Daily Dose Of Jazz…
David Owen Mackay was born on March 24, 1932 in Syracuse, New York. He attended Trinity College in Hartford, Connecticut from 1950 to 1954, where he was the first blind student to graduate. He then attended Boston University from 1956 to 1958, where he studied with Margaret Charloff. He also studied with Lennie Tristano in New York City, then at the Lenox School of Jazz where he studied with Bill Evans, and lastly at The Hartford School of Music where he studied with Asher Zlotnik.
By the mid-1960s, Mackay joined the Hindustani Jazz Sextet with Don Ellis, Harihar Rao, Emil Richards, Steve Bohannon, Chuck Domanico and Ray Neapolitan. During this period he played with the Don Ellis Orchestra. The late Sixties saw him and Vicky Hamilton formed a duo and produced two recordings together with instrumentation including flute and saxes from Ira Schulman and guitar from Joe Pass.
In the mid-1970s, Dave along with Bill Henderson, and Joyce Collins formed a unique trio which toured the northwest, recorded two Grammy nominated albums for Discovery, and by 1981 they were performing on the television show Ad Lib. By the end of the decade with Lori Bell, and Ron Satterfield he formed the group Interplay, which garnered them four Grammy npominations. In the 1990s, he teamed up with Stephanie Haynes.
By the turn of the century he teamed with John Giannelli on bass and Joe Correro on drums performing Bill Evans tunes in a celebration of the Life and Music of bassist Scott LaFaro. He then hooked up with bassist Kenny Wild and singer Tierney Sutton. He would go on to perform with Serge Chaloff, Sonny Stitt, Bob Wilber, Bobby Hackett, Jim Hall, Don Ellis, Emil Richards, Shelly Manne, Chet Baker, Joe Pass, Warne Marsh, Kai Winding, Stephanie Haynes, and Tierney Sutton.
As a composer a couple of Mackay’s original compositions were later recorded by Cal Tjader, and by the Baja Marimba Band. He wrote a majority of the music with lyricist Barbara Schill for a hit stage musical comedy titled Is It Just Me, Or Is It Hot In Here?
Pianist, vocalist and composer Dave Mackay, with roots in the works of Art Tatum, Bud Powell, and Bill Evans, who favored the standards of the 1940s and 1950s and the bossa novas of Luíz Eça, Antonio Carlos Jobim, and João Gilberto, transitioned on July 29, 2020.
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Daily Dose OF Jazz…
Mark Kramer was born November 3, 1945 in Philadelphia, Pennsylvania. His prelimonary tutelage came from members of the Philadelphia Orchestra who mentored him on violin from the age of five. His early jazz performances in his teens and twenties included Michael and Randy Brecker, Charles Fambrough, Stanley Clarke, and Eric Gravatt.
Over the next decades his trio went on to record a series of specialty productions including the largest known body of jazz renditions of complete Broadway shows, jazz versions of principal themes from the John Williams score of Harry Potter and the Sorcerer’s Stone, and a compilation of jazz renditions of the music of The Rolling Stones.
Kramer has mainly been an arranger and leader of his own trios throughout his career. His numerous recordings/productions are often listed under The Mark Kramer Trio. Many works from the late Eighties with bassist Eddie Gómez are listed under Eddie Gómez and Mark Kramer or simply Eddie Gómez.
A far-ranging catalog of duo and trio recordings included the Art of the Heart on Art of Life Records. Pianist, composer, arranger, and producer/engineer Mark Kramer continues to pursue his creativity in music.
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Daily Dose Of Jazz…
Charles Burchell was born in London, England on October 30, 1925 and began learning the ukulele, then guitar. Then he heard an Artie Shaw record that inspired him to take up the clarinet and play jazz. Switching to alto saxophone, he started his own quintet in 1943, then tried tenor saxophone before he was drafted into the Royal Air Force. Transferred to the army in 1944, he played in Greece with the British Divisional Band.
Following his discharge in 1947 Charles worked in London with the Toni Antone Big Band. By 1949 he had given up full-time musicianship for work in a factory in order to not perform music he did not like in order to make a living.
A disciple of Lennie Tristano and a devoted admirer of Warne Marsh, he continued to play part-time, leading his own quintet for more than 20 years. Burchell has guested with Clark Terry, Emily Remler and Nathan Davis, and recording for Peter Ind’s Wave label. He played with Ind in the group that supported Tristano on his only UK concert, at Harrogate in 1968.
Saxophonist Charles Burchell, who went by Chas and has been touted as one of the great unsung heroes of British jazz, transitioned from a heart attack on June 3, 1986.
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Daily Dose Of Jazz…
Lorraine Winifred Geller was born Lorraine Walsh on September 11, 1928 in Portland, Oregon. She started out with the all-female big band Sweethearts of Rhythm, based in New York. She met saxophonist Herb Geller, married him in 1951, and together they moved to Los Angeles, California where they played with many musicians on the West Coast jazz scene, such as Shorty Rogers, Zoot Sims, Stan Getz, and Red Mitchell. She also did sessions with Charlie Parker and Dizzy Gillespie.
In 1957, she accompanied Kay Starr and the following year, concentrating on raising her daughter, she pared down her performances. She did, however, play at the first Monterey Jazz Festival. On October 13, 1958 pianist Lorraine Geller transitioned in Los Angeles, attributed to heart failure or pulmonary infection.
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Daily Dose Of Jazz…
Norman Louis Bates was born on August 26, 1927 in Boise, Idaho. His mother was an organist and he was a younger brother of bassist Bob Bates. He played in Jimmy Dorsey’s band for a year in 1945, then with Raymond Scott and Carmen Cavallaro shortly thereafter.
By 1948 he was part of the Dave Brubeck Trio, and the following year performed with Paul Desmond. Norman recorded with Jack Sheedy’s Dixieland Jazz Band in 1950.
After spending four years in the Air Force, Bates played with Wally Rose’s Dixieland Band in 1955 and then replaced his brother Bob in Brubeck’s quartet, playing on multiple albums from Dave Brubeck and Jay & Kai at Newport (1956) onwards. He also recorded with Desmond’s group again in 1956. In 1957 he left Brubeck, and led a trio in San Francisco, California.
Double bassist Norman Bates transitioned on January 29, 2004.
Bestow upon an inquiring mind a dose of a Boise bassist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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