
Daily Dose Of Jazz…
Travis Shook was born on March 10, 1969 in Oroville, California and started learning to play the piano at age seven. His family moved to Olympia, Washington when he was ten, spending his adolescent years in the Pacific Northwest. For a period of time he played rock guitar but soon realized jazz improvisation was his passion. At eighteen he enrolled at William Patterson College and studied under Mabern. After graduating he returned to Washington and joined bassist Buddy Catlett’s band where he learned a lot about the history of jazz.
In 1991 he won the Jacksonville Festival’s Great American Piano Competition that led to a contract with Columbia Records/Sony Music. Two years later he moved to New York City and recorded his debut with a quartet that included tony Williams and Bunky Green. Though receiving critical acclaim both in the U.S. and France for this first effort, it was a short-lived relationship when Sony purged a large percentage of the Columbia jazz roster upon acquiring the label in 1993.
After spending some time in obscurity after being attacked by New York Times critic Peter Watrous who criticized one of his performances, he entered a dark period in his life: alcoholism. A year later he got picked up by Betty Carter and went on tour through Europe, but he sunk deeper and added drugs to his plate of demons. Unemployable, he dropped out of the public eye for a number of years. Travis met, moved in with and ultimately married jazz singer Veronica Nunn who helped him overcome his demons and since 1998 he has been sober.
In 1999 Shook and his wife started their own record label, Dead Horse Records, which has released four recordings to date. Over the years he has performed with Reggie Workman, Eddie Harris, Joe Lovano, toots Thielemans, Rufus Reid, Chuck Israels, Ernestine Anderson, Branford Marsalis, Benny Golson and Clifford Jordan as well as Sonny Simmons, Michael Franks, Gino Vanelli, Bob Hope and Chris Botti among others.
His influences were Ahmad Jamal, McCoy Tyner, Duke Ellington, Harold Mabern, Herbie Hancock and Bill Evans but also John Coltrane, Miles Davis and Elvin Jones.Pianist Travis Shook continues to perform and record while building the catalogue of Dead Horse Records.
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Daily Dose Of Jazz…
Martin Bejerano was born in Miami, Florida on March 9th of Afro-Cuban heritage and began his professional music career at age fifteen, when he began playing George Gershwin’s “Rhapsody in Blue” concerto with the Mexican-American Bi-National Symphony while still in high school. He went on to graduate from the New World School of the Arts, Florida State University and the University of Miami with a Masters in jazz performance.
In 2000 Martin moved to New York City and in less than a year joined drummer Roy Haynes’ band and two years later was a part of guitarist Russell Malone’s quartet. He released his debut album as leader, titled Evolution/Revolution in 2007, followed by Potential Energy in 2013. He has done sideman duties as well on six projects.
In 2010 he was awarded a Chamber Music America commission for a new jazz work, has had several compositions published in Ignacio Berroa’s “Groovin’ in Clave” instructional drum book and has attended the Thelonious Monk Institute Jazz Colony.
Martin has also performed with Kenny Garrett, James Moody, Lonnie Plaxico, Jimmy Heath, Ignacio Berroa, Mingus Big Band, Marcus Printup, Marcus Strickland, and even trading choruses with the legendary Chick Corea. In between performing and recording with the Haynes and Malone bands, pianist Martin Bejerano is an Assistant Professor of jazz piano at the University of Miami Frost School of Music.
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Daily Dose Of Jazz…
Orbert Davis was born on March 8, 1960 in Chicago and raised in Momence, Illinois. He began playing trumpet around the age of ten, but was not formally instructed until Charles Danish, an elementary school teacher, found him a trumpet teacher and drove him to lessons. He eventually graduated with a degree in trumpet performance from DePaul University and then received a master’s degree in jazz pedagogy from Northwestern University.
Davis has recorded over 3000 television and radio commercials, released three studio albums, very active in music education, particularly with at-risk students, is co-founder and director of MusicAlive!, an initiative associated with the Chicago Jazz Philharmonic, which he also founded and directs.
Winner of the 1995 Cognac Hennessy National Jazz Search, Orbert was chosen as one of Chicago Tribune’s “1995 Arts People of the Year” and Chicago Magazine named him “Y2k Best Trumpeter in Chicago”.
