Daily Dose Of Jazz…

George F. Clarke was born on August 28, 1911 in Memphis, Tennessee. He attended Manassas High School, where he was Jimmie Lunceford’s pupil before joining the orchestra and playing with Lunceford until 1933.

Relocating to Buffalo, New York, there he played with Guy Jackson, Lil Armstrong and Stuff Smith in 1935. He and Smith worked together again on tour in 1939-1940 and in the recording studio. Returning to Buffalo, Clarke led an ensemble at a local club from 1942 to 1954.

Following this he moved to New York City and worked with Wild Bill Davis and Jonah Jones, and toured internationally in Europe in 1959 with Cootie Williams and Africa with Cozy Cole in 1962. He was occasionally active through the ‘60s in New York City. Tenor saxophonist George Clarke passed away in September 1985 in the Bronx, New York.

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The Quarantined Jazz Voyager

Remaining vigilant, being healthy, social distancing as those in our nation who continue to navigate positively and negatively through this pandemic.

This week the album I’m recommending for listening is The Young Lions by Lee Morgan leading an ad hoc group of musicians who made up the septet for this recording. It was recorded on April 25, 1960 at the Bell Sound Studios in New York City and was produced by Sid McCoy. The album was released in 1961 on Vee~Jay Records.

The album title echoes that of a popular 1948 novel by Irwin Shaw which had been made into a feature film shortly before the album was recorded. The young lions who made the music on this album have varied musical philosophies and sundry jazz backgrounds.

The young lions phrase was revived in jazz in the 1980s when, as in 1960, there was a tension between the modern jazz traditionalists and the avant-garde.

1. Seeds of Sin (Shorter) ~ 5:44
2. Scourn’ (Shorter) ~ 5:58
3. Fat Lady (Shorter) ~ 5:03
4. Peaches and Cream (Shorter) ~ 6:52
5. That’s Right (Morgan) ~ 11:37

• Lee Morgan – trumpet
• Wayne Shorter – tenor sax
• Frank Strozier – alto sax
• Bobby Timmons – piano
• Bob Cranshaw – bass
• Albert “Tootie” Heath (3-5, 8) drums
• Louis Hayes (1, 2, 6, 7) – drums

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The Quarantined Jazz Voyager

As the pandemic wages on, rising numbers amongst the unvaccinated, the unmasked and the ignorant threaten the spread to the vaccinated and the children, while once again filling our hospitals. I cringe to think of the children who are going to be forced back to school without a vaccine. I’ve personally had a vaccinated friend who tested positive while working at a day camp with exposed children. Camp was shut down immediately, friend is fine but the Delta variant is highly contagious, like chicken pox. Be vigilant and stay safe.

With that in mind, I am pulling out the classic Song for My Father, the hard bop album by the Horace Silver Quintet, inspired by a trip that Silver made to Brazil. The songs were recorded at Van Gelder Studios in Englewood Cliffs, New Jersey by two different ensembles over two sessions ~ 3,6 on October 31, 1963 and 1,2,4,5 on October 26, 1964. Produced by Alfred Lion, it was released on the Blue Note record label in January, 1965.

The cover artwork features a photograph of Silver’s father, John Tavares Silver, to whom the title composition is dedicated. The title track, Song for My Father, is the leader’s most recognized composition, blending his native Cape Verdean folk music with bossa nova.

1. Song for My Father ~ 7:17
2. The Natives Are Restless Tonight ~ 6:09
3. Calcutta Cutie ~ 8:31
4. Que Pasa ~ 7:47
5. The Kicker (Joe Henderson) ~ 5:26
6. Lonely Woman ~ 7:02

• Horace Silver ~ piano
• Carmell Jones ~ trumpet (2, 5 solo | 1, 4 ensemble)
• Joe Henderson ~ tenor saxophone (1,2,4,5)
• Teddy Smith ~ bass (1,2,4,5)
• Roger Humphries ~ drums (1,2,4,5)
• Blue Mitchell ~ trumpet (3, ensemble)
• Junior Cook ~ tenor saxophone (3, ensemble)
• Gene Taylor ~ bass (3,6)
• Roy Brooks ~ drums (3,6)

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Daily Dose Of Jazz…

Bruz Freeman was born Eldridge Freeman on August 11, 1921 in Chicago, Illinois. With his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel.

In 1950, he was a member of John Young’s trio with LeRoy Jackson on bass, and recorded with Young’s orchestra backing vocalist Lurlean Hunter. That same year with his brothers George and Von, originally misidentified as Claude McLin, LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death, at a jam session recorded at Bird’s apartment which was released in 1960 by Savoy Records.

The mid-1950s saw him as a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1977-8, he joined a short-lived band based in California, led by Kenny Mann and with Britt Woodman on trombone. Drummer Bruz Freeman, who was also known as Buzz and the uncle of Chico Freeman, the son of Von Freeman, passed away in 2006.

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Daily Dose Of Jazz…

Eddie Lee McFadden was born on August 6, 1928 in Baltimore, Maryland and as a small child tried the piano but later settled on guitar. After his military service, he concentrated on jazz guitar. By the 1950s the guitarist was playing in Philadelphia, Pennsylvania clubs. From 1957-58 he was in organist Jimmy Smith’s band and recorded a dozen albums with Smith as part of a trio and sextet. The trio included Donald Bailey on drums.

Staying with organists he next joined Johnny “Hammond” Smith and during the period 1960–63 and one more in 1966, McFadden made eight recordings. Two further sideman appearances on albums came to fruition in the late 1970s.

In November 1967, the Al Grey & Eddie McFadden Quartet played at Count Basie’s Lounge in New York. During the late Seventies he recorded with Sonny Phillips and Don Patterson.

Guitarist Eddie McFadden, who also wrote music for some of his bands, passed away on September 23, 1992 in Philadelphia.

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