Daily Dose Of Jazz…
Santo J. “Sonny” Russo was born on March 20, 1929 in New York City, New York and grew up in a musical family, both his father and grandfather were professional horn players. He first played piano and violin, and played with his father’s group at age 15, before settling on the trombone.
The consummate sideman, through the late Forties he started out playing with Buddy Morrow in 1947, Lee Castle in 1948, Sam Donahue in 1949, and Artie Shaw in 1949–50. The 1950s saw him performing with Art Mooney, Tito Puente, Jerry Wald, Tommy Tucker, Buddy Rich, Ralph Flanagan, the Sauter-Finegan Orchestra, Neal Hefti, Jimmy Dorsey, Tommy Dorsey, and Maynard Ferguson.
For a short period during the mid-1950s Russo found work in the bands of various Broadway shows, then in the late 1950s and 1960s he worked with Louie Bellson, Machito, Bobby Hackett, Benny Goodman, and Doc Severinsen. From 1969to 1972 he was a member of The Tonight Show orchestra, and he worked with Frank Sinatra from 1967 to 1988.
He played on Urbie Green’s 21 Trombones, soloed on numerous others, and toured with The World’s Greatest Jazz Band. Sonny recorded extensively with Jimmy Rushing, Tony Bennett, Lena Horne, Perry Como, Dinah Washington, Liza Minnelli, Elvis Presley, Paul Anka, Ray Charles, Steve Lawrence, and Eydie Gorme. He performs on the soundtracks to the films The Godfather, The Godfather II, Goodfellas, and Sophie’s Choice, and in 1971 on The Tonight Show he shared the stage with Louis Armstrong, playing the solo on Someday You’ll Be Sorry.
A fixture in the recording studios for radio and television, he was a regular in the Orchestra for Jerry Lewis’s Muscular Dystrophy Telethon in New York City. Always in demand he continued to work with Lewis on his one-man show, toured around the world with Sinatra who announced his playing a trombone solo on the tune I’ve Got You Under My Skin.
He has also done many gigs with the likes of Al Cohn, Zoot Simms, Mousey Alexander, and Milt Hinton. Trombonist Sonny Russo, a graduate of the Manhattan School of Music, transitioned on February 23, 2013.
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Daily Dose Of Jazz…
Leroy Lovett was born on March 17, 1919 in Philadelphia, Pennsylvania and studied piano with Sophie Stokowski, the wife of Leopold Stokowski, from the age of four. He began composing early and went on to receive a bachelor’s degree from Temple University and then continued his studies at the Schillinger House of Music.
He led his own band in Philadelphia before settling in New York City in 1945. The move saw him arranging for Tiny Bradshaw and Luis Russell, and working with Noble Sissle, Lucky Millinder, and Mercer Ellington. During his period away from Duke Ellington, Leroy was in the band of Johnny Hodges and recorded with him until 1955. At the end of the 1950s, he was in the Cootie Williams band and the Cat Anderson band.
During the 1950s he was a music publisher, a record producer, and had a dance orchestra in Philadelphia. From 1959, he worked for Wynne Records, and from 1968 to 1973 for Motown Records. He was still active as a musician and arranger with the Melodymakers Orchestra, he also appeared with the Uni-Bigband of Halle.
He recorded two albums under his own name and also recorded with Al Sears, Harry Carney, Al Hibbler, Lawrence Brown, Billie Holiday, Cootie Williams, Cat Anderson, and Johnny Hodges.
Pianist and arranger Leroy Lovett, who also wrote music for film, transitioned on December 9, 2013 in Chatsworth, California.
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Daily Dose Of Jazz…
Marty Sheller was born March 15, 1940 in Newark, New Jersey. Sheller initially studied percussion, but switched to trumpet as a teenager. He played with Hugo Dickens in Harlem, and arranged for Sabu Martinez, before working with Afro-Latin percussionists such as Louie Ramirez and Frankie Malabe.
In 1962 he became a trumpeter in Mongo Santamaria’s band, and worked with Santamaria for more than forty years as a composer and arranger. He also had an extensive association with Fania Records. As their house arranger Marty worked with Joe Bataan, Ruben Blades, Willie Colon, Larry Harlow, Hector Lavoe, and Ismael Miranda.
Outside of Fania, he arranged for musicians, not limited to, George Benson, David Byrne, Jon Faddis, Giovanni Hidalgo, T.S. Monk, Idris Muhammad, Manny Oquendo, Dave Pike, Tito Puente, Shirley Scott, Woody Shaw, Lew Soloff, and Steve Turre.
In the 2000s, he led his own ensemble, which included the sidemen Chris Rogers, Joe Magnarelli, Sam Burtis, Bobby Porcelli, Bob Franceschini, Oscar Hernández, Ruben Rodriquez, Vince Cherico, and Steve Berrios.
Trumpeter and arranger Marty Sheller, who plays primarily in latin jazz idioms, continues to pursue his musical endeavors.
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Daily Dose Of Jazz…
Adam Cohen was born on March 12, 1963 in Queens, New York but would soon find Los Angeles, California home when his parents moved to the West Coast. His musical foundation was built upon the piano lessons introduced to him at the age of six by his father Irwin, an accomplished pianist & composer. However, it would be the sounds of Earth, Wind & Fire, The Beatles, Chicago, Tower of Power, and Stanley Clarke that lured him to the low end. Add the influences of Ray Brown, Charles Mingus, Paul Chambers, and Dave Holland and lessons on both the upright and electric bass commenced.
Playing both acoustic & electric bass, Cohen has led him to work with Ernie Watts, Ray Charles, The New York Voices, Phil Upchurch, Taylor Dayne, Engelbert Humperdinck, David Benoit, Maxine Nightingale, Eric Benet, and Mark Isham, among others.
Having found his voice, he has become a ubiquitous presence on the Los Angeles scene and a leader in his own right with two albums, Gig Bag and Ritual, along with many compositions to his credit. Bassist Adam Cohen continues to move forward and reach upward, teaching privately and fueling his desire to make a positive impact on the musical situation at hand.
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Daily Dose Of Jazz…
Jackie Mills was born on March 11, 1922 in New York City and he first learned guitar before picking up drums when he was ten years old. He played in the swing groups of Charlie Barnet and Boyd Raeburn in the 1940s. He followed with gigs with Jazz at the Philharmonic, Gene Norman, Babe Russin, Mannie Klein, Dizzy Gillespie, Benny Goodman, Rene Touzet, Sonny Criss, Andre Previn, Lionel Hampton, Stan Getz, Woody Herman, and Red Norvo.
In the late 1940s Jackie became interested in bebop and began playing in a style influenced by Max Roach. He began playing with Harry James in 1949, working with him through the late 1950s.
Mills recorded as a session musician during the 50s, working with artists such as Gerry Wiggins and Anita O’Day. In his later career, Mills recorded occasionally, including with Freddie Roach in 1966 and Dodo Marmarosa in 1978, but was chiefly active as a record producer and co-founder of Choreo Records, doing production work for Columbia, MGM, Mainstream, Capitol and Liberty Records.
In 1969, Mills acquired Larrabee Sound Studios from its co-founders Gerry Goffin and Carole King. As owner and operator through the mid-1980s, the studio was acquired by his son Kevin.
Drummer Jackie Mills transitioned on March 22, 2010 in Beaumont, California.