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Hal Singer was born Harold Joseph Singer on October 8, 1919 in Greenwood, the Black section of Tulsa, Oklahoma. After surviving the Tulsa Race Massacre of 1921, he grew up in Greenwood where he studied violin as a child but, as a teenager, switched to clarinet and then tenor saxophone, which became his instrument of choice. From the late 1930s he began playing in local bands, including Ernie Fields’, before joining Jay McShann’s orchestra in 1943. Moving to New York he worked in other bands, then joined Oran “Hot Lips” Page’s band in 1947 and began working as a session musician with King Records.
By early 1948 Hal left Page, formed his own small group, and was signed to Mercury Records where he cut his first single Fine As Wine with a B side Rock Around the Clock co-written with Sam Theard and not the same title made famous by Bill Haley. He got his nickname when he recorded the tune Corn Bread for the Savoy label in Newark, New Jersey after the instrumental reached #1 on the R&B charts later that year.
The early to mid 1950s he continued recording with Mercury, toured with The Orioles and Charles Brown, and increased his work as a session musician. In 1958 he began recording with Prestige Records as a jazz soloist and performing at the Metropole Cafe in New York with jazz musicians such as Roy Eldridge and Coleman Hawkins. In 1965, after touring Europe with Earl “Fatha” Hines’ band, Singer stayed in France and settled near Paris. He continued to record and tour extensively around Europe and Africa, performing with various bands including Charlie Watts’ and the Duke Ellington Orchestra.
Hal’s 1969 album, Paris Soul Food, featured him on saxophone and singing; Robin Hemingway, vocals, arrangements and album production; and Manu Dibango, saxophone, organ and arrangements that won a French Record Academy award for best international LP in 1969. He went on a State Department tour of Africa in 1974 with Horace Parlan, appeared on the 1981 live recording Rocket 88 with the UK-based boogie-woogie band and in the summer of 1981 recorded two albums for John Stedman’s JSP record label, Swing On It, with Jim Mullen, Peter King, Mike Carr and Harold Smith, while the second Big Blues, recorded a day later with the same group, also featured Jimmy Witherspoon.
Singer shared artist billing along with Al Copley for 1989’s Royal Blue, appeared as an actor in the award-winning 1990 feature film Taxi Blues and in 1992 was awarded the title of Chevalier des Arts by the French government. A documentary film, Hal Singer, Keep the Music Going, was made by Haitian-American director Guetty Felin in 1999, in which he shares a duet with Jessica Care Moore. He was also an educator teaching jazz to younger generations of French jazz musicians. Bandleader and tenor saxophonist Hal Cornbread Singer recorded sixteen albums as a leader and currently is 96 years of age.
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Daily Dose Of Jazz…
Carmen Mastren was born Carmine Mastrandrea on October 6, 1913 in Cohoes, New York. By 1934 he was playing professionally as a musician when he joined the Wingy Manone and Joe Marsala band. Mastren worked with a variety of musicians during his career, including Raymond Scott, Ray McKinley and Mel Powell.
In the 1940s Mastren recorded with the Sidney Bechet and the Muggsy Spanier “Big Four”. During World War II he played with the Glenn Miller Air Force Band. It was during this period that he worked as musical director and conductor for Morton Downey, and from 1954–1970 he played for The Today Show, The Tonight Show and Say When!! on the NBC television network.
Recording as a sideman, Carmen worked with Dick Hyman And His Orchestra, Bobby Hackett, Quincy Jones, Frank Sinatra, Bud Freeman and the Wolverine Orchestra on such labels as Mercury, Decca, Atlantic, Epic, Universal/MCA, Victor, RCA, Allegro Elite and Gennett.
Guitarist, banjoist and violinist Carmen Mastren passed away at age 68 from a heart attack on March 31, 1981 at his home in Valley Stream on Long Island, New York. He is best remembered for his work from 1936–1941 with the Tommy Dorsey orchestra as a guitarist.
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Rio De Gregori was born on September 22, 1919 in Zurich, Switzerland. He began taking classical piano lessons at the age of seven and at fourteen he began buying records by Duke Ellington and other jazz musicians. Although his parents wanted to make him a classical pianist, his interest were leaning towards jazz.
