Daily Dose Of Jazz…
Isabel Hernandez-Cata was born on December 9 and raised in the Washington, D.C. metropolitan area. She completed undergraduate studies in music at University of Rochester, a Masters degree in Music Education from Boston University and Jazz Studies – Vocal Performance from the University of North Texas.
She founded the Isabel Hernandez-Cata quintet featuring a fluid lineup with guitarist Greg Loman. They met while working at a community theatre. They have performed with numerous DC jazz musicians Ricky Loza, Eric Byrd, Alison Miller, and Marcus Johnson.
A classical contralto, Isabel has sung in choirs, among them the National Philharmonic Chorale and Singers. Her diverse musical interests always return her to a love of the jazz art form to perform standards and jazz treatments of tunes from other modern music genres.
As an educator she teaches vocal music and piano in Montgomery County Public Schools. She has also served as vocal director, pit conductor keyboardist, and choreographer for dozens of school and community musical productions. She has been a choral director, combo leader, and teacher of Piano & AP Music Theory in Maryland Public Schools since 2001.
Hernandez-Cata composes, arranges, and performs as a jazz vocalist and bandleader. Her choirs have performed for US Presidents fifty times and she has had backing vocal stints for Al Green and Lionel Richie.
Vocalist Isabel Hernandez-Cata continues to perform, compose, conduct and educate.
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Daily Dose Of Jazz…
Fabrizio Mocata was born on December 8, 1977 in Sicily, Italy. He established himself as a maestro in the music business thanks to his knowledge of the primary jazz genre and proficiency in the subgenre of smooth jazz.
His music seamlessly combines the rich traditions of jazz, classical music with smooth jazz. His creativity is distinguished by his combining complex melodies and harmonies.
Mocata is a well-known talent in the jazz world and has had an enduring impression on the jazz community.
Pianist, arranger and composer Fabrizio Mocata continues to create and perform.
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Daily Dose Of Jazz…
Miroslav Ladislav Vitouš was born on December 6, 1947 in Prague, Czechoslovakia. He began the violin at age six, switching to piano after about three years, and then to bass at age fourteen. As a young man in Europe, he was a competitive swimmer but one of his early music groups was the Junior Trio with his brother Alan on drums and Jan Hammer on keyboards.
He studied music at the Prague Conservatory and won a music contest in Vienna, Austria in 1966 that gave him a scholarship to the Berklee College of Music in Boston, Massachusetts which he attended one year before going to Chicago, Illinois to play with trombonist Bob Brookmeyer and flugelhorn pioneer Clark Terry.
When Miles Davis saw him playing in Chicago with Brookmeyerin 1967 and invited him to join his group playing at the Village Gate in New York City. It was with Davis that Vitouš first encountered saxophonist Wayne Shorter, keyboardist Herbie Hancock and the Davis-centric scene that was transforming mainstream jazz from late hard bop into what would be known as jazz fusion.
1968 saw the first of Vitouš’s partnerships with Roy Ayers, and Herbie Mann, Bennie Maupin, and Stanley Cowell. The following year, Vitouš recorded his debut album as a bandleader, Infinite Search for Mann’s Embryo label. He recorded with Larry Coryell’s Spaces with John McLaughlin, Corea, and drummer Billy Cobham.
In 1969 he recorded with Shorter, McLaughlin, Jack DeJohnette, Corea, and Brazilian percussionist Airto Moreira. The following year he continued as bandleader as he recorded Purple for Columbia, supported by McLaughlin, Cobham and the keyboardist Joe Zawinul. Then Shorter, Zawinul, and Vitouš formed the founding core of the jazz group Weather Report. Creative differences between him and Zawinul facilitated his departure from the group. Leaving the group he moved on to an illustrious career leading his own band and winning respect as a composer.
Double bassist, bass guitarist and composer Miroslav Vitouš continues his performing, recording and composing to this day.
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Daily Dose Of Jazz…
Alan Plachta was born on November 30, 1981 and raised in Buenos Aires, Argentina. Recently recorded in NYC his last album “Un viaje” in collaboration with Richard Nant, featuring Luis Perdomo on piano, Sam Sadigursky on reeds, Satoshi Takeishi on drums and Matt Pavolka on bass.
As a composer, arranger and conductor he has worked with the Boris Big Band, Orquesta Sudamericana, Kai de Raiz, and Orquesta de Cuerdas Elvino Vardado in collaboration with Juan Pollo Raffo.
Alan has played and/or recorded with numerous South American musicians such as Roberto Taufic, Hugo Fattoruso, Urbano Moraes, Daniel Maza, Robert Vincs, Alex & Nilusha, Alexandre Ribeiro, Ana Luiza and Luis Felipe Gama, Nicolás Ospina, Celeste Carballo, Ligia Piro, Liliana Herrero, and Cecilia Pahl among others.
A leader or co-leader, he has recorded five albums, the first in 2005. A prolific arranger and producer Nussbaum has collaborated as guitarist and guest arranger for Cambrio de Estacion, Roma, Soy Una Tarada, Desmesura, Este Tiempo, Ensamble Real Book Argentina, and Y De Amor No Supe Nada.
As a guitarist he has recorded ninetten albums and his compositions are included in Real Book Argentina. His educator role has Adam teaching ear training, arrangement, harmony and guitar. He is in charge of the Musical Language´s Technichs at the Tecnólogo en Jazz y Música Creativa career at UTEC.
Guitarist, composer, arranger and educator Alan Plachta continues to explore his music and his teaching.
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Daily Dose Of Jazz…
Michel Portal was born on November 27, 1935 in Bayonne, France into a musical family and home filled with several instruments growing up. His interest in jazz began after hearing it on the radio after World War II. He studied clarinet at the Conservatoire de Paris and conducting with Pierre Dervaux.
Gaining experience in light music with the bandleaders Henri Rossotti and with Perez Prado in Spain in 1958, Michel performed with drummer Benny Bennett, Raymond Fonsèque, Aimé Barelli and for many years, the singer Claude Nougaro.
Portal co-founded the free improvisation group New Phonic Art. During 1969, he played on a recording of Karlheinz Stockhausen’s Aus den sieben Tagen.
He began scoring music for films in the 1980s. He won the César Award for Best Music Written for a Film three times. Playing both jazz and classical music and is considered to be “one of the architects of modern European jazz.
Composer, saxophonist, and clarinetist Michel Portal continues to perform and record.
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