Daily Dose Of Jazz…

Joseph Dwight Newman was born on September 7, 1922 in New Orleans, Louisiana. A child of a pianist father, he had his first music lessons from David Jones. He continued his study of trumpet at Alabama State College where he also played, led and toured the school band, the Bama State Collegians.

By 1941 Joe joined Lionel Hampton for two years, before signing with Count Basie, a relationship that lasted for a total of thirteen years resulting in a number of small group recordings as leader, spent time with Illinois Jacquet, and then with J.C. Heard. He also played on Benny Goodman’s 1962 tour of the Soviet Union.

Leaving the Basie band in 1961, Newman helped found Jazz Interactions, of which he became president in 1967. Jazz Interactions was a charitable organization which provided an information service, brought jazz master classes into schools and colleges, and later maintained its own Jazz Interaction Orchestra, for whom Newman wrote.

In the 1970s and 1980s Newman toured internationally, recorded for various major record labels. He suffered a stroke in 1991, however, which seriously disabled him. Joe Newman, trumpeter, composer and educator best known for his years with Count Basie passed away on July 4, 1992.


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Wayne Shorter was born August 25, 1933 in Newark, New Jersey and attended Newark Arts High School where his love of music flourished under the encouragement of his father to take up the saxophone.  In his youth Shorter had acquired the nickname “Mr. Gone”, which later became an album title for Weather Report.

Graduating in 1952, he matriculated through New York University in 1956, spent two years in the Army, during which he briefly played with Horace Silver and after his discharge, he played with Maynard Ferguson.

In 1959, Shorter became a Messenger joining Art Blakey, stayed five years and became the bands musical director. When Coltrane left Miles Davis’ band he proposed Wayne, as his replacement but his unavailability di not release him from Blakey until 1964. Along with Herbie Hancock, Ron Carter and Tony Williams, the Second Great Quintet was born.

During his tenure with Miles, Wayne would compose “Prince of Darkness”, “E.S.P.”, “Footprints”, “Sanctuary”, “Nefertiti”, and many others; often providing half of the compositions on an album, typically hard bop workouts with long, spaced-out melody lines above the beat. He remained in Davis’s band after the breakup of the quintet in 1968, playing on the early jazz-fusion recordings including “In A Silent Way” and “Bitches Brew”.

Until 1968, he played the tenor saxophone exclusively but the next year he put down the tenor after his final Davis recording of Filles de Kilimanjaro and began playing the soprano, which he used on his own Super Nova release with Chick Corea and John McLaughlin. By the early 1970s, however, he chiefly played soprano.

Shorter recorded eleven albums for Blue Note Records featuring almost exclusively his own compositions, with a variety of line-ups, quartets and larger groups. He would enlist the talents of Freddie Hubbard, Lee Morgan, McCoy Tyner, Reggie Workman and Elvin Jones.

Juju, Speak No Evil and Adam’s Apple The All Seeing Eye and Schizophrenia played in the spaces between free-jazz and carefully constructed melodies. Hey incorporated old friends like Hancock, Carter, Curtis Fuller and Joe Chambers. He recorded occasionally in the sideman slot with Donald Byrd, McCoy tyner, Grachan Moncur III, Hubbard, Morgan, Hancock and Williams.

In 1970, Shorter formed the fusion group Weather Report with Joe Zawinul and Miroslav Vitous, Airto Moreira and Alphonse Mouzon. They lasted until 1985. One of the most notable alumni included revolutionary bassist Jaco Pastorious and the band produced funk, bebop, Latin jazz, ethnic music and futuristic recordings.

He would record with Milton Nascimento, Carlos Santana, V.S.O.P Quintet, Joni Mitchell, Steely Dan’s Aja, Terri Lynne Carrington, Marilyn Mazur, Jim Beard, Don Henley, Wallace Roney, and can be heard on the Harrison Ford film soundtrack of The Fugitive. By the mid 90s Wayne released his Verve Records debut High Life and received a Grammy for Best Contemporary Jazz Album in 1997.

Into the millennium Shorter has continued to receive wide acclaim working with Hancock once again in 1997, on the much acclaimed and heralded album 1+1. The song “Aung San Suu Kyithem won them both a Grammy Award. He continues to work in a number of group configurations and winning Grammys for his Beyond The Sound Barrier & Alegria – Best Instrumental Jazz Album amongst his 10 Grammy Awards, and has been a Down Beat reigning critics’ poll winner for ten consecutive years and the readers’ for 18. The soprano saxophonist has amassed an impressive discography and continues to compose, reinvent his music, perform and tour.


