Daily Dose Of Jazz…
Israel López Valdés was born into a family of musicians on September 14, 1918 in Havana, Cuba. Better known as Cachao, a nickname and stage name given to him by his grandfather, as an 8-year-old bongo player, he joined a children’s son Cubano septet directed by a 14-year old Roberto Faz. A year later, already on double bass, he provided music for silent movies in his neighborhood theater, in the company of a pianist who would become a true superstar, the great cabaret performer Ignacio Villa, known as Bola de Nieve.
His parents made sure he was classically trained, first at home and then at a conservatory. In his early teens, Lopez was already playing contrabass with the Orquesta Filarmónica de La Habana, of which Orestes was a founding member. Under the baton of guest conductors such as Herbert von Karajan, Igor Stravinsky, and Heitor Villa-Lobos, he played with the orchestra from 1930 to 1960.
He and his older brother Orestes were the driving force behind one of Cuba’s most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo.
In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. In 1961, Cachao went into exile. He crossed the Atlantic by boat, reaching Madrid thanks to Ernesto Duarte, who demanded him to play with his orchestra–Orquesta Sabor Cubano–and where he spent a few years touring the country until the orchestra finally broke up in 1963. Moving to the United States that same year, Cachao became a session musician and was one of the most in-demand bassists in New York City, along with Alfonso “El Panameño” Joseph and Bobby “Big Daddy” Rodríguez.
Joseph and López substituted for each other over a span of five years, performing at New York City clubs and venues such as the Palladium Ballroom, The Roseland, The Birdland, Havana San Juan and Havana Madrid. While Cachao was performing with Machito’s orchestra in New York, Joseph was recording and performing with Cuban conga player Cándido Camero. When Joseph left Cándido’s band to work with Charlie Rodríguez and Johnny Pacheco, it was Cachao who took his place in Cándido’s band. In the 1970s, Cachao fell into obscurity after moving to Las Vegas, Nevada and then later Miami, Florida releasing albums sporadically as a leader.
The 1990s saw his re-discovery by actor Andy García, who brought him back to the forefront of the Latin music scene with the release of a documentary and several albums. Throughout his career, he performed and recorded in a variety of music styles ranging from classical music to salsa.
Double bassist and composer Cachao Lopez, who rose to prominence during the boogaloo years, who recorded sixteen albums as a leader and another twenty as singles, collaborator, and sideman, passed away in Coral Gables, Florida at age 89 on March 22, 2008.
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Daily Dose Of Jazz…
Kiwzo Fumero was born on July 12, 1972 in Marianao, Havana, Cuba. A trumpeter from his youth, he began his professional career in 1991 with the creation of the first youth mariachi band in Cuba, of which he was its creator and director, and who is currently El Mariachi Real Jalisco De La Habana.
In 2000 Kiwzo settled in Miami, Florida. where he has participated with several orchestras and has accompanied Gilberto Sta Rosa, Huey Dumbar, Thalia, Tito Nieves, Rey Ruiz, Jose Jose, and many more. He has performed with the Willy Chirino Orchestra, La Sonora Carruseles, the tour “Embrace Me Very Strong”, Tropicana All-Stars, Celia Cruz, and Cachao.
As an educator Fumero has also had the honor of sharing a lectern with world-class musicians such as Arturo Sandoval, Paquito D’Rivera, John Fadis, Israel López Cachao, Jimmy Bosch, Andy García, Chocolate Armenteros, Patato Valdez among many others.
Winner of 2 Grammy Awards with 6 nominations, he has performed for President Bush in 2007, and has recorded nine albums. Kiwzo Fumero, one of the most recognized and influential Cuban trumpeters of his generation, continues to perform, record and tour.
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Daily Dose Of Jazz…
Carol Stearns Sudhalter was born on January 5, 1943 in Newton, Massachusetts and grew up in a musical family. Her father Albert played the alto saxophone in the New England area, a brother played baritone saxophone and one brother who played trumpet, cornet and wrote award-winning books on jazz.
In the early Sixties, Sudhalter began to play the flute while majoring in biology at Smith College. She continued to study flute with private teachers in Washington DC, New York, Boston, Israel, and Italy until 1978. She studied theory and Third Stream music with Ran Blake and Phil Wilson at the New England Conservatory of Music. From the 1970s on she has been teaching piano, saxophone, and flute privately, at Mannes College, and for the New York Pops Salute to Music Program.
