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Bonnie Wetzel was born Bonnie Jean Addleman on May 15, 1926 in Vancouver, Washington. She learned violin as a child and was an autodidact on bass.
She played with Ada Leonard in an all-female ensemble and soon after worked in a trio with Marian Grange. Bonnie married trumpeter Ray Wetzel in 1949 and the pair worked in the Tommy Dorsey Orchestra in 1951.
Wetzel played in the Beryl Booker Trio with Elaine Leighton in 1953. They toured Europe in 1953-54 and recorded for Discovery Records. She also played with Herb Ellis, Charlie Shavers, Roy Eldridge and Don Byas. During the 1950s she freelanced in New York City. Double-bassist Bonnie Wetzel, who never led a recording session in her short career, passed away on February 12, 1965, at the age of 38.
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Daily Dose Of Jazz…
Monty Waters was born on April 14, 1938 in Modesto, California. He received his first musical training from his aunt and first played in the church. After college, he was a member of a rhythm & blues band and in the late 1950s he worked with musicians like B.B. King, Lightnin’ Hopkins, Little Richard and James Brown on tour.
In San Francisco Monty played with King Pleasure and initiated in the early 1960s a “Late Night Session” at Club Bop City. There he came into contact with musicians such as Miles Davis, John Coltrane, Art Blakey, Red Garland and Dexter Gordon, who visited this club after their concerts. In addition, he and Pharoah Sanders, Dewey Redman and and Donald Garrett formed a big band.
By 1969 Waters had made a move to New York City and toured with Jon Hendricks. During the 1970s he participated in the Loft Jazz scene and recorded as a sideman with Billy Higgins, Joe Lee Wilson, Sam Rivers, and Ronnie Boykins. Like many other jazz musicians, he eventually left the States in the 1980s for Paris, where he worked with Chet Baker, Johnny Griffin and Sanders again.
Following Mal Waldron and Marty Cook to Munich, he continued to work with musicians such as Embryo, Gotz Tanferding, Hannes Beckmann, Titus Waldenfels, Suchredin Chronov and Joe Malinga. Saxophonist, flautist and singer Monty Waters passed away on December 23, 2008 in Munich, Germany.
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Jackie King was born on March 22, 1944 in San Antonio, Texas and took his first music lessons from his guitarist father, starting on mandolin and quickly switching to guitar, playing left handed. By the time he was 12, he was performing professionally around his hometown.
In the 1960s, childhood friend Doug Sahm convinced him to join him in San Francisco’s burgeoning psychedelic music scene. With saxophonist Martin Fierro, he formed the Shades of Joy, a jazz-rock fusion group that released a pair of albums, including music for the soundtrack of the cult film El Topo.
In demand as a sideman and session player, King backed Chet Baker and Sonny Stitt and recorded on albums by Merl Saunders and other artists. At the invitation of jazz guitarist and educator Howard Roberts, he joined the teaching staff of the Guitar Institute of Technology in Los Angeles, California. A year later he started his own Southwest Guitar Conservatory in San Antonio. And after seven years, he closed the school to devote more time to his performing career as a soloist and with Nelson’s band.
Jackie received an honorary master’s degree from San Francisco State University, served on the board of the Music Teachers’ Association of California, taught jazz guitar clinics, lectured at the Berklee School of Music and was featured in a series of instructional books and DVDs. He also wrote articles in Jazz Times, All About Jazz and Just Jazz Guitar.
During his career, he shared stages with such guitarists as Jerry Garcia, Stevie Ray Vaughan, Les Paul, Barney Kessel, Tal Farlow, Pat Martino, Herb Ellis and Lenny Breau. In 1999, he released the solo album “Moon Magic” and recorded an as yet unreleased album with jazz pianist Marian McPartland.
Guitarist, songwriter and educator Jackie King, who was equally at home playing jazz, rock or country music, passed away on January 27, 2016 after suffering a heart attack at his home in San Rafael, California. He was 71.
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Gary Giddins was born on March 21, 1948 in Brooklyn and raised on Long Island, New York. He graduated from Grinell College in Iowa in 1970 and began freelance work as a music and film critic. By 1974 he landed a position as a columnist with the Village Voice writing a column called Weather Bird, a position he held until 2003.
In 1986 Gary along with John Lewis, pianist and music director of the Modern Jazz Quartet, created the American Jazz Orchestra, which presented concerts using a jazz repertory with musicians such as Tony Bennett.
Of his many accolades and honors in writing, film and broadcasting Giddins has won a Grammy for liner notes on Sinatra: The Voice, six ASCAP–Deems Taylor Awards, Jazz Times Readers Poll, a Guggenheim Fellowship, a Peabody Award in Broadcasting, the National Book Critics Circle Award, the Ralph J. Gleason Music Book Award, ARSC Award for Excellence in Historical Sound Research and the Bell Atlantic Award for Visions of Jazz: The First Century in 1998.
He has authored Bing Crosby: A Pocketful of Dreams-The Early Years 1903-1940, Weatherbird: Jazz at the Dawn of Its Second Century, Faces in the Crowd, Natural Selection, and biographies of Louis Armstrong and Charlie Parker.
Jazz and film critic, author, and director, Gary Giddins is currently the Executive Director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York.
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Bill Frisell was born William Richard Frisell on March 18, 1951 in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, graduated from Denver East High School, and went to the University of Northern Colorado to study music. His original guitar teacher in Denver was Dale Bruning, then after studying with Johnny Smith and graduating from Northern Colorado, Bill went to Berklee College of Music and studied with Jon Damian and Jim Hall.
Frisell’s major break came when guitarist Pat Metheny was unable to make a recording session, and recommended Frisell to Paul Motian who was recording Psalm in 1982 for ECM Records. This led to his becoming ECM’s in-house guitar player, and worked on several albums. His first solo release was In Line, featuring solo guitar and duets with bassist Arild Andersen.
Frisell’s first group to receive much acclaim was a quartet with bassist Kermit Driscoll, drummer Joey Baronon and Hank Roberts on cello. Many other albums with larger ensembles were recorded with this trio as the core after the departure of Roberts.
In the 1980s he lived in Hoboken, New Jersey and his access to New York City had him active in the city’s music scene. He forged an early partnership with John Zorn, was a member of the quick-change band Naked City, and became known for his work in Motian’s trio, along with saxophonist Joe Lovano. By 1988 he moved to Seattle, Washington and in the early 1990s Bill made two of his best-reviewed albums: his survey of Americana with Have A Little Faith and This Land, a complementary set of originals.
Frisell has recorded with Jan Garbarek, Douglas Septemberon, Ryuchi Sakamoto, Rickie Lee Jones, Elvis Costello, Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic chestnut, Van dyke Parks, Buddy Miller, Ron Sexsmith, Chip Taylor, Fred Hersch, John Pizzarelli, Matt Chamberlain, Tucker Martine and Lee Townsend among others.
He has branched out by performing soundtracks to silent films of Buster Keaton, provided music for his friend Gary Larson’s TV version of The Far Side, contributed music to the 2000 film Finding Forrester, and has won a Grammy in 2005. Over the past decade guitarist Bill Frisell, who also plays clarinet and tenor saxophone, has continuously performed, recorded and toured.
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