Daily Dose Of Jazz…

Anne Mette Iversen was born March 15, 1972 in Aarhus, Denmark. She studied classical piano at the Royal Academy of Music in her hometown and bass at the Rhythmic Conservatory of Music in Copenhagen, Denmark and The New School University in New York City.

Living in New York City from 1998 to 2012 Iversen co-founded the Brooklyn Jazz Underground in 2006 and is co-owner of the related record label Brooklyn Jazz Underground Records, which was formed in 2008. She works as a sideperson in various settings and as a freelance composer.

Currently based in Berlin, Germany. Iversen was Composer in Residence for Sweden’s Norrbotten Big Band in 2016. Anne’s composing is recognized for her ability to integrate classical music with jazz ensembles. She is influenced by major classical composers as well as jazz and Brazilian artists and composers.

Bassist Anne Mette Iversen has recorded ten albums between 1998 and 2020 and continues to perform, record and compose.

More Posts: ,,,,,,

Daily Dose Of Jazz…

Dana Hall was born on March 13, 1969 in Brooklyn, New York where he spent the first few years of his life, then relocated with his family to his mother’s hometown of Philadelphia, Pennsylvania. There he was exposed to jazz and soul music at an early age through the family’s record collection. The family interest in creative music, and their open door policy toward Philly jazz musicians of the era sparked his curiosity, passion and ultimately career in music.

At the age of 12, Dana’s family moved from Philadelphia to Voorhees Township, New Jersey and began studying drums under renowned drum instructor Vincent “Jim” Hurley at Voorhees Middle School. Following study was with award-winning educator and bassoonist Dennis MacMullin at Eastern Regional High School where he also began playing the oboe and throughout college.

He attended Iowa State University with a double major in aerospace engineering and percussion. At ISU, Hall cultivated his interest in music, studying marimba, vibes, timpani, hand percussion, and drum set. After completing his education in aerospace engineering at Iowa State University, he received his Bachelor of Music degree from William Paterson College and a master’s degree in Composition and Arranging from DePaul University. He is presently a distinguished Special Trustees Fellow pursuing his Doctorate in Ethnomusicology at the University of Chicago.

As a jazz drummer, he is primarily influenced by the work of Art Blakey, Elvin Jones, Philly Joe Jones, Max Roach, and Roy Haynes, Jeff ‘Tain’ Watts, Ralph Peterson, Jr., and Kenny Washington, among many others. The list of artists that Hall has performed, toured, and/or recorded with is too long to mention here but it reflects the diverse, varied approaches of his music-making in the fields of jazz and popular music.

He’s both a member of the Terell Stafford Quintet and the Music Director of the Chicago Jazz Ensemble. He has been a member of the Carnegie Hall Jazz Band, and the Des Moines and the Cedar Rapids Symphonies.

As an educator he has been on the faculty of several colleges and universities including DePaul, Jazz at Lincoln Center Band Director’s Academy, Essentially Ellington faculties. Thelonious Monk Institute of Jazzand the Jazz Institute of Chicago’s Artists Residency Program.

Drummer, percussionist, composer, bandleader, and ethnomusicologist Dana Hall has released one album as a leader and continues to teach, perform, and record.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,,,

Daily Dose Of Jazz…

Laurie Antonioli was born on March 9, 1958 in Marin County. California. At the age of sixteen she began playing guitar and performing primarily her own original music as well as that of the singer-songwriters of the era. In 1975 she won the American Songwriters Contest for high school students, studied jazz at Mt. Hood Community College in Gresham, Oregon and Cal State Long Beach. She took private lessons from Mark Murphy and Joe Henderson.

After graduation, Laurie continued composing and performing. In 1980 she toured Europe for eight months with New Orleans saxophonist Pony Poindexter. When he suffered a stroke, a record date in Paris with pianist Kenny Drew was canceled and they were unable to finish out their tour. Laurie brought Pony back to California where she lived and led her own bands based out of San Francisco.

