Daily Dose Of Jazz…
Lenny White was born Leonard White III on December 19, 1949 in New York City. Self-taught left-handed drummer, he played in local groups but basically started his career at the top of the ladder playing regularly with Jackie McLean in 1968, recording “Bitches Brew” with Miles Davis in 1969 and Freddie Hubbard’s Red Clay in 1970.
White was soon working with some of the who’s who of jazz including Geri Allen, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke, Jaco Pastorious and Stan Getz among others. He joined the short-lived group Azteca, and then as a member of Return To Forever from 1973-76, he gained a huge reputation as one of the top fusion drummers, but he remained versatile to play in many settings.
After the breakup of Return To Forever, Lenny White headed several fusion projects but none of the Nemperor and Elektra recordings found much traction in popularity, even amongst the funk crowd. In 1979 he formed the group “Twentynine” that achieved some notoriety. However, his work with the Echoes Of An Era and Griffith Park all-star groups have been received with acclaim and success.
Lenny has led fifteen albums as a leader and another two-dozen as a valuable sideman for a wide variety of projects. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Chuck Mangione was born Charles Frank Mangione on November 29, 1940 in Rochester, New York. He attended the Eastman School of Music from 1958 to 1963, afterwards joining Art Blakey’s Jazz Messengers, for which he filled the trumpet seat.
In the late 1960s, Mangione was a member of the band The National Gallery, then served as director of the Eastman jazz ensemble from 1968 to 1972, and during this time returned to recording with the album Friends and Love, with the Rochester Philharmonic Orchestra.
Mangione’s quartet with saxophonist Gerry Niewood recorded “Bellavia” that won him a Grammy for Best Instrumental Composition. His music has been used during two Olympics, performed at the closing ceremonies, and composed the soundtrack for The Children of Sanchez starring Anthony Quinn, winning his second Grammy Award.
Chuck composed and performed the theme for The Cannonball Run among other films. Proficient on both trumpet and flugelhorn, he has performed with a 70-piece orchestra, recorded his hit album Feels So Good, and has worked with Dizzy Gillespie, Steve Gadd, and Chick Corea among other jazz luminaries.
Mangione, along with his brother Gap worked as the Jazz Brothers, recording three albums with Riverside Records. Later worked in one another’s band and orchestra. He has a recurring voice-acting role on the animated King of the Hill, and continues to perform and record with his current band.
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Daily Dose Of Jazz…
Alphonse Mouzon was born November 21, 1948 of African-American, French and Blackfoot descent in Charleston, South Carolina. He received his first musical training at Bonds-Wilson High School and moved to New York City upon graduation. He studied drama and music at the City College of New York as well as medicine at Manhattan Medical School.
Mouzon continued receiving drum lessons from Bobby Thomas, the drummer for jazz pianist Billy Taylor. He played percussion in the Broadway show “Promises, Promises” and then went to work with McCoy Tyner. He ventured into jazz-fusion spending a year as a member of Weather Report but gained greater visibility during his tenure with guitarist Larry Coryell’s Eleventh House fusion band from 1973 to 1975. His power, style and speed helped propel the band to notoriety, producing such albums as Introducing the Eleventh House, Level One, Mind Transplant and Back Together Again.
From the early 70s into the Eighties he would record a series of R&B dance style albums for Blue Note Records with Tommy Bolin, Herbie Hancock, Lee Ritenour, Seawind Horns and Freddie Hubbard supporting as sidemen on the sessions. Staying predominately in jazz-fusion he would go on to perform with Miles Davis on the soundtrack to “Dingo”, composing the song “The Blue Spot” for the jazz club scene, appeared in the film That Thing You Do, played the lead role as “Miles” in the film The High Life, played “Ray” in the movie The Dukes, as well as appearances in the movie First Daughter.
Outside of jazz-fusion Mouzon has played with Stevie Wonder, Eric Clapton, Jeff Beck, Carlos Santana, Patrick Moraz, Betty Davis, Chubby Checker, Robert Plant among others. He formed Tenacious Records in 1992 releasing his top 10 album The Survivor followed by several more that landed in the top twenty category. Drummer Alphonse Mouzon passed away on December 26, 2016 of Neuroendocrine Carcinoma, a rare form of cancer just two months after doctors discovered the severity of his illness. He was 68.
