
Daily Dose Of Jazz…
Larry Vuckovich was born on December 8, 1936 in Kotor, Montenegro and spent his childhood in Yugoslavia where he received classical piano lessons. He became familiar with jazz listening to radio broadcasts of AFN and Voice of America. Suffering persecution under Tito, his family emigrated to the US in 1951, received political asylum and settled in San Francisco, California.
Visited local jazz clubs Larry listened to jazz greats such as Miles Davis, Dizzy Gillespie and John Coltrane, and started playing jam sessions with musicians on the local jazz scene such as John Handy and Cal Tjader. He studied music at San Francisco State University alongside Roland Kirk, Mickey Roker and Bob Cranshaw, while getting instructed by Vince Guaraldi.
1959 saw Vuckovich starting his professional career in the band of Brew Moore. Soon thereafter, he accompanied singers like Irene Kral, David Allyn and Mel Tormé. By 1965 he had joined the band of Jon Hendricks to tour with him throughout the world, before settling in Munich, Germany as house pianist of the jazz club Domicile. While working there, he performed with Lucky Thompson, Pony Poindexter, Clifford Jordan, Dexter Gordon, Slide Hampton and Dusko Goykovich among others.
Returning to San Francisco he took up residency at the Keystone Korner until 1983 playing with the likes of Arnett Cobb, Buddy Tate, Leon Thomas, Philly Joe Jones and Charles McPherson. From 1985 to 1990, Vuckovich worked in New York City with Curtis Fuller, Milt Hinton, Al Cohn, Tom Harrell and many others. Afterwards, he returned to the West Coast in order to pursue projects of his own, which included bands Blue Balkan, Young at Heart and La Orquesta el Vuko.
He has also performed with Bobby Hutcherson, Larry Grenadier, Hadley Caliman, Cal Collins and Eddie Vinson. He became the artistic director for the West Coast Jazz Festival and the Nappa Valley Jazz Festival and founded his own label “Tetrachord Music”, for which he also acts as producer. Pianist Larry Vuchovich continues to perform, tour and record under his own name for Concord, Hot House, Inner City and Palo Alto Jazz record labels
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Daily Dose Of Jazz…
Jay Leonhart was born December 6, 1940 in Baltimore, Maryland and grew up in a musical family, with his parents and six siblings all played the piano. By the age of seven he and his older brother Bil were playing banjos, guitars, mandolins and basses. They played country music, jazz and anything with a beat. In their early teens, the brothers were television stars in Baltimore and were touring the country performing on their banjos.
By fourteen Jay started playing the bass in The Pier Five Dixieland Jazz Band in his hometown. He studied at The Peabody Institute, attended The Berklee College of Music and The Advanced School of Contemporary Music in Toronto. He then left school to start touring with the traveling big bands of the late 1950s and early 1960s.
At 21 Leonhart moved to New York City to start his career and played lots of funky road gigs with big bands, small bands and singers, visiting many little jazz joints around the world. He eventually began playing for many of the great jazz musicians, big bands, and singers like Thad Jones and Mel Lewis, Lou Marini, Tony Bennett, Marian McPartland, and Jim Hall.
Becoming a very busy New York City studio musician he played every musical genre from James Taylor to Ozzy Osbourne and Queen Latifah, as well as Barbara Carroll, Peggy Lee, Eddie Higgins, Terry Clarke, Gerry Mulligan, Donnie O’Brien, Bucky Pizzarelli, Daryl Sherman and Bluesiana Triangle. Between 1975 and 1995 he was named The Most Valuable Bassist in the recording industry three times by the National Academy of Recording Arts and Sciences.
Bassist Jay Leonhart has now recorded fifteen solo albums and is performing a one-man show called The Bass Lesson about his life in the music business and song. He has toured worldwide for more than forty years and currently performs regularly with trombonist Wycliffe Gordon in a duo which began as a result of their recording This Rhythm on My Mind.
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Daily Dose Of Jazz…
Alvin Owens “Red” Tyler was born on December 5, 1925 and raised in New Orleans, Louisiana. He was known as “Red” because of his light tanned skin.He grew up listening to the city’s marching bands but didn’t begin playing saxophone until after he joined the US Navy in 1945. After his discharge he joined the Grunewald School of Music and by 1949 he started his career by joining the Dave Bartholomew’s R&B band, whose other members included Ernest McLean, Frank Fields, and Earl Palmer.