1975 saw Carol deciding to take up the saxophone, and by 1978 relocated from Boston to New York City to join the first all-women Latin band, Latin Fever, produced by Larry Harlow. In 1986 she founded the Astoria Big Band, and she has performed with Sarah McLawler, Etta Jones, Chico Freeman, Jimmy McGriff, Duffy Jackson, and others around the New York jazz clubs, as well as domestic, Italian and British jazz festivals.
She initiated the Jazz Monday concerts at Athens Square Park between 1989 and 2001, along with several other local festivals in Queens where she resides.
A member of the Jazz Journalists Association, Sudhalter also has a chapter in Leslie Gourse’s Madame Jazz and in W. Royal Stokes’ Growing Up With Jazz. In 2012 she was nominated for the 2012 International Down Beat Readers’ Jazz Poll, and was voted 9th place in the category “Best Jazz Flutist”. She has recorded eight albums as a leader, one as a sideman, and the tenor and baritone saxophonist, flutist and pianist Carol Sudhalter continues to perform and educate.
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Daily Dose Of Jazz…
Norosbaldo Morales was born in Puerta de Tierra, Puerto Rico on January 4, 1912. The pianist learned several instruments as a child, playing in Venezuela from 1924 to 1930, then returned to Puerto Rico to play with Rafaél Muñoz.
Emigrating to New York City in 1935, Noro played there with Alberto Socarras and Augusto Cohen. By 1939, he and brothers Humberto and Esy put together the Brothers Morales Orchestra. He released the tune Serenata Ritmica on Decca Records in 1942, which catapulted him to fame in the mambo and rhumba music world; his band rivaled Machito’s in popularity in New York in the 1940s. It was during this time that his orchestra played for the Havana Madrid nightclub.
1960 saw Morales returned to Puerto Rico and play locally, working with Tito Rodríguez, José Luis Moneró, Chano Pozo, Willie Rosario and Tito Puente. Among the musicians who played in Morales’ orchestra were Ray Santos, Jorge López, Rafí Carrero, Juancito Torres, Pin Madera, Ralph Kemp, Pepito Morales, Carlos Medina, Lidio Fuentes, Simón Madera, Ana Carrero, Pellin Rodriguez, and Avilés.
The height of his fame and record production was his production of rumba records with his sextet, done after he gave up the big band idea. His use of the piano as both melody and rhythm was highly innovative at the time. Linda Mujer, Campanitas de Cristal, Perfume de Gardenias, Me Pica La Lengua and Silencio, all songs composed by others, were four of his big successes in this line.
Pianist and bandleader Noro Morales passed away on January 15, 1964 in San Juan, Puerto Rico at age 53.
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Daily Dose Of Jazz…
Conrad Herwig was born Lee Conrad Herwig III on November 1, 1959 in Lawton, Oklahoma. He graduated from North Texas State University in Denton, Texas, where he performed in the One O’Clock Lab Band, attended Goddard College and Queens College, CUNY.
He began his career in Clark Terry’s band in the early 1980s and has gone on to be a featured member in the Joe Henderson Sextet, Tom Harrell’s Septet and Big Band, and the Joe Lovano Nonet and featured as a soloist on the latter’s Grammy Award winning 52nd Street Themes.
He performs and records with Eddie Palmieri’s La Perfecta II and Afro-Caribbean Jazz Octet, Michel Camilo’s 3+3, the Mingus Big Band (often serving as musical director, and was an arranger on the 2007 Grammy nominated Live at the Tokyo Blue Note, the Jon Faddis Jazz Orchestra, and Jeff “Tain” Watts Family Reunion Band, among many others.
He has recorded several highly acclaimed projects in the Afro-Caribbean jazz genre, including the Grammy nominated albums the Latin Side of Joe Henderson featuring Joe Lovano for Half Note Records, the Latin Side of Wayne Shorter, Another Kind of Blue: The Latin Side of Miles Davis, and, the Latin Side of John Coltrane. Conrad has worked with Paquito D’Rivera, Dave Valentin, Eddie Palmieri, and Randy Brecker. He has been voted No. 1 Jazz Trombonist three times in the Downbeat Jazz Critics’ Poll and nominated for Trombonist of the Year by the Jazz Journalists Association on multiple occasions.
He has conducted master classes, seminars and workshops at hundreds of universities and conservatories around the world and has received performance and teaching grants from the National Endowment for the Arts. Trombonist Conrad Herwig is a professor of jazz trombone, jazz improvisation and jazz composition and arrangement at Rutgers University, was elected to the Board of Directors of the International Trombone Association and continues to compose, perform and record.
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