Daily Dose Of Jazz…

Red Richards was born Charles Coleridge Richards on October 19, 1912 in New York City. He began playing classical piano at age ten, and from the age of 16 concentrated on jazz after hearing Fats Waller. His first major professional gig was with Tab Smith at New York’s Savoy Ballroom from 1945 to 1949.

Following his stint with Smith, in the early Fifties Red played with Bob Wilber and Sidney Bechet. He toured Italy and France in 1953 with Mezz Mezzrow’s band alongside Buck Clayton and Big Chief Moore, and also accompanied Frank Sinatra during his time in Italy. He went on to work with Muggsy Spanier on and off from 1953 through the end of the decade, and then with Fletcher Henderson in 1957-58. During 1958 he did some time as a solo performer in Columbus, Ohio, then played with Wild Bill Davison in 1958-59 and again in 1962.

1960 saw Richards formed Saints & Sinners with Vic Dickenson, playing with this ensemble until 1970. He joined drummer Chuck Slate and his band in 1971 and stayed with him most of the year. He recorded an album with Chuck called Bix ‘N All That Jazz and following this he worked with Eddie Condon from 1975 to 1977. In 1977 he played with his own trio through the following year. He played and toured worldwide with Panama Francis’s group, the Savoy Sultans from 1979 through the 1980s and recorded with Bill Coleman in 1980.

Pianist Red Richards continued to tour almost up until the time of his death and passed away on March 12, 1998 in Scarsdale, New York.


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Daily Dose Of Jazz…

Jack Fallon was born on October 13, 1915 in London, Ontario, Canada and played violin before making double-bass his primary instrument at age 20. During World War II he played in a dance band in the Royal Canadian Air Force, and settled in Britain after his discharge. He joined Ted Heath’s band in 1946 and played bebop in London clubs in his spare time.

1947 saw Fallon playing with Ronnie Scott and Tommy Whittle at the Melody Maker/Columbia Jazz Rally, followed by his working with Jack Jackson, George Shearing and Django Reinhardt. Soon after playing with Reinhardt, he played in a Count Basie ensemble which also included Malcolm Mitchell and Tony Crombie, playing with both of them after leaving Basie. He went on to work together with Hoagy Carmichael and Maxine Sullivan and tour Sweden together with Reinhardt and Stéphane Grappelli.

In the 1950s he accompanied Mary Lou Williams, Sarah Vaughan, and Lena Horne. He was a sideman in the ensembles of Humphrey Lyttelton, Kenny Baker and Ralph Sharon, and was the house bassist at Lansdowne Studios. Working outside of jazz with blues musicians such as Big Bill Broonzy and Josh White, and played with Johnny Duncan’s Blue Grass Boys. As the bass guitar became more popular, Jack became a champion and played both instruments in the latter part of his career.

He became a booker/promoter establishing the booking agency Cana Variety in 1952. Cana booked primarily jazz artists in its early stages but expanded to rock acts by the 1960s, including The Beatles and The Rolling Stones and was requested by the Beatles to play violin on the song Don’t Pass Me By. Bassist Jack Fallon continued to play jazz locally in London, England and in the studios into the 1990s. He published a memoir titled From the Top in 2005, and passed away on May 22, 2006 at age 90 in London, England.


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Daily Dose Of Jazz…

Hal Singer was born Harold Joseph Singer on October 8, 1919 in Greenwood, the Black section of Tulsa, Oklahoma. After surviving the Tulsa Race Massacre of 1921, he grew up in Greenwood where he studied violin as a child but, as a teenager, switched to clarinet and then tenor saxophone, which became his instrument of choice. From the late 1930s he began playing in local bands, including Ernie Fields’, before joining Jay McShann’s orchestra in 1943. Moving to New York he worked in other bands, then joined Oran “Hot Lips” Page’s band in 1947 and began working as a session musician with King Records.

By early 1948 Hal left Page, formed his own small group, and was signed to Mercury Records where he cut his first single Fine As Wine with a B side Rock Around the Clock co-written with Sam Theard and not the same title made famous by Bill Haley. He got his nickname when he recorded the tune Corn Bread for the Savoy label in Newark, New Jersey after the instrumental reached #1 on the R&B charts later that year.

