Daily Dose Of Jazz…
Donald Henri Grusin was born April 22, 1941 and grew up in Littleton, Colorado to a Latvian, classical violinist father. He graduated from the University of Colorado Boulder with a bachelor’s degree in sociology and a master’s degree in economics. In the early Seventies he was an economics professor in Guadalajara, Mexico but soon after he taught economics at Foothill College in California.
By the mid Seventies Grusin was touring with Pete Escovedo’s group Azteca alongside his daughter Sheila E in Bogota, Colombia. The trip sparked a lifelong interest in Latin music. In 1975, Quincy Jones invited him to tour with his band, and he left teaching for a career in music.
He worked as a studio musician on albums by Randy Crawford, Billy Eckstine, Joe Pass, and the Pointer Sisters. He formed the fusion group Friendship with Lee Ritenour, Ernie Watts, and Alex Acuña and recorded one album, then released solo albums in 1981 and 1983. By 1985 Don had produced the album Musician for Ernie Watts, winning a Grammy Award.
Grusin’s 2004 live album The Hang received a Grammy Award nomination, and he won Grammy Awards for his work on two albums by the Paul Winter Consort. He won an Echo Award for the album Quality Time, recorded with Peter Fessler.
As a record producer or keyboardist, Grusin has worked with Gerald Albright, Patti Austin, David Benoit, Larry Carlton, Oscar Castro-Neves, Dori Caymmi, Gilberto Gil, Jim Hall, Sérgio Mendes, Airto Moreira, Milton Nascimento, Flora Purim, Nelson Rangell, Brenda Russell, Zoot Sims, Leon Ware, and Sadao Watanabe.
Keyboardist, composer, and record producer Don Grusin, who is Dave Grusin’s younger brother, continues to push the boundaries of jazz and Latin jazz music.
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Daily Dose Of Jazz…
Patrick Earl Rebillot was born on April 21, 1935 in Louisville, Ohio and studied music at Mt. Union College and the Cincinnati Conservatory of Music with Jeno Takacs. He graduated with a Bachelor of Music Education in 1957.
A long-time member of Herbie Mann’s various line-ups and credited as arranger, Pat appears on recordings by David Newman, Jon Faddis, Flora Purim, Michael Franks, Freddy Cole, Patti Austin and Chris Connor as well as Steely Dan, the Average White Band, Gloria Gaynor, Irene Worth, Bette Midler, Hall & Oates, Morrissey–Mullen, Barbra Streisand, Judy Collins, Carly Simon, The Spinners, and Laura Lieberman.
Rebillot has played live with Sarah Vaughan, Joe Williams, Anita O’Day, Benny Powell, Jimmy Rushing, Zoot Sims, Al Cohn, James Moody, Thad Jones, Mel Lewis, Benny Goodman, Gary Burton, Paul Winter, Joan Baez, Liza Minnelli, Cissy Houston, O.C. Smith, and others.
Rebillot is associated with fellow session and studio musicians Hugh McCracken, Tony Levin, Steve Gadd, Ray Barretto and Ralph MacDonald.
Pianist and composer Pat Rebillot performs occasionally at the age of 90.
Daily Dose Of Jazz…
Emile Joseph Christian born April 20, 1895 in the Bywater neighborhood of New Orleans, Louisiana, was the younger brother of noted cornetist and bandleader Frank Christian. He played both cornet and trombone with the Papa Jack Laine bands. He went to Chicago, Illinois in late 1917 to play trombone with the Bert Kelly Jass Band. The following year he moved to New York City, replacing Eddie Edwards in the Original Dixieland Jass Band, touring England and making his first recordings with this band.
After a brief time in the Original Memphis Five, he returned to Europe and from 1924 into the 1930s, he played bass and trombone with various jazz bands. In Berlin, Germany he recorded, in Stockholm, Sweden he recorded with Leon Abbey’s band. In Paris, Nice and Aix-les-Bain, France he played with Tom Waltham’s Ad-Libs. In 1935 he played with Benny Peyton’s Jazz Kings in Switzerland.
Christian played in both Black and White bands in Europe and India before returning to the United States after the outbreak of World War II. The 1950s saw him moving back to New Orleans, where he played with the bands of Leon Prima, Santo Pecora, and Sharkey Bonano and his own band. In 1957 he toured with the Louis Prima Band and continued playing in New Orleans into 1969.
Trombonist and cornetist Emile Christian, who wrote a number of tunes and in his later years mostly playing string bass, died on December 3, 1973 in New Orleans at the age of 78.
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Daily Dose Of Jazz…
Czesław Kazimierz Bartkowski was born April 19, 1943 in Łódź, Poland. He has been involved in music since he was six years old. He graduated from the Secondary Music School in Wrocław, Poland in percussion class. He made his official debut in 1960 as a drummer in Jerzy Pakulski’s Far Quartet.
In 1963 he started working with Zbigniew Namysłowski Quartet and also played with Czesław Niemen’s Niemen Enigmatic, and Michał Urbaniak’s Grupa .
He has played in a variety of trios with pianists Adam Makowicz, Wojciech Karolak, Artur Dutkiewicz, Andrzej Jagodziński, tenor saxophonist Tomasz Szukalski, guitarist Marek Bliziński, trumpeter Tomasz Stańko, and double bassists Andrzej Cudzich, Zbigniew Wegehaupt, Adam Cegielski.
Moreover, he took part in the recording of such singers as Ewa Bem, Urszula Dudziak and Stanisław Sojka, and American musicians Freddie Hubbard, Clark Terry, Joe Newman, Art Farmer, Ben Webster, and the Polish band Novi Singers.
He has collaborated with the Polish Radio Jazz Studio and with Sławomir Kulpowicz’s Mainstream and InFormation bands. He has performed in Poland, India, United States, New Zealand, Australia and numerous European countries. He has been a lecturer and participated in jazz workshops.
Drummer and teacher Czesław Bartkowski continues to perform, record and educate..
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Daily Dose Of Jazz…
Maria Faust was born on April 18, 1979 in Kuressaare,, Estonia. Growing up under the Communist regime she was classically educated, and at the conservatory there, she didn’t feel that there was room for her, musically. Yearning for something different in Tallinn, jazz and improvisational music took hold of her, but in order to develop further, she had to leave the country. With the help of the Danish Cultural Institute, she came to the Southern Danish Music Conservatory. Even in her new surroundings, she felt she did not fit into the world of jazz.
She plays and composes in non-traditional ways, and her big breakthrough came with her album, Sacrum Facere, which is Latin for human sacrifice. It was inspired by the culture of deported orthodox Russians. With collected work songs, hymns, and lullabies she merged the material with classical music and free improvisation. The album received universally positive reviews, and received two Danish Music Awards in 2014 for Jazz Composer of the Year and Jazz Crossover Release of the Year.
She has worked with John Parish and Mark Howard. She tours western Europe, the Balkan Peninsula, South America, China, and Russia. Saxophonist Maria Faust, who has recorded nine albums as a leader, continues to push the boundaries of music.
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