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Oscar Brashear was born August 18, 1944, in Chicago, Illinois. After studying at trumpet and music at DuSable High School and Wright Jr. College under John DeRoule, he worked briefly with Woody Herman before going on to join Count Basie from 1968-69, then returning to freelance in Chicago. There her worked with Sonny Stitt, Gene Ammons, Dexter Gordon and James Moody.

A move to Los Angeles in 1971, he worked with Gerald Wilson, Harold Land, Oliver Nelson, Shelly Manne, Quincy Jones, Horace Silver and Duke Pearson.

To date Brashear has contributed to more than five-dozen recording sessions with Teddy Edwards, Jimmy Smith, Sonny Rollins, Benny Golson, Bobby Hutcherson,, B.B. King, Bobby Bland, Freddie Hubbard, Joe Farrell, The Crusaders, McCoy Tyner, Gene Harris, Earth Wind and Fire, Carole King, Ry Cooder and Frank Sinatra among many others. He continues to perform and record as a session player.


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John Stein, born on June 19, 1949, was raised in Kansas City, Missouri and took up the guitar at a very early. His was musically educated on the instrument at Berklee College of Music, where he now holds the position of associate professor.

Stein collaborates with Boston hitters Bill Pierce, Kenneth Weinberger, John LaPorta and Bob Freedman but has graced stages with David “Fathead” Newman, Lou Donaldson, Dr. Lonnie Smith, and Idris Muhammad.

John has published educational columns in Just Jazz Guitar Magazine, focusing on composition and arranging for jazz guitar. He has published arranging materials in a book titled Berklee Jazz Standards For Solo Guitar, as well as his compositional materials into two books.  Composing Blues For Jazz Performance, and Composing Tunes For Jazz Performance.

He has also performed in Europe, conducting tours in Germany, France, Switzerland Brasil and the States. As a mainstay on the jazz circuit, guitarist John Stein continues to record, perform and tour with his compositions and performances covering a range of jazz including blues, bebop, bossa nova and swing.


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Geri Allen was born on June 12, 1957 in Pontiac, Michigan and received her early jazz education at Cass Technical High School in Detroit and the Jazz Development Workshop under the mentorship of Marcus Belgrave. In 1979 she graduated fro Howard University with a jazz studies degree, moved to New York and studied with Kenny Barron. She went on to get a degree in ethnomusicology from the University of Pittsburgh, returned to New York and joined the Brooklyn based M-Base crowd, recording several albums with Steve Coleman, beginning in 1985.

Geri’s 1984 debut album “The Printmakers” showcased the pianist’s more avant-garde tendencies, followed by “Etudes” and “Twenty-One” in 1995 in which she was the first recipient of Soul Train’s Lady of Soul Award for jazz album of the year. She has played with a luminous list of musicians not the least Ron Carter, Tony Williams, Charlie Haden, Anthony Cox, Betty Carter, Ornette Coleman, Jack DeJohnette, Mary Stallings and Charles Lloyd.

Geri Allen currently teaches as Associate Professor of Jazz Piano & Improvisation Studies at the University of Michigan as well as recording and touring with Charles Lloyd; and in 2007 participated in the documentary film titled “Live Music, Community & Social Conscience” that looks at how music connects us to our humanity, and to each other regardless of borders, politics, culture economics, or religion. She was the 2008 recipient of a Guggenheim Fellowship.

Allen has received many awards such as the “African-American Classical Music Award”, “A Salute to African-American Women: Phenomenal Woman”, nominations in 2011 for the NAACP Image Award for Best Jazz Album, “Geri Allen & Timeline Live” and for both The 10th Annual Independent Music Awards for “Live Performance Album” and for “Best Jazz Pianist”, by the Jazz Journalists Association.

As an educator Geri has taught Jazz & Contemporary Improvisation at the School Of Music Theatre & Dance, at the University Of Michigan and was a curator in New York City at the STONE. Since 2013 she’s been teaching at her alma mater, the University of Pittsburgh, as an Associate Professor of Music and as the Director of the Jazz Studies Program.

Pianist Geri Allen continued to perform, tour and record until she passed away on June 27, 2017, two weeks after her 60th birthday in Philadelphia, Pennsylvania after losing her battle with cancer..


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