The early to mid 1950s he continued recording with Mercury, toured with The Orioles and Charles Brown, and increased his work as a session musician. In 1958 he began recording with Prestige Records as a jazz soloist and performing at the Metropole Cafe in New York with jazz musicians such as Roy Eldridge and Coleman Hawkins. In 1965, after touring Europe with Earl “Fatha” Hines’ band, Singer stayed in France and settled near Paris. He continued to record and tour extensively around Europe and Africa, performing with various bands including Charlie Watts’ and the Duke Ellington Orchestra.

Hal’s 1969 album, Paris Soul Food, featured him on saxophone and singing; Robin Hemingway, vocals, arrangements and album production; and Manu Dibango, saxophone, organ and arrangements that won a French Record Academy award for best international LP in 1969. He went on a State Department tour of Africa in 1974  with Horace Parlan, appeared on the 1981 live recording Rocket 88 with the UK-based boogie-woogie band and  in the summer of 1981 recorded two albums for John Stedman’s  JSP record label, Swing On It, with Jim Mullen, Peter King, Mike Carr and Harold Smith, while the second Big Blues, recorded a day later with the same group, also featured Jimmy Witherspoon.

Singer shared artist billing along with Al Copley for 1989’s Royal Blue, appeared as an actor in the award-winning 1990 feature film Taxi Blues and in 1992 was awarded the title of Chevalier des Arts by the French government. A documentary film, Hal Singer, Keep the Music Going, was made by Haitian-American director Guetty Felin in 1999, in which he shares a duet with Jessica Care Moore. He was also an educator teaching jazz to younger generations of French jazz musicians. Bandleader and tenor saxophonist Hal Cornbread Singer recorded sixteen albums as a leader and currently is 96 years of age.

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Carmen Mastren was born Carmine Mastrandrea on October 6, 1913 in Cohoes, New York. By 1934 he was playing professionally as a musician when he joined the Wingy Manone and Joe Marsala band. Mastren worked with a variety of musicians during his career, including Raymond Scott, Ray McKinley and Mel Powell.

In the 1940s Mastren recorded with the Sidney Bechet and the Muggsy Spanier “Big Four”. During World War II he played with the Glenn Miller Air Force Band. It was during this period that he worked as musical director and conductor for Morton Downey, and from 1954–1970 he played for The Today Show, The Tonight Show and Say When!! on the NBC television network.

Recording as a sideman, Carmen worked with Dick Hyman And His Orchestra, Bobby Hackett, Quincy Jones, Frank Sinatra, Bud Freeman and the Wolverine Orchestra on such labels as Mercury, Decca, Atlantic, Epic, Universal/MCA, Victor, RCA, Allegro Elite and Gennett.

Guitarist, banjoist and violinist Carmen Mastren passed away at age 68 from a heart attack on March 31, 1981 at his home in Valley Stream on Long Island, New York. He is best remembered for his work from 1936–1941 with the Tommy Dorsey orchestra as a guitarist.

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Rio De Gregori was born on September 22, 1919 in Zurich, Switzerland. He began taking classical piano lessons at the age of seven and at fourteen he began buying records by Duke Ellington and other jazz musicians. Although his parents wanted to make him a classical pianist, his interest were leaning towards jazz.

Rio first played with Willie Mac Allen in 1939, then with James Boucher, The Lanigiros, Jo Grandjean and René Weiss during the early to mid Forties. He was with the big band of Fred Böhler until 1945 when he founded his own dance orchestra bringing with him some of the best Swiss jazz musicians, Stuff Combe, Bob Jaquillard, Jean Pierre Dupuis, Luc Hoffmann, Raoul Schmassmann and Kurt Weil. He also featured Glyn Paque as a guest soloist.

He disbanded his big band and worked in a trio setting or as a soloist. Performing in Ascona, Switzerland, he met vocalist Suzanne Doucet and composed and arranged for her. Moving to Munich, Germany De Gregori played under the name Rio Gregory and opened a nightclub.

Because of his harmonious flair De Gregori enjoyed an excellent reputation as a pianist recordings. As an arranger he was commissioned by Fred Böhler and other orchestral conductors. He recorded four albums as a leader over the course of his career. Pianist and vocalist Rio De Gregori passed away on May 22, 1987 in Munich, Germany.

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