, electric piano
- Gene Bertoncini ~ guitar
- Gábor Szabó ~ guitar (all solos)
- Ron Carter ~ bass
- Jack DeJohnette ~ drums
- Ralph MacDonald ~ percussion
- George Ricci ~ cello
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Daily Dose Of Jazz…
Douglas Anthony Munro was born July 9, 1953 in Yonkers, New York. He started his musical studies at age seven, taking drum lessons and by age fourteen, he was playing dances in Yonkers and New York City. At 20, he broke his back in a gymnastics accident, which ended his career as a drummer. However, in 1977 the 24 year old underwent a successful back surgery, and began playing guitar to pass the time during recovery
After his recovery he became a guitarist, performed locally and taught guitar lessons. In 1986 he released the LP Courageous Cats. and towards the end of the decade Doug met record producer Joe Ferry, and began a 25 year professional relationship. He would go on to divide his career into arranging, performing, teaching, and producing with Ferry. In 2004 he started a series of four Boogaloo recordings for Scufflin’ Records. The first, Boogaloo to Beck, featured Lonnie Smith, David “Fathead” Newman, and Lafrae Olivia Sci. He would go on to release to Brazilian jazz albums under the Big Boss Bossa Nova title.
The early Nineties saw Doug arranging and producing with Joe Ferry. Their first album, We Remember Pastorius, was a tribute to jazz bassist Jaco Pastorius. He would go on to co-produce and arrange a series of recordings for Shanachie Records. This period saw him delving into ska, receiving two Grammy nominations. In 1997 Munro added orchestrations to the original motion picture soundtrack for the Muhammad Ali documentary When We Were Kings which won the Academy Award for Best Documentary Film.
Munro continued to work on over 40 recording albums into the new millennium with Vitamin Records. He has produced lessons for Just Jazz Guitar, Premier Guitar, and TrueFire.com. He founded the jazz studies program in the Conservatory of Music at Purchase College in 1993, and served as the director of the program from 1993-2002. He retired in 2019 as Professor Emeritus and Director Emeritus of the Jazz Studies program at the Conservatory of Music at Purchase College.
Guitarist, arranger, producer, composer, author, and educator Doug Munro specializes in jazz, bebop, Brazilian jazz, jazz fusion, and gypsy swing. Since 1986 he has released over fifteen albums as a band leader and has appeared on over 75 recordings as a guitarist, sideman, producer, and arranger. He has been nominated for two Grammy Awards and was the recipient of two NAIRD Awards by the American Association of Independent Music.
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Daily Dose Of Jazz…
Buddy Deppenschmidt was born William Henry Deppenschmidt on February 16, 1936 in Philadelphia, Pennsylvania. His father was a saxophonist and bandleader under the name Buddy Williams, but his mother moved him to Richmond, Virginia when he was four.
Self-taught, he started playing drums professionally while in his teens and then went on the road in the western U.S. with the territory band Ronnie Bartley Orchestra. Returning home, he played with local bands and became the drummer for the Newton Thomas Trio through the mid to late Fifties, which was also the touring rhythm section for the Billy Butterfield Quintet. When the Newton Thomas Trio played the Virginia Beach Jazz Festival, it received rave reviews on a bill that included the Dave Brubeck Quartet and the Charlie Byrd Trio. Two nights later, Charlie Byrd came into the Jolly Roger jazz club where Buddy was playing, and offered him the job as drummer with his trio. He played with the trio at the Showboat Lounge in Washington, D.C. from 1959–62.
In February 1961, while on a goodwill tour sponsored by the U.S. State Department, the Charlie Byrd Trio with Byrd on guitar, Keter Betts on bass, and Buddy on drums, they visited 18 countries throughout South and Central Americas, and Mexico. While in Brazil, he spent his free time with local musicians, teaching them jazz and learning bossa nova. It was his idea to record an album combining jazz and bossa nova with Stan Getz.
After Byrd, Deppenschmidt joined the Tee Carson Trio in the early Sixties, then moved to Pennsylvania and formed the Jazz Renaissance, was also the drummer with the John Coates Trio, toured the midwest and west coast with the Bernard Peiffer Trio and studied with drummer Joe Morello.
He’s worked on A Thousand Clowns, Wall Street, Bossa Nova, The Lake House, and Whatever Works movie soundtracks. He’s played with a who’s who list of jazz musicians from Mose Allison and Chet Baker to Coleman Hawkins and Shirley Horn, Phil Woods and more.
Drummer Buddy Deppenschmidt, biographies are in The Encyclopedia of Jazz in the Sixties and The New Grove Dictionary of Jazz, transitioned on March 20, 2021 in Pennsylvania from complications of COVID-19. He was 85 years old.
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