One of Chicago’s busiest and most sought after musician, the jazz trumpeter has performed and/or recorded many projects for such notable artists as Ramsey Lewis, Charles Earland, Kurt Elling, Bob Mamet and William Russo’s Chicago Jazz Ensemble, Wynton Marsalis, TS Monk, Stevie Wonder, Dr. John, Kurt Elling, Ernie Watts, Ramsey Lewis, Grover Washington Jr. and The Smithsonian Masterworks Jazz Orchestra. Davis performs regularly with various groups under his own name, including his critically acclaimed ensemble “Orbert Davis with Strings Attached”.
He was featured soloist at the 1996 Chicago Jazz Festival, performing Miles Davis and Gil Evans’ “Sketches of Spain”. In October 1999, along with Jon Faddis and Lester Bowie, Orbert was a featured performer for the Jazz Institute of Chicago’s “Tribute to Louis Armstrong: Legacy for the Millennium” where he performed compositions from Armstrong’s Hot 5 and Hot 7 recordings.
Along with his partner/manager Mark Ingram, Davis owns and operates Orbark Productions, whose credits include projects for Atlantic, Capitol, CBS, Epic, MCA and the Warner Brothers record labels. He has scored and performed on and off camera for such films as A League Of Their Own, The Babe and Road To Perdition. Trumpeter, composer, bandleader and educator Orbert Davis is currently an Associate Professor of music at the University of Illinois at Chicago and conducts and records the Chicago Jazz Philharmonic in between recording as a leader.
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Daily Dose Of Jazz…
Louis A. Levy, generally known as Lou Levy, was born on March 5, 1928 in Chicago, Illinois and started playing piano when he was twelve. His chief influences were Art Tatum and Bud Powell. A professional at age nineteen, he played with George Auld, Sarah Vaughan, Chubby Jackson, Boyd Raeburn and Woody Herman’s Second Herd during the late Forties. Still with Woody Herman by 1950, he moved on to play with Tommy Dorsey, Flip Phillips before leaving music for a few years.
Lou returned to music and gained a strong reputation as an accompanist to singers, working with Peggy Lee, Ella Fitzgerald, June Christy, tony Bennett, Anita O’Day and Pinky Winters. He would also go on to play with Shorty Rogers, Stan Getz, Sonny Stitt, Coleman Hawkins, Bob Cooper, Bennie Wallace, Terry Gibbs, Benny Goodman, Quincy Jones, Supersax, and most of the major West Coast players.
Over the course of his career he recorded as a leader for Nocturne, RCA, Jubilee, Philips, Interplay and Verve leaving behind a catalogue of fourteen albums as a leader and another eighty-one as a sideman.
Bebop and cool jazz pianist Lou Levy died of a heart attack in Dana Point, California at the age of 72 on January 23, 2001.
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Daily Dose Of Jazz…
Bobby Shew was born Robert Shew on March 4, 1941 in Albuquerque, New Mexico. He began playing the guitar at the age of eight but by ten switched to the trumpet. By thirteen he was playing at local dances with various groups and at fifteen put together his own group. This gave him the opportunity to play dances, concerts, jazz coffee houses and dinner clubs.
After leaving college in 1960 he was drafted into the U.S. Army and played trumpet with the NORAD band in Colorado Springs and on tour. After leaving the Army he joined the big bands of Tommy Dorsey and Woody Herman, Della Reese and followed by the Buddy Rich Big Band in the mid to late 1960s.
By 1972 Bobby had moved from Las Vegas to Los Angeles where he became a top shelf studio musician. He also played with some of the top big bands of the era through the end of the 1970s: Toshiko Akiyoshi, Lew Tabackin, Louis Bellson, Maynard Ferguson and numerous others. In addition to playing on several notable Big Band recordings starting in the 1960s, he recorded several albums as leader starting with his 1978 debut recording Telepathy.
Shew has held the position of Trumpet chairman of the International Association of Jazz Educators, has authored numerous books on trumpet performance and technique, andis on the Board of Directors of the International Trumpet Guild.
Trumpeter and flugelhorn player Bobby Shew, now living near his hometown of Albuquerque, spends time mentoring jazz musicians in the area and leading the local Albuquerque Jazz Orchestra. As an educator he is a member of the faculty at the Skidmore Summer Jazz Institute, a two-week residential jazz workshop primarily for high school students, located in Saratoga Springs, New York. He continues to perform, record and tour.
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