Daily Dose Of Jazz…
Shep Shepherd was born Berisford Shepherd on January 19, 1917 in Honduras while his mother was enroute from the West Indies to Philadelphia, Pennsylvania. Arriving in the city she first settled and raised him in a Jewish neighborhood before moving to a Black neighborhood.
An early fascination with marching bands he drummed on tables and chairs until his mother bought him a toy drum to save wear and tear on the furniture. He attended the Jules E. Mastbaum Area Conservatory and Vocational School where he trained as a percussionist on timpani, vibraphone, xylophone, snare and bass drums. Students were required to have a secondary instrument, and he chose the trombone.
Initially hoping for a career in the Philadelphia Orchestra, he shifted his interest to jazz. He formed a friendship with drummer Jimmy Crawford, who was able to help his career in New York City. During the Thirties performed with Jimmy Gorham’s band in Philadelphia. In 1941, Benny Carter contacted Shep and he moved to New York City, where he also worked with Artie Shaw the same year. He became heavily in demand and the phrase “Get Shep!” became a phrase among area musicians.
Four years in the Army saw him serving in the entertainment corps, and working there he played trombone and improved his skills as a composer and arranger. He met Billy Butlet and in 1952 after his discharge he began working with Butler as part of Bill Doggett’s group. In 1956, Shepherd helped write Doggett’s signature song, Honky Tonk. He left Doggett’s group in 1959 and returned to New York City where he worked in pit orchestras for Broadway shows, and as a music copyist and arranger.
When the nationwide tour of the Broadway show Here’s Love ended, Shepherd found himself in San Francisco, California and he became a freelance musician there. He continued to play drums through the Sixties and Seventies working with Patti Page, Lionel Hampton, Lena Horne, The Ward Singers, Earl Bostic, Buck Clayton, Odetta, Cab Calloway, Sy Oliver, Big Maybelle, and Erskine Hawkins. At 80 years old, he switched his primary focus from drums to trombone, and with organist Art Harris and drummer Robert Labbe formed the group Blues Fuse.
Drummer, trombonist, vocalist and composer Shep Shepherd, who is listed in The Biographical Encyclopedia of Jazz and Who’s Who Among Black Americans, transitioned on November 25, 2018 at the age of 101.
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Daily Dose Of Jazz…
Charles Theodore Straight was born on January 16, 1891 in Chicago, Illinois. He started his career in 1909 at 18 accompanying singer Gene Greene in Vaudeville. In 1916, he began working at the Imperial Piano Roll Company in Chicago, where he recorded dozens of piano rolls.
Becoming a popular bandleader around town during the Jazz Age, his band, the Charley Straight Orchestra, had a long term engagement at the Rendezvous Café from 1922 to 1925 and recorded for Paramount Records and Brunswick Records during the decade.
This period also saw Straight working with Roy Bargy on the latter’s eight Piano Syncopations. Besides working as a pianist or leading an orchestra, he also composed and arranged music, both ragtime and jazz.
Pianist, bandleader and composer Charley Straight transitioned on September 22, 1940 in Chicago after being struck by an automobile while working as a city sanitary inspector. He was emerging from a manhole in the street.
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Daily Dose Of Jazz…
Alvin “Buddy” Banks was born on January 15, 1927 in St. Thomas, Ontario, Canada and grew up in the United States. He became interested in music during high school, starting out on piano before switching to saxophone. During World War II he joined the United States Army Band as a bass player.
Making his first appearance on record was in Vienna, Austria with Thurmond Young, this group also played live at the Colored Club. He played in Paris, France with Gerry Wiggins in 1950, and then with Bill Coleman in Bern, Switzerland, Le Havre, France and Belgium. After problems with his passport in Switzerland, he left for Paris in 1953, where he recorded often with expatriate American jazz musicians as well as local performers.
These include Hazel Scott, Buck Clayton, Lionel Hampton, Mezz Mezzrow, Don Byas, Albert Nicholas, and André Persiany. He toured with Michel Attenoux and with Sidney Bechet through Western and Central Europe in 1954.
Double bassist Buddy Banks transitioned on August 7, 2005 in Las Vegas, Nevada.
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Daily Dose Of Jazz…
Lee Abrams was born Leon Abramson on January 6, 1925 in New York City, New York and was raised in Brooklyn, New York. His father played the violin and clarinet, his brother Ray played tenor saxophone.
Joining the United States Army in 1943 he spent three years until he was discharged in 1946. During his career, Abrams played with Roy Eldridge, Eddie Heywood, Andy Kirk, Hot Lips Page, Lester Young, Illinois Jacquet, Horace Silver, Wynton Kelly, Al Haig and others.
On 52nd Street, he played with Coleman Hawkins, Eddie Lockjaw Davis and Jay Jay Johnson. Drummer Lee Abrams transitioned on April 20, 1992 in New York City.
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Daily Dose Of Jazz…
Judd Proctor was born Procter on January 2, 1931 in Doncaster, Yorkshire, England. He played banjo in his youth and joined a local trio, but switched to guitar in his teens. He won a regional Melody Maker contest in a group, The Zetland Players. By the age of 18 he was conscripted into the Royal Air Force, where he met and was influenced by guitarist Ike Isaacs. After his military service ended, he worked in accountancy for British Rail, but soon left to join a dance band in Nottingham and became a professional musician.
After playing in various bands he joined Ray Ellington’s quartet in 1955, remaining for six years. He appeared on many radio broadcasts including The Goon Show. The early Sixties saw Proctor become a session musician, appearing on recordings by Cliff Richard, Helen Shapiro, The Springfields, Cilla Black, Serge Gainsbourg, Harry Nilsson and many others. In his later years he worked with the Benny Goodman Orchestra. He recorded some instrumentals under his own name, including the 1961 single Palamino/Nola, and a 1968 LP, Guitars Galore.
Judd appeared on many television shows with Ella Fitzgerald, Sammy Davis Jr., and Victoria Wood, and on many film soundtracks. The 1960s through the ‘80s had him touring with Stanley Black, a member of the Don Lusher Orchestra, and with the Bert Kaempfert Orchestra. His last and longest regular gig was providing incidental music for the TV comedy series Last of the Summer Wine.
Guitarist and session musician Judd Proctor, whose name was often misspelled on early recordings, transitioned on August 21, 2020 in Market Deeping, Lincolnshire, England at the age of 89.
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