Rio first played with Willie Mac Allen in 1939, then with James Boucher, The Lanigiros, Jo Grandjean and René Weiss during the early to mid Forties. He was with the big band of Fred Böhler until 1945 when he founded his own dance orchestra bringing with him some of the best Swiss jazz musicians, Stuff Combe, Bob Jaquillard, Jean Pierre Dupuis, Luc Hoffmann, Raoul Schmassmann and Kurt Weil. He also featured Glyn Paque as a guest soloist.
He disbanded his big band and worked in a trio setting or as a soloist. Performing in Ascona, Switzerland, he met vocalist Suzanne Doucet and composed and arranged for her. Moving to Munich, Germany De Gregori played under the name Rio Gregory and opened a nightclub.
Because of his harmonious flair De Gregori enjoyed an excellent reputation as a pianist recordings. As an arranger he was commissioned by Fred Böhler and other orchestral conductors. He recorded four albums as a leader over the course of his career. Pianist and vocalist Rio De Gregori passed away on May 22, 1987 in Munich, Germany.
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Daily Dose Of Jazz…
Lisle Arthur Atkinson was born on September 16, 1940 in New York City and his mother played piano, his father played bass. He began his music lessons on the violin and later switched to bass, attended the High School of Music and Art and the Manhattan School of Music .
Lisle began his career working with Freddy Cole, from 1959 to 1961. From 1962 to 1966 he accompanied Nina Simone and contributed to several of their albums with such Broadway Blues Ballads . The late Sixties saw him performing alongside Norman Simmons and Al Harewood backing Betty Carter and joined with her in 1970 at the Village Vanguard. He has performed and recorded with Michael Fleming, Milt Hinton, Richard Davis, Ron Carter, Sam Jones and with Bill Lee’s New York Bass Violin Choir.
In the early 1970s he worked with Stanley Turrentine, Wynton Kelly, Billy Taylor, Kenny Burrell, Dakota Staton, Frank Foster, Horace Parlan, Grady Tate, Howard McGhee, Johnny Hartman and Joe Williams.
In 1976 he played with Walt Dickerson and Andrew Cyrille. In the early 1980s he worked with Charles Sullivan, Nancy Wilson, Eddie Harris and played 1985 in the formation of Neo Brass Ensemble. In the second half of the 80s he played with Benny Carter in which Grover Mitchell Big Band, with Lee Konitz and in the quintet of Ernie Wilkins and Joe Newman . In 1995 he worked in a trio with Cyrille and James Newton on Good to Go with a Tribute to Bu.
Since 1971, Atkinson taught in the Jazz Mobile project. He also participated in recordings of Richard Wyands, George Coleman , Helen Humes and Hal Singer. In 1979 he recorded as a leader on Storyville Records album Bass Contrabass with Wyands and Al Harewood. Bassist Lisle Atkinson continued to perform and record until he passed away on March 25, 2019, at the age of 78.
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Denys Baptiste was born on September 14,1969 in London, England. He studied music at school from the age of 13 and then at the West London Institute, aka Brunel University. In 1992, he continued his music education at London’s Guildhall School of Music, studying under former Jazz Messenger, Jean Toussaint and is a graduate of Tomorrow’s Warriors.
Baptiste played with Gary Crosby and Nu Troop, McCoy Tyner, Andrew Hill, Ernest Ranglin, Bheki Mseleku, Marvin “Smitty” Smith, Michael Bowie, Courtney Pine, Manu Dibango, Gary Crosby, Steve Williamson, Julian Joseph, Jason Rebello, Martin Taylor, Lonnie Plaxico, Ralph Moore, Billy Higgins, Jerry Dammers, Sean Oliver, Jean Carne, Marlena Shaw, Noel McCoy, Juliet Roberts, Incognito and Jazz Jamaica.
He released his debut album in 1999, Be Where You Are, and received a nomination for a Mercury Music Prize, and won the MOBO award for Best Jazz Act 1999. Denys has released two albums since, garnering another nomination for the MOBO award for Best Jazz Act, the BBC Jazz Awards for Best New Work and Best Album, and the Parliamentary Jazz Award for Best Album for his third album Let Freedom Ring! Was in 2004.
Tenor and soprano saxophonist, composer and arranger Denys Baptiste continues to embark on new projects in addition to performing.
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