
Daily Dose Of Jazz…
Marshall Brown was born on December 21, 1920 in Framingham, Massachusetts. Little recorded, he devoted most of his career to education, earning a music degree from New York University, as a member of the Zeta Psi Fraternity.
He was also a high school band director leading the Farmingdale New York Daler Band from the early 1950s through 1957. Brown was the first high school band director to initiate a jazz education program, which he did in his tenure at Farmingdale High. By 1956 his stage band, the Daler Dance Band, a jazz big band with an average age of 14 years old, was so formidable and impressive, boasted future jazz stars pianist Michael Abene, saxophonist Andrew Marsala, and whiz drummer Larry Ramsden. One night at the 1957 Newport Jazz Festival, Count Basie, who was late for his appearance as he entered the festival grounds heard the Daler Band performing their set and exclaimed, “Damn, they started already”, mistaking the Dalers for his band.
Marshall received some attention for performing and recording in a quartet with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane.
During the Sixties he was the resident trombonist at Jimmy Ryan’s, a noted dixieland venue. He also club dated with Luke O’Malley’s Irish band during this time. Brown also performed or recorded at one time or another with Ruby Braff, Beaver Harris, Lee Konitz, George Wein and Basie.
Conductor, arranger and educator Marshall Brown, who also played the valve trombone, trumpet, euphonium, electric bass and the banjo, passed away on December 13, 1983 in New York City.
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Daily Dose Of Jazz…
Robert Alexander Scobey, Jr. was born on December 9, 1916 in Tucumcari, New Mexico. He began his career playing in dance orchestras and nightclubs in the 1930s and by 1938 was working as second trumpeter for Lu Watters in the Yerba Buena Jazz Band. 1949 saw him leading his own band under the name Bob Scobey’s Frisco Band and the following year secured a three-year residency at the Victor & Roxie’s, which expanded their popularity.
Clancy Hayes joined the band to sing, play banjo bringing his own compositions such as Huggin’ and a Chalkin‘. The collaboration recorded over two hundred tracks until he left in 1959 to follow a solo career. The Frisco Band broadcasted in 1952 and 1953 on Rusty Draper’s television show. In 1953 Louis Armstrong sang with the band and the following year blues singer Lizzie Miles began recording and touring with the band, a relationship that lasted three years.
Beginning in 1955 Scobey and his band played San Quentin Prison, the roadhouse Rancho Grande, recorded for Verve Records and RCA Victor,. and toured colleges and universities, recorded many student favorites on the album College Classics.
Bob opened the Club Bourbon Street in Chicago, Illinois in 1959, and began suffering with stomach issues while touring in 1960. Trumpeter Bob Scobey passed away of cancer on June 12, 1963. His wife produced a biography titled He Rambled!, arranged for his band to form again and record some blues songs, and saw to the reissuing of his albums.

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Daily Dose Of Jazz…
Ben Thigpen was born Benjamin F. Thigpen on November 16, 1908 in Laurel, Mississippi. He played piano as a child and was trained by his sister Eva. He played in South Bend, Indiana with Bobby Boswell in the 1920s before moving to Chicago, Illinois to study under Jimmy Bertrand.
Chicago saw Ben playing with many noted Chicago bandleaders and performers, including Doc Cheatham. He played with Charlie Elgar’s Creole Band from 1927 to 1929 but never recorded with them. Following this he spent time in Cleveland, Ohio with J. Frank Terry, and then became the drummer for Andy Kirk’s Clouds of Joy, where he stayed from 1930 to 1947.
Much of his work is available on collections highlighting the piano work of Mary Lou Williams, who also played in this ensemble. After his time performing and recording with Kirk, his career was not well documented and it appears that he never recorded as a leader. He did however, lead his own quintet in St. Louis, Missouri, recorded with Mary Lou Williams, Booker Collins and Ted Robinson and also recorded Dixieland with Singleton Palmer in the 1960s.
Drummer Ben Thigpen, father of Ed Thigpen, who followed in his footsteps, passed away on October 5, 1971.
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Daily Dose Of Jazz…
Muggsy Spanier was born Francis Joseph Julian Spanier on November 9, 1906 in Chicago, Illinois. He borrowed the nickname from the manager of the NY Giants, John “Muggsy” McGraw. In the early 1920s, he was playing cornet with The Bucktown Five in Chicago.
He led several traditional hot jazz bands, most notably Muggsy Spanier and His Ragtime Band, that actually played Dixieland. This band set the style for all later attempts to play traditional jazz with a swing rhythm section of key members George Brunies on trombone and vocals, clarinetist Rod Cless, pianists George Zack or Joe Bushkin, Ray McKinstry, Nick Ciazza or Bernie Billings playing tenor saxophone, and Bob Casey on bass.
Muggsy’s theme song was Relaxin’ at the Touro, named for the infirmary in the New Orleans, Louisiana hospital where Spanier was treated for a perforated ulcer in 1938. Saved by Dr. Alton Ochsner he homaged a song titled Oh Doctor Ochsner.
Spanier made numerous Dixieland recordings, co-led a quartet, the Big Four, with Sidney Bechet in 1940 and co-led a traditional band with pianist Earl Hines at the Club Hangover in San Francisco, California in the 1950s. He followed this engagement up playing with the Bob Crosby band. Winding down his career in the late 1950’s and early 1960’s by 1959 he was leading a small band at the College Inn in the Sherman Hotel, then appeared in the Blue Note, Jazz Ltd. and in the Empire Room of the Palmer House, all in Chicago. His last appearance was at the Newport Rhode Island Jazz Festival in 1964.
Cornetist, composer and bandleader Muggsy Spanier passed away on February 12, 1967.
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Daily Dose Of Jazz…
Amos White was born on November 6, 1889 in Charleston, South Carolina and grew up an orphan playing in the Jenkins Orphanage band in his teens. In addition, he traveled with minstrel shows and circuses.
After attending Benedict College, he returned to the orphanage to take a teaching position. During World War I, White played in the 816th Pioneer Infantry Band in France, then settled in New Orleans, Louisiana after the war.
Working as a typesetter, he played jazz in his spare time, working with Papa Celestin and Fate Marable among others. In the 1920s, he appeared on many records by blues singers such as Bessie Smith and Lizzie Miles, and played in the Alabamians. In 1928, he became the leader of the Georgia Minstrels.
In the 1930s, White moved to Phoenix, Arizona, where he played with his own group and with local dance groups, including Felipe Lopez’s. Later in the decade he relocated to Oakland, California, where he played locally into the 1960s in marching bands.
Trumpeter Amos White passed away on July 2, 1980 in Oakland, California.
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