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Daily Dose Of Jazz…
Hubert Laws was born November 10, 1939 in the Studewood section of Houston, Texas, the second of eight children. He grew up across the street from a honky-tonk called Miss Mary’s Place where his grandfather played harmonica and his mother, a pianist, played gospel music. He began playing flute in high school after volunteering to substitute for the school orchestra’s regular flutist. Becoming adept at jazz improvisation he played in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At age 15, he was a member of the early Jazz Crusaders while in Texas from 1954–60. Multi-talented, he also played classical music during those years.
A scholarship to Juilliard School of Music in 1960 saw him studying music in the classroom and with master flutist Julius Baker. Laws went on to play with both the New York Metropolitan Opera Orchestra (member) and the New York Philharmonic Orchestra during the years 1969–72. In 971 he recorded renditions of classical compositions by Fauré, Stravinsky, Debussy, and Bach on the CTI album Rite of Spring with strings and enlisted the talents of Airto Moreira, Jack DeJohnette, Bob James, and Ron Carter.
During his years at Juilliard he played flute with Mongo Santamaría and began recording as a bandleader for Atlantic in 1964, releasing the albums The Laws of Jazz, Flute By-Laws, and Laws Cause. He has worked with In the Seventies he can also be heard playing tenor saxophone on some recordings.
The 1980’s saw the minor hit Family on CBS Records getting played on many UK soul radio stations. In the 1990s Hubert resumed his career, recording with opera singers Kathleen Battle and Jessye Norman. His albums on the Music Masters Jazz label—My Time Will Come in 1990 and Storm Then Calm in 1994 show a return to his old form of his early 1970s albums.
Over the course of his career he also recorded with Herbie Hancock, McCoy Tyner, Nancy Wilson, Quincy Jones, Paul McCartney, Paul Simon, Aretha Franklin, Ella Fitzgerald, Sarah Vaughan, Lena Horne, Leonard Bernstein, James Moody, Jaco Pastorius, Sérgio Mendes, Bob James, Carly Simon, George Benson, Clark Terry, Stevie Wonder, J. J. Johnson, The Rascals, Morcheeba Ashford & Simpson, Chet Baker, George Benson, Moondog, his brother Ronnie, Gil Scott-Heron, among others, and was a member of the New York Jazz Quartet. .
Laws has been honored with the Lifetime Achievement Awards from the National Flute Association and the National Endowment for the Arts in the field of jazz, as well as a recipient of the NEA Jazz Masters Award and three Grammy nominations. Flautist and tenor saxophonist Hubert Laws continues to compose, record and perform.
Daily Dose Of Jazz…
Yusef Lateef was born William Emanuel Huddleston on October 9, 1920 in Chattanooga, Tennessee and by the time he was five his family moved to Detroit. Throughout his early life Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell.
Proficient on saxophone by graduation from high school at the age of 18, he launched his professional career and began touring with a number of swing bands. In 1949, he was touring with Dizzy Gillespie and his orchestra. In 1950, Lateef returned to Detroit and began his studies in composition and flute at Wayne State University. It was during this period that he converted to Islam.
Lateef began recording as a leader in 1957 for Savoy Records overlapping with Prestige Records subsidiary label New Jazz, collaborating with Wilbur Harden and Hugh Lawson among others. By 1961, with the recording of Into Something and Eastern Sounds his dominant presence within a group context had emerged and his ‘Eastern’ influences are clearly audible in all of these recordings.
Along with trumpeter Don Cherry, Yusef can lay claim to being among the first exponents of the world music as sub-genres of jazz. He played on numerous albums, was a member of Cannonball Adderley’s Quintet during the early Sixties, was a major influence on John Coltrane, he began to incorporate contemporary soul and gospel phrasing into his music, founded his own label YAL Records and was commissioned by the WDR Radio Orchestra to compose the African American Epic Suite.
Lateef has written and published a number of books including two novellas and Yusef Lateef’s Flute Book of the Blues. He has received the Jazz Master Fellowship Award from the National Endowment for the Arts, and has had aired a special-documentary program for Lateef, titled A Portrait of Saxophonist Yusef Lateef In His Own Words and Music. He has recorded nearly six-dozen records as both a leader and sideman and continued to compose, perform, record and tour until his transition at age 93 on December 23, 2013 in Shutesbury, Massachusetts.
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