1985 saw Antonioli signing with Catero Records and her first album was the live two-track Soul Eyes, with the title song given to her by composer Mal Waldron. She was accompanied by pianist George Cables. After a hiatus from music, she settled in Vienna, Austria from 2002 to 2006 and began recording again.

Her Nabel Records album Foreign Affair was a Balkan jazz hybrid recorded in Slovenia with musicians from Serbia, Albania, Germany, and the U.S. It was well received in Europe. Her next album The Duo Session enlisted Richie Beirach where she wrote lyrics to his compositions. Laurie also wrote lyrics to some Miles Davis tunes and free improvisation pieces. This recording was also well-received but like Foreign Affair was known primarily to European audiences.

As an educator she held the position of Professor of the Vocal Department at KUG University’s Jazz Institute in Graz, Austria from 2002 to 2006 while living and performing in Europe. Antonioli was offered a position at the California Jazz Conservatory in Berkeley, California as the school’s vocal program director and created an eight-semester vocal performance curriculum. Singer and record producer Laurie Antonioli, who between 1985 and 2018 she has recorded seven albums, continues to perform and record.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,

Daily Dose Of Jazz…

Richard Hyman was born in New York City on March 8, 1927 and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Trained classically by his uncle, concert pianist Anton Rovinsky, who taught him touch and a certain amount of repertoire while he pursued Chopin on his own.

Enlisting in the U.S. Army in 1945, Dick was transferred to the U.S. Navy band department. After leaving the Navy he attended Columbia University where he won a piano competition with the prize being 12 free lessons with swing-era pianist Teddy Wilson. It was during this period Hyman fell in love with jazz.

During the 1950s Relax Records released his first two solo piano versions of All the Things You Are and You Couldn’t Be Cuter. Hyman recorded two honky-tonk piano albums under the pseudonym Knuckles O’Toole and recorded more as Willie the Rock Knox and Slugger Ryan.

In the 1950s and early 1960s Dick worked as a studio musician and performed with Tony Bennett, Perry Como, Guy Mitchell, LaVern Baker, Ruth Brown, Mitch Miller and many more. He played with Charlie Parker for Parker’s only film appearance and had a stint as music director for Arthur Godfrey’s television show from 1959 to 1961.

As a composer, arranger, conductor, and pianist he worked on eleven Woody Allen films as well as other films like Moonstruck and Scott Joplin. Hyman composed and performed scores for ballet and dance companies. In the 1960s, Hyman recorded several pop albums on Enoch Light’s Command Records       using the Lowrey organ and then the Moog synthesizer.

Between 1970    and 2014 he recorded 112 albums as a leader, sixty-two as a sideman, and arranged four albums for Count Basie, Trigger Alpert and Flip Phillips. He has been a guest performer at jazz festivals and concert venues around the world. In 1995 pianist and composer Dick Hyman moved his wife Julia permanently to Venice, Florida.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,,

Daily Dose Of Jazz…

Herb Bushler was born on March 7, 1939 in New York City and played piano and tuba in his youth before picking up double bass. Classically trained in bass he has performed with symphony orchestras in this capacity.

In 1966 he began a longtime association with ballet and film composer Coleridge-Taylor Perkinson. Herb  played with The Fifth Dimension in the 1960s.  He worked extensively in jazz idioms in the 1960s and 1970s, including with David Amram, Ted Curson, Blossom Dearie, Tony Williams, and Paul Winter.

He first played with Gil Evans in 1967 and the association would continue on and off until 1981. During the 1970s Bushler recorded sessions with Enrico Rava, Joe Farrell, Ryo Kawasaki, David Sanborn and Harold Vick. He also worked with Dee Dee Bridgewater, Billy Harper, Les McCann, Enrico Rava, Joe Chambers, and Howard Johnson.

Bassist Herb Bushler, whose composition Herbs was recorded by David Sanborn, at 85 years old continues to occasionally play both double bass and electric bass.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,

« Older Posts       Newer Posts »