Daily Dose Of Jazz…

Joseph S. Romano was born in Rochester, New York on April 17, 1932 and learned to play clarinet, alto and tenor saxophone as a child. Enlisting in the United States Air Force in the 1950s, then joined the band of Woody Herman in 1956, playing intermittently with Herman into the 1970s, including at major jazz festivals and on several worldwide tours.

In the 1960s, he played with Chuck Mangione, Sam Noto, and Art Pepper and was a recurring sideman on Buddy Rich’s albums between 1968 and 1974. During the Seventies he played with Les Brown, Louie Bellson, Chuck Israels, Sam Noto again, and with the Thad Jones-Mel Lewis Orchestra.

A move to California led him to session work in the 1980s. In addition, he worked with Frank Capp and Nat Pierce. He would later return to his hometown.

Saxophonist Joe Romano transitioned in Rochester on November 26, 2008, from lung cancer, at the age of 76.

ROBYN B. NASH

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Daily Dose Of Jazz…

Nicolas Masson was born on April 14, 1972 in Geneva, Switzerland. He took up the saxophone in his youth and at twenty years old he met Cecil Taylor in New York and took lessons from Frank Lowe and Makanda Ken McIntyre. Returning home he enrolled in the jazz program at the Conservatoire Populaire de Musique de Genève with Maurice Magnoni as a saxophone teacher.

While a student he attended master classes withLee Konitz, Dave Douglas and Misha Mengelberg. In 1999 Masson spent the summer in New York City studying with Chris Potter. Graduating from the conservatoire in 2000 with a jazz performance and teaching degree, he returned to New York City for a year and studied regularly with Rich Perry and played with local musicians.

His debut album Awake was released in 2002 on the Swiss label Altri Suoni. The session was recorded with his New York band featuring trumpeter Russ Johnson, bassist Eivind Opsvik and drummer Mark Ferber. A year later they were touring Switzerland and Italy.

Receiving a grant from the Bourse d’Aide à la Création he was able to tour Italy and record his sophomore album Yellow (A Little Orange) that was released in 2006 on the Fresh Sound/New Talent label. In 2005 and 2006, the Quartet toured Italy again, taking part in an itinerant Swiss festival organized by Rome’s Swiss Cultural Centre, sharing the evening with Irène Schweizer, Lucas Niggli and Malcolm Braff.

In 2007, a New York concert, European duo tour with Kris Davis of Switzerland, Italy, France and Germany, a  New York gig with the Quartet and a 2009 release Thirty Six Ghosts on Clean Feed Records kept him busy. Saxophonist Nicolas Masson continues to record and play throughout Europe.

ROBYN B. NASH

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Daily Dose Of Jazz…

Simon Spang-Hanssen was born on April 13, 1955 in Copenhagen, Denmark andstarted playing alto saxophone but later added tenor and soprano. Receiving the annual Ben Webster Prize he created his own quartet Spacetrain with Ben Besiakov, Jesper Lundgaard and Alex Riel in 1979. He played in several groups before joining the sextet of Brazilian drummer and composer Nenê, and touring Denmark and France with Hermeto Pascoal e Grupo.

A move to Paris, France saw him playing with among others Denis Badault, Andy Emler, Nguyên Lê, Quintet Moutin, Ramuntcho Matta, Edouard Ferlet and with his own projects including musicians such as Richard Bona, Billy Hart, Niels Lan Doky, J.F. Jenny-Clarke, Bojan Z., and others. Returning to Copenhagen he created the tentet Central Earth and recorded Wondering with Maaneklar for Dacapo. Concerts and recording followed with a new quartet and quintet into the new millennium. He has had several iterations

Simon started the record label Alisio and released Rainbow Spirit and Coexistence with a quintet. These were followed with several other releases including The Riddle with Ear Witness, a live-recording in Copenhagen Jazzhouse with Maneklar XL, and two nominations for Danish Jazz Awards: Composer of the Year, Album of the year.

He has played and toured with the Aliso Ensemble South America, Scandinavia,   and Zanzibar with Ear Witness. He released a new recording with the Epistrophy Septet with trombonist Peter Dahlgren. Saxophonist Simon Spang-Hanssen continues to perform and tour with a variety of musicians.

ROBYN B. NASH

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Daily Dose Of Jazz…

Marty Krystall was born on April 12, 1951 in Los Angeles, California. He beame fluent on tenor saxophone and clarinet and his sound was somewhat influenced by Ben Webster but is open to adventurous improvisations.

Marty has appeared in several of Buell Neidlinger’s groups through the years. Since the late 1970s he has worked as a Los Angeles studio musician and helped run the K2B2 record label. He has recorded with Neidlinger in Krystall Klear and the Buells, Buellgrass which was later renamed String Jazz, the group Thelonious, and a tribute album to Herbie Nichols.

He has recorded with Leon Kottke, Aretha Franklin, Peter Erskine, Hugh Schick, Yasushi Yoneki, and his marty krystall spatial quartet. Saxophonist and clarinetist Marty Krystall, who is a member of the Hollywood Bowl Orchestra, continues to explore the genres of jazz.

ROBYN B. NASH

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Daily Dose Of Jazz…

John Fraser MacPherson was born on April 10, 1928 in Saint Boniface, Manitoba, Canada. He moved with his parents to Victoria, British Columbia, Canada as a child where he learned piano, clarinet, and alto and tenor saxophones. After relocating to Vancouver, British Columbia to continue a commerce degree, he played in bands led by Ray Norris, Dave Robbins, Paul Ruhland, and Doug Parke.

He led his own groups and eventually took over the leadership of the Cave supper club band.In 1958 Fraser took a year’s leave to study in New York City, adding flute to his list of instruments.

Throughout the 1960s and 1970s MacPherson was a first-call studio player in Vancouver, as well as leading the house band at the Cave supper club. He also taught briefly in the Jazz and Commercial Music department at Vancouver Community College, where his students included future Powder Blues Band baritone saxophonist Gordie Bertram and New Orleans based saxophonist and jazz educator John Doheny.

Fraser’s debut album as leader of a small jazz group, Live at the Planetarium, was recorded for broadcast on the French-language CBC radio network. He leased the master tapes and released them on his own independent label, West End Records. The album was re-released by Concord Records, and he recorded several other releases for them. He also recorded for Sackville and Justin Time record labels.

In the summer of 1993, Pacific Music Industry Association (PMIA) created the Fraser MacPherson Scholarship Fund which annually awards grants of $2000 to four to eight aspiring music students.

Fraser MacPherson, who won a Juno Award for Best Jazz Album and was awarded the Order of Canada, transitioned in Vancouver at the age of 65 on September 27, 1993.

ROBYN B. NASH

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