Daily Dose Of Jazz…

Alicia Cunningham was born Alicia Rodriguez of Mexican heritage on October 5, 1946 in Los Angeles, California. A classically trained vocalist and pianist, she worked in the L.A. studios and as an educator at Loyola University in her early years.

Meeting her husband Don was fortuitous when he moved to Los Angeles in the early 70s. Their combination of his jazz-influenced energetic singing style and Alicia’s fluid, clear and lyrical sound, established a solid reputation. This would lead to a tour with Count Basie in Europe for five months at major events and jazz festivals in England and Switzerland.

She was an intricate and melodic harmonizer and arranger and paired with the Cunningham stage presentation, they offered enormous panache. They not only kept her hometown audiences satisfied but they traveled around the country and the world thrilling listeners in Europe, Canada, Singapore, Brazil, Japan, Indonesia and South Korea.

In 2012, they released their final album together titled Sao Paulo Lights that was recorded in Brazil. In the autumn of 2014, Alicia made her last performance in St. Louis when Don received a St. Louis Jazz Hall of Fame Award.

Vocalist Alicia Cunningham, who sang hard jazz, transitioned in Las Vegas, Nevada on December 23, 2014  at the age of 68 after battling cancer for a year.

BRONZE LENS

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Daily Dose Of Jazz…

George Matthews was born on September 23, 1912 in Dominica, British West Indies and received classical training in New York City and played with local dance and jazz bands. In the early 1930s he joined Tiny Bradshaw’s group, being adept on tuba, trumpet, and trombone.

Later in the decade he worked with Willie Bryant, Louis Armstrong, Chick Webb, and in the Forties he recorded with Ella Fitzgerald, Lucky Millinder, and Sister Rosetta Tharpe. After World War II, Matthews worked extensively with Count Basie, then joined Erskine Hawkins’s group in the early 1950s, while recording with Dizzy Gillespie, and Dicky Wells. In the 1960s he played with Lucille Dixon, Clark Terry, and recorded with Cannonball Adderley and Ray Charles in the Sixties.

Trombonist George Matthews, who never led a recording session, transitioned on June 28, 1982.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Samuel “Savoirfaire” Williams was born on September 22, 1973 in Chicago, Illinois. At the age of three he began playing violin at his parents’ church and two years later joined a group of child prodigies under the tutelage of Suzuki Violin instructor, Betty Haag. His first performance was at Chicago’s Orchestra Hall during a public television broadcast which became an annual event spanning more than 35 years.

He attended the Merit School of Music in Chicago, studying music theory while participating in youth orchestras including the City Youth Symphony, Chicago Youth Symphony Orchestra, Protégé, All-City and All-State. He took private lessons from Afro-Panamanian musician Joseph Williams when he was 16. During this time he played lead for the City Youth String Ensemble’s viola section, then received a scholarship at Interlochen where he sat in with vibraphonist Milt Jackson.

Meeting and performing with Wynton Marsalis while working at the Chicago Symphony Center, Williams continued his studies and busked on the streets to pay for violin lessons. During one of his street performances, guitarist Kenny Burrell observed his skill and invited him to collaborate with himself, Willie Pickens and Larry Gray on a Bebop performance at Chicago’s Jazz Showcase.

In 2000, he was voted into the Chicago Chapter of the Association for the Advancement of Creative Musicians (AACM), which earned him the moniker “Savoirfaire.” That same year, he began an apprenticeship with luthier Martin Sheridan to learn the art of violin-making, later owning the violin shop and managing it for three years.

After self-releasing three live albums, Bob Koester discovered his work and in 2004 Delmark Records produced the internationally acclaimed release Running Out of Time. Over the years, Savoirfaire has been invited to record with a plethora of artists in various genres and at international Jazz festivals.

In 2015, Williams founded the Chicago Gypsy Project with guitarist Dave Miller and bassist Charlie Kirchen. He continues to perform with his group Savoirfaire Jazz Quartet as well as busking on the streets, and in various venues throughout Chicago.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Steve Marcus was born September 18, 1939 in The Bronx, New York, and studied at the Berklee College of Music in Boston, Massachusetts between 1959 and 1961. He gained experience playing in the bands of Stan Kenton, Herbie Mann and Larry Coryell from 1963 to 1973.

His debut album as a leader included an arrangement of the Beatles’ song, Tomorrow Never Knows, which also was the album’s title. He worked with jazz drummer Buddy Rich for the last twelve years of the drummer’s life. After Rich died, Marcus led the band and renamed it Buddy’s Buddies.

Saxophonist Steve Marcus transitioned on September 25, 2005 in New Hope, Pennsylvania. He was 66.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Bryan Spring was born on August 24, 1945 in London, England. A self-taught drummer beginning at the age of six, he later studied with Philly Joe Jones. He led and co-led his own trios and quartets from the mid-1970s to the early 1990s with Don Weller and also Art Themen.

The new millennium saw Bryan collaborating with Mark Edwards and Andy Cleyndert. He has been a member of Bill Le Sage’s Bebop Preservation Society, Alan Skidmore’s Quartet, Klaus Doldinger’s Passport, and various line-ups led by Stan Tracey.

He has worked with other leading British jazz musicians, including Tubby Hayes, Dick Morrissey, Bobby Wellins, as well as accompanying American musicians, notably George Coleman and Charlie Rouse, when they were visiting the UK.

Drummer Bryan Spring, who is sometimes credited as Brian and has led/co-led two recording sessions and played on eighteen as a sideman, continues to be active on the jazz scene.

SUITE TABU 200

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