Daily Dose Of Jazz…

Hank Roberts was born on March 24, 1954 in Terre Haute, Indiana. By the early Eighties made a number of recordings for the defunct JMT label, was a featured member of the Bill Frisell Quartet, and was an important voice in many groups of saxophonist Tim Berne.

Roberts also recorded three discs with the Arcado String Trio, an improvisational chamber group featuring Mark Feldman, violin, and Mark Dresser, double bass.

The 1990s saw him leaving Frisell’s group and discontinued touring. He sporadically released records, including with the progressive folk group Ti Ti Chickapea. Leaving his hiatus in 2008, Hank began touring and performing regularly, releasing Green on the Winter & Winter label. Stefan F. Winter’s subsequent label to JMT. Three years later they released his Everything Is Alive, as well as re-releasing his entire JMT catalogue.

Cellist and vocalist Hank Roberts, who emerged with the downtown New York City jazz scene of the 1980s, continues to be associated with its post-modern tendencies.

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Daily Dose Of Jazz…

Herbert Joos was born on March 21, 1940 in Karlsruhe, Germany. He learned trumpet first by self-study and then by a private teacher. He studied double bass from 1958, but then turned to flugelhorn, baritone horn, mellophone, and alphorn.

Since the mid-1960s, he has been a member of Modern Jazz Quintet Karlsruhe, from which the group Fourmenonly was created with Wilfried Eichhorn and Rudolf Theilmann. Afterward, he was a member of various modern and free jazz formations with Bernd Konrad, Hans Koller, Adelhard Roidinger and Jürgen Wuchner among others. He played at festivals and in the Free Jazz Meeting Baden-Baden of the SWF at a flugelhorn workshop with Kenny Wheeler, Ian Carr, Harry Beckett and Ack van Rooyen and made a name for himself with his solo recording, The Philosophy of the Flugelhorn in 1973.

He led his own wind trio, quartet and orchestra. He achieved more recognition in the 1980s as a member of the Vienna Art Orchestra, which he influenced. Since the 1990s he has participated in the SüdPool project. He has appeared as a duo with Frank Kuruc as well as in Patrick Bebelaar’s groups, for Michel Godard, Wolfgang Puschnig, Clemens Salesny and Peter Schindler. He also played with the Orchestre National de France.

In 2017, he was awarded the Jazzpreis Baden-Württemberg for his life’s work. Instead of a speech after the laudations, he thanked in a short phrase, and played a concert with a sixteen piece orchestra.

Herbert Joos, who produced drawings, book illustrations and paintings, died on December 7, 2019 after surgery in a Baden-Baden, Germany hospital.

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Mervyn Africa was born on October 18, 1950 in Cape Town, South Africa and studied music there and sang in the boys choir. Moving to the United Kingdom in 1981 he searched for work in the bands of fellow exiles, trumpeter Hugh Masekela, percussionist Julian Bahula and saxophonist Dudu Pukwana. With drummer Brian Abrahams and Russel Herman he was a co-founder of the Afro/jazz group District Six.

He put together a quartet consisting of bassist Michael Mondesir, trumpeter Dave Defries and percussionist Nana Tsiboe. Drawing from his rich cultural and musical background, he created a strong reputation as a solo performer, band leader and big in African jazz.

As a composer he is known for his piano improvisations and unique compositions, Mervyn’s influences range from classic and carnival music through to township jazz and Malay musical heritage.

Pianist and composer Mervyn Africa, also known for his 2010 portrayal in Master Harold and The Boy, remains a major presence on the London scene. 

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Daily Dose Of Jazz…

Ronald Wayne Laws was born on October 3, 1950 and raised in Houston, Texas. He is the fifth of eight children and started playing the saxophone at the age of 11. He went on to attend Stephen F. Austin State University in Nacogdoches, Texas, for two years.

In 1971 he journeyed to Los Angeles, California to embark upon a musical career. He started performing with trumpeter Hugh Masekela and the following year joined Earth, Wind & Fire, where he played saxophone and flute on their album Last Days and Time. Eighteen months later he decided to become a solo artist. Laws released his debut album Pressure Sensitive on Blue Note Records in 1975.

His first two albums charted on Billboard and by his third album, Friends and Strangers in 1977 was certified gold. Ronnie produced and sang on his sister Debra’s 1981 album Very Special. He would go on to play saxophone through the Eighties on albums by Ramsey Lewis, Sister Sledge, Deniece Williams, Jeff Lorber, Alphonse Mouzon, and Howard Hewett. In the 1990s he recorded with Norman Brown and again with Earth, Wind & Fire.

Saxophonist, flutist and vocalist Ronnie Laws, who has also worked with Guru, Brian Culbertson, and the Crusaders, also influenced  Boney James and Norman Brown, and continues to explore the boundaries of his talent.

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Daily Dose Of Jazz…

Putte Wickman was born Hans Olof Wickman on September 10, 1924 in Falun, Sweden and grew up in Borlänge, Sweden where his parents hoped he would become a lawyer. He nagged them to allow him to go to high school in Stockholm, Sweden and when he arrived in the capital he still did not know what jazz was and probably the only 15 year-old who did not.

Not having access to a piano in Stockholm, he was given a clarinet by his mother as a Christmas present. As it turned out, he started to hang out with the worst elements in the class, those with jazz records. Wickman considered himself self-taught, having never taken classes on the instrument.

Artie Shaw and Benny Goodman were the role models for the young Wickman, who, in 1944 had turned to music full-time. He was taken on as band leader at Stockholm’s Nalen. He led a band at Nalen for eleven years, and during the 1960s he ran the big band at Gröna Lund and at Puttes, the club he co-owned, at Hornstull in Stockholm.

In 1994, Wickman received the Illis Quorum gold medal, today the highest award that can be conferred upon a private Swedish citizen by the government of Sweden.

Clarinetist Putte Wickman, who was a member of the Royal Swedish Academy of Music and active as a musician until shortly before his passing, died on February 14, 2006.

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