Red made his recording debut on Fats Domino’s first session at Cosimo Matassa’s studio, when he recorded The Fat Man. He went on to play on recording sessions for Little Richard, Lloyd Price, Aaron Neville, Lee Dorsey, and numerous other rhythm and blues artists, often helping with the songs’ arrangements. In 1955, he began working for Johnny Vincent’s Ace Records as an A&R man, overseeing sessions by Huey “Piano” Smith, Frankie Ford and others. He also recorded an album, Rockin’ and Rollin’, credited to Alvin ‘Red’ Tyler and the Gyros, with a band that included Fields, Allen Toussaint, and James Booker.
Leaving Ace in 1961, Tyler helped Harold Battiste found his AFO (All For One) record label, which had a hit with Barbara George’s I Know in 1962. He then moved to California where he recorded with Sam Cooke, Larry Williams and others, before returning to New Orleans in the mid-1960s. He co-owned Parlo Records, which found success in 1967 with Aaron Neville’s Tell It Like It Is. He is listed as one of three songwriters of the instrumental, Java, originally recorded by Allen Toussaint. Covered by New Orleans trumpet player Al Hirt, it eventually reached the charts in 1964 and peaked at #4.
Though he primarily played R&B during th early part of his career, during this period Red also played jazz in club jam sessions and regarded himself as primarily a jazz musician. From the mid-1960s Red worked as a liquor salesman and began leading his own jazz band, the Gentlemen Of Jazz, in clubs and hotel residencies in New Orleans, and played with other jazz musicians including Ellis Marsalis.
The baritone saxophone had been his primary instrument during his years as a studio musician, but his jazz playing gradually came to rely on the tenor saxophone. He recorded two jazz albums, Graciously and Heritage In the mid-1980s, with vocals by Johnny Adams and Germaine Bazzle, on the Rounder Records label. In 1994, he recorded the album The Ultimate Session with Toussaint, Earl Palmer, Mac Rebennack, and other New Orleans musicians.
Red Tyler passed away at age 72 in New Orleans on April 3, 1998. After his death, the New Orleans Jazz Festival organised a concert in his honor, featuring many New Orleans leading musicians.
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Daily Dose Of Jazz…
Gary Potter was born on November 15, 1965, Liverpool, Lancashire, England. Taking up guitar in his youth, he was playing in country music bands at the age of 12. He had a spell in the USA, drawing approving attention in Nashville, Tennessee, where he was elected to the Country Music Hall of Fame.
Drawing inspiration from early rock ‘n’ roll before becoming interested in jazz, Gary especially admired and influenced by the playing of Django Reinhardt. He has had numerous outspoken admirers of his playing including fellow guitarists Chet Atkins and George Harrison.
By the early 1990s, Potter became best known for his jazz work and in 1994 came second in the guitar section of the British Jazz Awards. He also appeared in the television documentary, The Django Legacy, worked with guitarist Nils Solberg, bass player Andy Crowdy and violinist Christian Garrick. In addition to performing, guitarist Gary Potter composes, arranges and records, while also teaching internationally.
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Daily Dose Of Jazz…
Ari Hoenig was born on November 13, 1973 in Philadelphia, Pennsylvania and was exposed to music very young, being his father is a conductor and classical vocalist, his mother a violinist and pianist. He began studying the violin and piano at age four, playing the drums by twelve and by fourteen was honing his skill with young jazz musicians in Philadelphia clubs.
He would go on to matriculate through the University of North Texas, become a member of the One O’Clock Lab Band, then wanting to be closer to the action in New York City, he transferred to William Patterson University in northern New Jersey. It wasn’t long before Ari began playing with fellow Philadelphia native Shirley Scott and gigging around the City.
Moving to Brooklyn found him playing with Jean Michel Pilc, Kenny Werner, Chris Potter, Kurt Rosenwinkel, Joshua Redman, Wayne Krantz, Mike Stern, Richard Bona, Pat Martino, Bojan Z, Dave Liebman, Tigran Hamasyan, Ethan Iverson, Mark Turner and Fred Hersch.
He has shared the stage with Herbie hancock, Ivan Lins, Wynton Marsalis, Toots Thielemans, Dave Holland, Joe Lovano and Gerry Mulligan. In 2005 Hoenig appeared with his group at the Dominican Republic Jazz Festival.
He released his debut album Jazzheads as a leader in 1999, followed up by Time Travels in 2000 and The Life of a Day in 2002. He has nine albums out to date and has had several articles and reviews written in about him in Drummerworld, Down Beat, All About Jazz and other publications.
As an educator he teaches privately and is on the faculty of New York University, the New School for Social Research, and has released several educational and instructional manuals and videos about drumming. Drummer, composer and educator Ari Hoenig continues to perform, record and tour, leading a quintet, nonet and trio.
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